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Dorriss turned, reaching for the notebook. He stared at the hearth and searched the carpet and into the fireplace, frowning and puzzled. He stared around the room, then moved swiftly to the dressing room and bath, looking for an intruder. Joe could hear him banging the glass shower door and the closet doors. The next minute he flew into the study then out again and down the hall, Joe heard him swerve into the first bedroom. Not under the bed! Oh please God don't let him look under the bed and find the bills! Cat God, human God, I don't care. This is a bona fide feline supplication. Please, please, please don't let him look under that bed.

But why would he look there? The guest beds sat low to the floor. The frames that held the box springs were no more than six inches high, not enough space for a burglar to hide-at least, not for the kind of burglar Dorriss would have in mind. Joe heard the closet in that room slide open, then Dorriss was in the hall again searching the other bedrooms, banging open closet doors. Immediately Joe fled for the guest room and under the bed.

Fighting open the metal clasp, he shoved the notebook pages in. Laboriously, with an impatient paw, he managed to fasten the flap again. Next time around, he'd like to have opposing thumbs. Down the hall, Dorriss was making more and more noise, searching, then pounding down the stairs apparently to search the rest of the house-but he'd be back. Slipping out from under the bed, leaving his burden for the moment, Joe scrambled up to the sill.

There was no breath of air behind the closed shutters; no window was open. Balanced on the sill, he challenged a shutter's latch with frantic claws. But when he'd fought it open, the window behind it was not only closed, but locked. From the stairs, he heard Dorriss coming.

The lock was a paw-bruiser, invented by designers who had no respect for feline needs. He heard Dorriss turn into the study, heard him opening the desk drawers-maybe wondering what else the thief might have taken. Joe's paws began to sweat, slipping on the metal lock-and he began to wonder.

If, as unlikely as it seemed, the downstairs glass door had been left open for one black tomcat, if against all odds the opportunistic Azrael had somehow partnered up with Marlin Dorriss, Dorriss might well be knowledgeable enough to be looking for more than a human thief. Frantic, Joe could hear him shuffling papers.

By the time he got the lock open and slid the glass back, he was a bundle of nerves, and his paw felt fractured. Dragging the heavy brown envelope up to the sill, he balanced it against the glass. As he pulled the shutter closed behind him, he heard Dorriss coming out of the study, heard Dorriss pause at the door as if looking in. Joe wondered if his gray fur made a dark smear behind the closed white louvers? Or if the shutter humped out of line where he crouched? He wondered if cats were subject to sudden coronary occlusion? He was ready to leap out into space clutching the envelope, calculating how best to negotiate the twisting angles to the lower roof, when the phone rang.

Thank you, great cat god or whoever.

Dorriss let it ring twice, but then he crossed the hall to answer. Joe knew he should jump at once, but for an instant he remained still, listening.

"I can't talk now," Dorriss was saying, "there's someone in the house." Joe heard a sharp metallic snap, as when a bullet is jacked into the chamber of an automatic.

"I can't talk now. You're where?"

Pause. Against all good sense, Joe remained listening, gripping the envelope in his teeth.

"What the hell are you doing there? What the hell made you take off? Call me back, I can't talk.'"

Silence, then an intake of breath. Then, "You're telling me the truth?"

Pause. Then, "All right, get on with it. That's very nice indeed. Then you need to get back here. I told you not to play these games with your little friends. They've made a mess, and you'll have to clean it up. I don't want any more of your childish pranks, I can't afford to deal with that stupidity, and I won't have it rubbing off on me. Get back here fast, my dear, and take care of this."

A soft click as Dorriss hung up. Joe crouched on the sill, his teeth dug into the envelope, adjusting his weight-and-trajectory ratio, eyeing a lower roof. With the extra baggage, if he missed his mark he'd drop like a rock, two stories to the stone terrace.

But he didn't want to toss the envelope, let it fall and maybe split open, spill the evidence all over Dorriss's front yard, to be snatched and sucked away in the sea wind.

He took a deep breath and was airborne-airborne but falling heavily, his usual buoyancy gone. His ability to twist in the air had deserted him. He felt like a rock, a flung boulder. Falling, he was falling…

He landed on the little roof scrabbling with frantic claws, five feet to the left of the window and five feet below, coming down with a thud that shook him clear to his ears.

But he was all in one piece and, more to the point, so was the envelope. He was poised to jump again when a sound to his right stopped him. Made his blood turn to ice, made him search the low roofs.

A dark little gargoyle stared up at him. Crouched on the edge of the tiles, Kit watched him wide eyed, but then stared suddenly past him at the window above, at the sill he had just abandoned. Her voice was a terrified hiss. "Jump, Joe! He's coming! Jump! He's opening the shutters! Jump now! Drop that thing and jump!"

Earlier that morning, the kit had seen Joe Grey heading for the police department as she prowled the roofs alone thinking about Lucinda and Pedric, mourning them, deeply missing them. Wandering the peaks and shingles feeling flat and sad, she had seen Joe Grey below, galloping up the sidewalk, headed somewhere in a hurry. Coming down, she had followed him and when he galloped through the courthouse gardens, of course she had followed. But then he turned and saw her, and instead of his usual friendly ear twitch, inviting her to join him, he'd given her a hiss, a leave-me-alone snarl, and had cruelly sent her away again. Or he thought he had.

Slinking away through the bushes hurt and angry, she had turned when he wasn't looking, and followed him to the front door of the PD. Had watched him slip inside on the heels of the judge's secretary. The tall blonde, delivering a sheaf of papers, took no notice of the gray tomcat padding in behind her. The kit wanted to follow, but he'd been so cross she daren't. And then only a minute later a delivery boy hurried up the street carrying a big white bag of takeout that smelled of pastrami and made her lick her whiskers, and she had watched the dispatcher buzz the boy through.

Joe Grey had gone in there to share the captain's lunch and had sent her away alone. Feeling incredibly hurt and sad, and mad too-all claws and hisses-she didn't even want to beg lunch by charming some likely tourist in one of the sidewalk cafes as she so often did. She felt totally alone and abandoned. She had no one. Lucinda and Pedric were gone forever. And this morning, Dulcie had rudely slipped off without her. And now Joe Grey didn't want her. How cruelly he had driven her away.

All alone, with no one to care about her, she climbed to the roof of the PD and hunched down in the oak tree. There she waited for nearly an hour angry and lonely, until Joe Grey came out again. But then, leaving the station, he was not licking his whiskers, he did not look happily fed. He looked so gaunt and hungry himself that that made her feel better. Much better.

She watched him crouch in the geraniums drinking hungrily from an automatic bubbler that watered the courthouse gardens, then he took off fast, heading across the village. The kit followed. Joe was so interested in wherever he was going that he paid no attention now to who might be behind him. He was all hustle, dodging people's feet and up trees and across roofs, his ears pricked, his stub tail straight out behind. She trailed him five blocks to Ocean and across Ocean among the feet of tourists and on again to the fine big house that looked like a museum from the front and was all glass at the back.