Daidre watched them as Lynley watched her. She finally said, “I’ll come for you at ten, then. Will that do for you, Mr. Lynley?”
His response was a long time in coming. Daidre thought he must be a good policeman.
“Thomas,” he said to her. “Please call me Thomas.”
IT WAS LIKE AN old-time film about the American west, Lynley thought. He ducked into the inn’s public bar, where the local drinkers were gathered, and silence fell. This was a part of the world where you were a visitor until you had become a permanent resident and you were a newcomer until your family had lived in the place for two generations. So he went down as a stranger among them. But he was more than that. He was also a stranger dressed in a white boiler suit and wearing nothing but socks on his feet. He had no coat against the cold, the wind, and the rain, and if that were not enough to make him a novelty, had anyone other than a bride entered this establishment in the past wearing white from shoulder to ankle, it probably hadn’t happened in the living memory of anyone present.
The ceiling-stained with the soot of fires and the smoke of cigarettes and crossed with black oak beams from which horse brasses were nailed-hung less than twelve inches above Lynley’s head. The walls bore a display of ancient farm implements, given mostly to scythes and pitchforks, and the floor was stone. This last was uneven, pockmarked, scored and scoured. Thresholds made of the same material as the floor were cratered by hundreds of years of entrances and exits, and the room itself that defined the public bar was small and divided into two sections described by fireplaces, one large and one small, which seemed to be doing more to make the air unbreathable than to warm the place. The body heat of the crowd was seeing to that.
When he’d been at the Salthouse Inn earlier with Daidre Trahair, just a few late-afternoon drinkers had been present. Now, the place’s nighttime crowd had arrived, and Lynley had to work his way through them and through their silence to get to the bar. He knew it was more than his clothing that made him an object of interest. There was the not small matter of his smelclass="underline" unwashed from head to toe for seven weeks now. Unshaven and unshorn as well.
The publican-Lynley recalled that Daidre Trahair had referred to him as Brian-apparently remembered him from his earlier visit because he said abruptly into the silence, “Was it Santo Kerne out there on the cliffs?”
“I’m afraid I don’t know who it was. But it was a young man. An adolescent or just older than that. That’s all I can tell you.”
A murmur rose and fell at this. Lynley heard the name Santo repeated several times. He glanced over his shoulder. Dozens of eyes-young and old and in between-were fixed on him.
He said to Brian, “The boy-Santo-he was well known?”
“He lives hereabouts,” was the unhelpful reply. That was the limit of what Brian appeared to be willing to reveal to a stranger. He said, “Are you after a drink, then?”
When Lynley asked for a room instead, he recognised in Brian a marked reluctance to accommodate him. He put this down to what it likely was: a logical unwillingness to allow an unsavoury stranger such as himself access to the inn’s sheets and pillows. God only knew what vermin might be crawling upon him. But the novelty he represented at the Salthouse Inn was in his favour. His appearance was in direct conflict with his accent and his manner of speaking, and if that were not enough to make him an object of fascination, there was the intriguing matter of his finding the body, which had likely been the subject of conversation inside the inn before he entered.
“A small room only,” was the publican’s reply. “But that’s the case with all of ’em. Small. Wasn’t like people needed much when the place was built, did they.”
Lynley said that the size didn’t matter and he’d be happy with whatever the inn could give him. He didn’t know how long he’d actually need the room, he added. It seemed that the police were going to require his presence until matters about the young man in the cove had been decided.
A murmur rose at this. It was the word decided and everything that the word implied.
Brian used the toe of his shoe to ease open a door at the far end of the bar, and he spoke a few words into whatever room existed behind it. From this a middle-aged woman emerged, the inn’s cook by her garb of stained white apron, which she was hastily removing. Beneath it she wore a black skirt and white blouse. Sensible shoes as well.
She would take him up to a room, she said. She was all business, as if there was nothing strange about him. This room, she went on, was above the restaurant, not the bar. He’d find it quiet there. It was a good place to sleep.
She didn’t wait for his reply. His thoughts likely didn’t interest her anyway. His presence meant custom, which was hard to come by until late spring and summer. When beggars went begging, they couldn’t exactly choose their benefactors, could they?
She headed for another door at the far side of the public bar. This gave onto an icy stone passage. The inn’s restaurant operated in a room off this passage, although no one was seated within it, while at the far end a stairway the approximate width of a suitcase made the climb to the floor above. It was difficult to imagine how furniture had been worked up the stairs.
There were three rooms only on the first floor, and Lynley had his choice, although his guide-her name was Siobhan Rourke, she’d told him, and she was Brian’s longtime and apparently long-suffering partner-recommended the smallest of them as it was the one she’d mentioned earlier as being above the restaurant and quiet at this time of year. They all shared the same bathroom, she informed him, but that ought to be of no account as no one else was staying.
Lynley wasn’t particular about which room he was given so he took the first one whose door Siobhan opened. This would do, he told her. It suited him. Not much larger than a cell, it was furnished with a single bed, a wardrobe, and a dressing table tucked under a tiny casement window with leaded panes. Its only bow to mod cons were a washbowl in a corner and a telephone on the dressing table. This last was a jarring note in a room that could have done for a serving maid two hundred years earlier.
Only in the centre of the room could Lynley actually stand upright. Seeing this, Siobhan said, “They were shorter in those days, weren’t they? P’rhaps this isn’t the best choice, Mr…?”
“Lynley,” he said. “This is fine. Does that phone work?”
Indeed, it did. Could she bring him anything? There were towels in the wardrobe and soap as well as shampoo in the bathroom-she sounded encouraging as she said this last bit-and if he wanted a meal, that could be arranged. Up here. Or in the dining room below, naturally, if that was what he wanted. She added this last as a hasty afterthought although it was fairly clear that the more he kept to his room, the happier everyone would be.
He said he wasn’t hungry, which was more or less the truth. She left him then. When the door closed behind her, he gazed at the bed. It was nearly two months since he’d slept in one, and even then he’d not done much sleeping anyway. When he slept, he dreamed, and he dreaded his dreams. Not because they were disturbing but because they ended. It was, he’d found, more bearable not to sleep at all.
Because there was no point in putting it off, he went to the phone and punched in the numbers. He was hoping that there would be no answer, just a machine picking up so that he could leave a brief message without the human contact. But after five double rings, he heard her voice. There was nothing for it but to speak.
He said, “Mother. Hullo.”
At first she said nothing and he knew what she was doing: standing next to the phone in the drawing room or perhaps her morning room or elsewhere in the grand sprawling house that was his birthright and even more his curse, raising one hand to her lips, looking towards whoever else was in the room and that would likely be his younger brother or perhaps the manager of the estate or even his sister in the unlikely event that she was still down from Yorkshire. And her eyes-his mother’s eyes-would communicate the information before she said his name. It’s Tommy. He’s phoned. Thank God. He’s all right.