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For men — or so, in that moment, however mysteriously, their beating hearts told them — were fathers, husbands, and lovers who enjoyed behaving in a manly fashion: they jangled their swords like gallants and paraded their titles, rank, and wealth, chasing every skirt in sight; this was the way they were in Bolzano and elsewhere, too, if stories were to be believed. But this man’s reputation was different. Men liked to act in a superior manner, bragging, sometimes almost crowing with vanity: they were as ridiculous as roosters. Under their display, though, most of them were melancholy and childish, now simple, now greedy, now dull and insensitive. What Lucia had said was true, the women felt: here was a man who was genuinely, most resolutely a man, just that and no more, the way an oak tree is just an oak tree and a rock is simply a rock. They understood this and stared at each other wide-eyed, their mouths half-open, their thoughts troubled. They understood because Lucia had said it, because they had seen it with their own eyes, and because the room, the house, and the whole town were tense with an excitement that emanated from the stranger; they understood, in short, that a genuine man was as unusual a phenomenon as a genuine woman. A man who is not trying to prove anything by raising his voice or rattling his sword, who does not crow, who asks no favors except those he himself can grant, who does not look to women for either friendship or maternal comfort, who has no wish to hide in love’s embrace or behind women’s skirts; a man who is only interested in buying and selling, without hustling or greed, because every atom of his being, every nerve, every spark of his spirit and every muscle of his body, is devoted to the power that is life: that kind of man is indeed the rarest of creatures. For there were mummy’s boys and men with soft hands, and there were loud and boastful men whose voices had grown hoarse declaiming their feelings to women, and there were vulgar, oafish, and panting kinds of men — none of whom were as real as this. There were the handsome, who cared less for women than for their own beauty and success. And there were the merciless, who stalked women as though they were enemies, their smiles sticky as honey, who carried knives beneath cloaks wide and capacious enough to hide a pig. And then occasionally, very occasionally, there was just a man. And now they understood the reputation that preceded him and the anxiety that had spread through town: they rubbed their eyes, they sighed, their breath came in shallow gasps, and their hands flew to their breasts. Then Lucia gave a scream and they all backed away from the door. For the door had opened and behind the great white panels stood the low, tousled, unshaven, slightly stiff figure of the stranger, his eyes blinking, somewhat inflamed in the strong light, his whole body bent over as if exhausted but ready to leap.

Waking

The women backed away toward the wall and the door. The man turned his tousled head to one side, blinked — there were traces of down from the pillow in his hair, and he looked as if he had come fresh from a masked ball or some underworld carnival of dreams where he had danced like a dervish until witches had tarred and feathered him — then ran his piercing glance over the room and the furniture, turning his head this way and that at leisure as if he had all the time in the world, as if he knew that everything was of equal importance, because it is only the feelings we have about what we see that makes things seem different. At this point he noticed the women and rubbed his glazed, half-closed eyes. He stood for a moment like that, with his eyes closed. Then, his head still tilted to one side, he surveyed them in a proud, inquisitorial manner, the way a master looks at his servants, a real master, that is, who does not regard his servants as peculiarly fallible people just because he is the master and they his servants, but as people who have willingly undertaken their roles as servants. Now he raised his head and seemed to grow a little. He drew his gown over his left shoulder with a rough movement of his short arms and bony yellow hands. It was a grand, theatrical gesture. The women sensed this and it was as if they were released from the spell that had first bound them, for, with this movement, the man showed that he was not as certain of himself as he first seemed, that he was merely strutting and miming the actions of the privileged and powerfuclass="underline" and so they relaxed and started coughing and clearing their throats. But no one said anything. They stood like that a long time, silent, unmoving, locking eyes with him.

But now the man laughed, as easily as he might sneeze, with no intervening change of mood. He laughed silently, more with his eyes than his mouth, his eyes opening wide and filling with light: it was like a sudden opening of windows in a dark room. This light, which was good-humored, crude, blinding, and impudent, inquisitive yet confidential, touched the women. The women themselves did not laugh: they did not cry “Aha!” or exclaim “Oho!” or giggle “Tee-hee.” They listened carefully and watched him. Lucia turned her eyes away a little, looked up at the ceiling as if expecting help from there, and silently, under her breath, groaned, “Mamma mia!” Nanette wrung her hands in an attitude somewhat like prayer. The man, too, kept silent and continued laughing. Now he showed his teeth, yellowing, slightly splayed, part of a large and powerful structure like an undamaged, predatory set of tusks, and his eyes, mouth, teeth, and the whole face laughed silently, with a lazy, comfortable, self-conscious good humor, as if there could be nothing finer or more amusing than this scene, here, in Bolzano, in a room of The Stag, around noon, facing a bunch of startled women who had sneaked in to watch him wake in order that they could gossip about him later in the town and around the local wells. The laughter shook his upper torso. He put his hands on his hips and leaned back gently so as to laugh better. It was as if a feeling that had long been trapped within his body had broken into pieces and was now coursing through him in hot currents, a feeling that was neither deep, nor high, nor tragic, but simply hot and pleasant, like the sense of being alive: so the laughter slowly began to bubble up his throat, found voice, cracked as it stumbled forth, then suddenly flooded out of him the way a crude, popular song might flow from the mouth of a singer. And within a few seconds, his hands still on his hips, he was bent backward and laughing out loud.

This laughter, a volley of uproarious, all-compassing, tear-wrenching, side-splitting power, filled the room and was audible down the corridor, even across the square. He was laughing as if something had just occurred to him, as if he had understood what had happened, as if the range and depth of human treachery, which was indeed infinite, had irritated him to laughter. He laughed like someone who, having woken from a nightmare, remembered where he was, saw things clearly, and would not be satisfied with mere shadows of whatever he found fearful and laughable. He laughed as though he were preparing for something, some enormous practical joke that would dazzle the world; he laughed like an adolescent, in full throat, with an oddly wolfish howl, as if he were about to sprinkle itching powder on a woman’s bodice, or on the nightshirts of the great, the powerful, and the grand; he laughed as if he were set to execute a marvelous, earth-shaking caper; as if, out of sheer good humor, he were to blow earth itself to smithereens. Both hands on his hips, his belly shaking, his chest protruding, his head cocked to one side, he laughed a hoarse, long, twitching laugh. The laughter choked, then turned to coughing, for he had developed a chill during his travels, and the altitude — the air of the mountains combined with the effects of the November weather — was hard on his constitution. His face grew contorted and flushed.