He returned to Camino Island and found Tim where he’d left him, at the coffee bar, sipping espresso and reading a newspaper, looking even more haggard than before. At first, Tim did not remember him, but then Bruce said, “I was thinking about buying the store a couple of months ago. You were asking one-fifty.”
“Sure,” Tim said, perking up only slightly. “You find the money?”
“Some of it. I’ll write a check today for a hundred thousand, and twenty-five grand a year from now.”
“Nice, but that’s twenty-five short, the way I count.”
“That’s all I have, Tim. Take it or leave it. I’ve found another store on the market.”
Tim thought for a second, then slowly shoved forward his right hand. They shook on the deal. Tim called his lawyer and told him to speed things along. Three days later the paperwork was signed and the money changed hands. Bruce closed the store for a month for renovations, and used the downtime for a crash course on bookselling. Tim was happy to hang around and share his knowledge on every aspect of the trade, as well as the gossip on customers and most of the other downtown merchants. He had a lot of opinions on most matters, and after a couple of weeks Bruce was ready for him to leave.
On August 1, 1996, the store reopened with as much fanfare as Bruce could possibly drum up. A nice crowd sipped champagne and beer and listened to reggae and jazz while Bruce relished the moment. His grand adventure had been launched, and Bay Books — New and Rare was in business.
2.
His interest in rare books was accidental. Upon hearing the awful news that his father had dropped dead of a heart attack, Bruce went home to Atlanta. It wasn’t really his home — he’d never spent much time there — but rather the current and last home of his father, a man who moved often and usually with a frightening woman in tow. Mr. Cable had married twice, and badly, and had sworn off the institution, but he couldn’t seem to exist without the presence of some wretched woman to complicate his life. They were attracted to him because of his apparent wealth, but over time each had realized he was hopelessly scarred by two horrific divorces. Luckily, at least for Bruce, the latest girlfriend had just moved out and the place was free from prying eyes and hands.
Until Bruce arrived. The house, a baffling, cutting-edge pile of steel and glass in a hip section of downtown, had a large studio on the third level where Mr. Cable liked to paint when he wasn’t investing. He had never really pursued a career, and since he lived off his inheritance he had always referred to himself as an “investor.” Later, he’d turned to painting, but his oils were so dreadful that he’d been shooed away from every gallery in Atlanta. One wall of the studio was covered with books, hundreds of them, and at first Bruce hardly noticed the collection. He assumed they were just window dressing, another part of the act, another lame effort by his father to seem deep, complicated, and well read. But upon closer observation, Bruce realized that two shelves held some older books with familiar titles. He began pulling them off the upper shelf, one by one, and examining them. His casual curiosity quickly turned to something else.
The books were all first editions, some autographed by the authors. Joseph Heller’s Catch-22, published in 1961; Norman Mailer’s The Naked and the Dead (1948); John Updike’s Rabbit, Run (1960); Ralph Ellison’s Invisible Man (1952); Walker Percy’s The Moviegoer (1961); Philip Roth’s Goodbye, Columbus (1959); William Styron’s The Confessions of Nat Turner (1967); Dashiell Hammett’s The Maltese Falcon (1929); Truman Capote’s In Cold Blood (1965); and J. D. Salinger’s The Catcher in the Rye (1951).
After the first dozen or so, Bruce began placing the books on a table rather than returning them to the shelves. His initial curiosity was overwhelmed by a heady wave of excitement, then greed. On the lower shelf he ran across books and authors he’d never heard of until he made an even more startling discovery. Hidden behind a thick three-volume biography of Churchill were four books: William Faulkner’s The Sound and the Fury (1929); Steinbeck’s Cup of Gold (1929); F. Scott Fitzgerald’s This Side of Paradise (1920); and Ernest Hemingway’s A Farewell to Arms (1929). All were first editions in excellent condition and signed by the authors.
Bruce fished around some more, found nothing else of interest, then fell into his father’s old recliner and stared at the wall of books. Sitting there, in a house he’d never really known, looking at wretched oils done by an artist with an obvious lack of talent, wondering where the books came from, and pondering what he would do when Molly, his sister, arrived and they would be expected to plan a funeral service, Bruce was struck by how little he knew about his late father. And why should he know more? His father had never spent time with him. Mr. Cable shipped Bruce off to boarding school when he was fourteen. During the summers, the kid was sent to a sailing camp for six weeks and a dude ranch for six more, anything to keep him away from home. Bruce knew of nothing his father enjoyed collecting, other than a string of miserable women. Mr. Cable played golf and tennis and traveled, but never with Bruce and his sister; always with the latest girlfriend.
So where did the books come from? How long had he been collecting them? Were there old invoices lying around, written proof of their existence? Would the executor of his father’s estate be required to lump them in with his other assets and give them, along with the bulk, to Emory University?
Leaving the bulk of the estate to Emory was something else that irked Bruce. His father had talked about it occasionally, without giving too many details. Mr. Cable was of the lofty opinion that his money should be invested in education and not left for children to squander. On several occasions Bruce had been tempted to remind his father that he’d spent his entire life pissing away money earned by someone else, but squabbling over such matters would not benefit Bruce.
At that moment, he really wanted those books. He decided to keep eighteen of the best and leave the rest behind. If he got greedy and left gaps, someone might notice. He fit them neatly in a cardboard box that had once held a case of wine. His father had battled the bottle for years and finally reached a truce that allowed him a few glasses of red wine each night. There were several empty boxes in the garage. Bruce spent hours rearranging the shelves to give the impression that nothing was missing. And who would know? As far as he knew, Molly read nothing, and, more important, avoided their father because she hated his girlfriends. To Bruce’s knowledge, Molly had never spent a night in the house. She would know nothing of her father’s personal effects. (However, two months later, she asked him on the phone if he knew anything about “Daddy’s old books.” Bruce assured her he knew nothing.)
He waited until dark and carried the box to his Jeep. There were at least three surveillance cameras watching the patio, driveway, and garage, and if anyone asked questions, he would simply say he was taking away some of his own stuff. Videos, CDs, whatever. If the executor of the estate later asked about the missing first editions, Bruce would, of course, know nothing. Go quiz the housekeeper.
As things evolved, it was the perfect crime, if, indeed, it was a crime at all. Bruce really didn’t think so. In his opinion, he should be receiving far more. Thanks to thick wills and family lawyers, his father’s estate was wrapped up efficiently and his library was never mentioned.