“I agree. But … this kind of bad publicity in the Scoop could put your newborn career in jeopardy. You have to demonstrate somehow that this phone-in from Elvis isn’t a put-up job. You have to give the public a shot at proving that he’s a phony.”
Matt ran his fingers into his Fantastic Sam’s low-cost haircut.
“My career,” he said as if naming a new enemy. “Suddenly I’m getting some decent money. I seem to be naturally good at this talk radio stuff, I’m getting a following, I’m getting criticized by the press—”
“Oh, puh-leeze.”
“By the tabloid press, such as it is. Everybody has a stake in me, Leticia, the station, the public who believes I’m a good guy because of the baby incident, only now I’m maybe a bad guy because I might be a colluding fraud. I don’t know what to think and do.”
“Ever think that’s how Elvis began to feel?”
“No. I’ve never really put any effort into thinking how Elvis got the way he got, until now. If this is just a taste of the price of fame, it’s pretty bittersweet.”
“That’s why you can’t stop now. It’s not just the public you owe something to. And the story doesn’t really have to have a pat ending. Let me put it another way: you have to give this man who sounds like Elvis a shot at proving he’s who he says he is.”
Chapter 26
Let Me Be There
(A “sugary pop confection” says one biographer, that Elvis sang in a 1973 concert as he began to retreat from the musical ground gained during his post-comeback touring schedule)
“Have you considered the advantages of an expert assistant?”
Temple considered Electra Lark first.
Her landlady had rung the bell and spent the past fifteen minutes sitting on her sofa bruiting about her qualifications as an Elvis expert, ranging from attending the vital February 14 concert in Carlsbad to avid perusal of virtually every Elvis book published.
“I know, I know,” Temple finally said, interrupting the flow of fannish enthusiasm. Electra was looking more like a toy troll than an Elvis freak today, with her white hair tinted a clownish carroty red.
“Have there been any more manifestations in the Crystal Phoenix underground zone?” Electra asked eagerly.
“‘Manifestations’ implies an incorporeal presence,”
Temple said uneasily. “All I had for witnesses were some workmen more likely to see Elvis in a shapeless blob of light than Princess Diana.” She squinted her eyes at Electra. “It’s hard to picture you in a poodle skirt with a ponytail and anklets, screaming over Elvis. Now that’s a manifestation.”
Electra surprised Temple by blushing, very faintly. “You never saw the man perform live. He put his whole heart and soul into it. You could see it. It was like he was singing just for me, and even if he wasn’t, you felt united with everybody else there. I guess the word for Elvis live was electric.”
Temple was unconvinced. “And if the fifties were such a sexually repressed time, how could all those girls line up outside his motel rooms? According to your own books, Elvis was hooked on adolescence, and adolescent girls, and he followed through. How’d he get away with it, and why were so many of those sweet little fifties girls so available?”
“Simple. The parents were uptight and repressed. The kids had the same hormones that propel rock groupies today, and they were really desperate to break out. Why do you think Brando and The Wild One and rebel-actors like James Dean were so popular?”
“Didn’t Elvis idolize those actors … or, actually, idolize those rebel roles they played?”
“Yeah. And Elvis brought that rebel persona off the screen and into the performance halls. Live. You could touch him if you got up close enough and rushed the stage. You could be invited into his motel room if you hung out by his door and got lucky.”
“Wasn’t anybody worried about venereal disease and unwed pregnancies then?”
Electra thought about it. “Oh, we worried, but we didn’t know much what to do about it, so we took our chances.” She smiled at Temple’s shudder of disbelief. “It was a superstitious era. You know, if the time of the month was right and you used a Coca-Cola douche rightafterward, nothing would happen. Besides, Elvis was into necking and snuggling more than the actual act.” “Must have burned off all his night moves on stage.” “In some ways he was an innocent teenager just like us. That’s what we saw in him. He was from the same uncertain, kept-dumb mold as we were, overprotected for our own good. So for us to get out there and rock, and drive all the adults crazy with the suggestion of sex … it was heaven.”
“It ended up being sheer hell for Elvis. Not even his most loyal fans could deny that.”
“No.” Electra settled into the sofa pillows, contemplative, her usually cheerful and plump sixty-something face sagging into seriousness. “In a way, Elvis paid the price for our innocence, and we were innocent, even when we thought we were being daring. People just didn’t know back in the fifties and sixties what sex, drugs, and rock ‘n’ roll could do to you, performer and audience. But, good golly, Miss Molly, it was great to be there. And great to get out alive.”
“Elvis didn’t.”
Electra inhaled deeply, then held her breath. She spoke in a long, strong rush. “Temple, that’s why I want to go over to the Kingdome with you. I think I could really help. I’ve been listening to Matt’s program.”
“Every night?”
“Sure. Haven’t you?”
“I’m a working girl.”
“Or has Max been commandeering all of your time?” “If only. Max has been out of town.”
“O000h.”
“What does `Oooooh’ mean? Never mind. I still haven’t the time to stay up nights and listen to the radio.”
“Well, I don’t sleep as well as when I was a wildly innocent young thing, so I’ve been faithfully listening to the Midnight Hour. Matt’s doing very well, isn’t he?”
“You can’t argue with success.”
“Have you heard his anonymous caller?”
“You mean the undeclared Elvis? Yes. Matt brought me a tape.”
“You two whippersnappers are too young to realize this, but that’s a very credible Elvis on that phone line.”
“The town is packed with very credible Elvises who are gambling a lot of time and money on winning the title of best dead Elvis around.”
“Still . ..”—Electra picked a few stray Louie hairs off the sofa seat—“I was there from the beginning. I’ve seen the documentaries, the movies, the retrospectives.” Electra nodded. “That’s a very credible Elvis. Too credible to just write off and forget.”
“Electra! The story that Elvis is alive is the cheapest, most obvious tabloid news rag staple of the past two decades. Even Awful Crawford is using it in the Las Vegas Scoop. Even Awful Crawford is debunking the idea. He’s challenged listeners to call in and play Stump the Superstar with Matt’s midnight Elvis.”
“What a great idea!”
“Yeah, that’s what I told Matt.”
“I could come up with some great questions.”
“Call ‘em in, or slip them under Matt’s door.”
“But I still want to see the scene of the crime.”
“Electra, there’s no crime here but malicious mischief: violent trashing of an empty Elvis jumpsuit and the more serious act of etching an `E’ into Quincey’s neck. From what I read about Elvis and his redneck bully boys and flunkies, they perpetrated a lot of malicious mischief themselves on movie sets, in major hotels, and at Graceland.”
“Exactly.” Electra’s eyes narrowed, and that’s when Temple noticed that she was wearing violet-colored contact lenses. What a chameleon! “You’ve heard of mischievous spirits, haven’t you?”
“So now you’re resurrecting not only Elvis, but his whole band of merry men?”
“You said that the girl playing Priscilla was attacked, didn’t you?““Yes.”