As a Jew, David is transgressing, and there may be no safe place at home in which to hide a rosary. In marvelous counterpoint to Leo playing “bad” with David’s own cousin Esther, David watches Esther, who is afraid of being detected, hears her squeals at being handled by Leo. Leo insists that David “lay chickee” for him and Esther (be a lookout). Leo pays him off with the rosary David so much desires. The crucifix attached to the rosary quite frightens David; he recognizes something that may be hostile to him as a Jew. The cellar where all this is happening is dark; the gold figure on the crucifix swings slowly. David lets the glistening beads fall, one by one, in order to see how they light up the murk. Suddenly Esther’s sister Polly appears and accuses Esther: “Yuh wuz wit’ him in dere!” David slinks away. In the now violent dispute between Polly and Leo, the Catholic cries: “Yuh stinkin’ sheeny!” and the Jew is outraged that her sister not only has been petting, but petting with a Christian! “Her voice trailed off into horrified comprehension. “Oooh, w’en I tell — He’s a goy too! Yuh doity Crischin, ged oud f’om my cella’ — faw I call my modder. Ged oud!”
David flees the cellar, flees the frightening transposition of sexual taboo into religious taboo. In the streets he just wants to get back to his own familiar world. He reaches the cheder, performs brilliantly in his Hebrew reading for the visiting rabbi, then in an excited leap of fantasy, based on his fascination with the rosary, tells Yidel Pankower that his mother is dead and that he is really half Christian, the son of a European organist who played in church. The rabbi, all alarmed and curious, intrusively carries the strange story to David’s home. There is a violent altercation with his father, who is all too willing to believe that David is someone else’s son, and beats him. The scene is mixed with violent humor because it is the same moment Genya’s sister Bertha and her husband have chosen to come in to ask for a loan. To cap everything, David, as he is shaken by his father, drops the rosary. Totally beyond himself now, Albert hysterically takes this as proof of David’s supposed Gentile parentage. “God’s own hand! A sign! A witness! A proof of my word!.. Another’s! A goy’s! A cross! A sign of filth!”
David runs away in earnest this time, ends up at the car barns, where at the foot of Tenth Street “a quaking splendor dissolved the cobbles, the grimy structures, bleary stables, the dump-heap, river and sky into a single cymbal-clash of light.” David has inserted the metal dipper of a milk can “between the livid jaws of the rail, the dipper twisted and bounced, consumed in roaring radiance, candescent.” As a long burst of flame spurts from underground, growling “as if the veil of earth were splitting,” David is knocked out, looks dead to the hysterical crowd that froths around his body. Only his ankle is partly burnt, and in a rousing conclusion to the book he is brought back to his home. The near-tragedy somehow brings Albert to his senses. As his mother weepingly puts David to bed, David finally has some slight sense of triumph, for he is at last at peace with himself.
It was only toward sleep that every wink of the eyelids could strike a spark into the cloudy tinder of the dark, kindle out of shadowy corners of the bedroom such myriad and such vivid jets of images — of the glint on tilted beards, of the uneven shine on roller skates, of the dry light on grey stone stoops, of the tapering glitter of rails, of the oily sheen on the night-smooth rivers, of the glow on thin blonde hair, red faces, of the glow on the outstretched, open palms of legions upon legions of hands hurtling toward him. He might as well call it sleep.
The light he made for himself in the darkness of the cellar was real. David has won the essential first victory. He is on his way to becoming the artist who will write this book.
Alfred Kazin
PROLOGUE
(I pray thee ask no questions this is that Golden Land)
THE small white steamer, Peter Stuyvesant, that delivered the immigrants from the stench and throb of the steerage to the stench and the throb of New York tenements, rolled slightly on the water beside the stone quay in the lee of the weathered barracks and new brick buildings of Ellis Island. Her skipper was waiting for the last of the officials, laborers and guards to embark upon her before he cast off and started for Manhattan. Since this was Saturday afternoon and this the last trip she would make for the week-end, those left behind might have to stay over till Monday. Her whistle bellowed its hoarse warning. A few figures in overalls sauntered from the high doors of the immigration quarters and down the grey pavement that led to the dock.
It was May of the year 1907, the year that was destined to bring the greatest number of immigrants to the shores of the United States. All that day, as on all the days since spring began, her decks had been thronged by hundreds upon hundreds of foreigners, natives from almost every land in the world, the jowled close-cropped Teuton, the full-bearded Russian, the scraggly-whiskered Jew, and among them Slovack peasants with docile faces, smooth-cheeked and swarthy Armenians, pimply Greeks, Danes with wrinkled eyelids. All day her decks had been colorful, a matrix of the vivid costumes of other lands, the speckled green-and-yellow aprons, the flowered kerchief, embroidered homespun, the silver-braided sheepskin vest, the gaudy scarfs, yellow boots, fur caps, caftans, dull gabardines. All day the guttural, the high-pitched voices, the astonished cries, the gasps of wonder, reiterations of gladness had risen from her decks in a motley billow of sound. But now her decks were empty, quiet, spreading out under the sunlight almost as if the warm boards were relaxing from the strain and the pressure of the myriads of feet. All those steerage passengers of the ships that had docked that day who were permitted to enter had already entered — except two, a woman and a young child she carried in her arms. They had just come aboard escorted by a man.
About the appearance of these late comers there was very little that was unusual. The man had evidently spent some time in America and was now bringing his wife and child over from the other side. It might have been thought that he had spent most of his time in lower New York, for he paid only the scantest attention to the Statue of Liberty or to the city rising from the water or to the bridges spanning the East River — or perhaps he was merely too agitated to waste much time on these wonders. His clothes were the ordinary clothes the ordinary New Yorker wore in that period — sober and dull. A black derby accentuated the sharpness and sedentary pallor of his face; a jacket, loose on his tall spare frame, buttoned up in a V close to the throat; and above the V a tightly-knotted black tie was mounted in the groove of a high starched collar. As for his wife, one guessed that she was a European more by the timid wondering look in her eyes as she gazed from her husband to the harbor, than by her clothes. For her clothes were American — a black skirt, a white shirt-waist and a black jacket. Obviously her husband had either taken the precaution of sending them to her while she was still in Europe or had brought them with him to Ellis Island where she had slipped them on before she left.
Only the small child in her arms wore a distinctly foreign costume, an impression one got chiefly from the odd, outlandish, blue straw hat on his head with its polka-dot ribbons of the same color dangling over each shoulder.