Max left the coffeemaker clucking and drooling under the kitchen fluorescent lights and went into the dark yard to retrieve the newspaper.
Only 4:00 A.M., but the newspaper lay there like a dirty leg bone, a pale oblong encased in clear plastic that reflected the distant streetlight.
Max never ventured outside without scanning for lurkers. Sometimes he wished he owned a dog that could fetch. Leaving the house in the predawn dark was the most dangerous thing he did all day. A man on his front lawn in the wee hours was like an astronaut on a space walk: isolated, vulnerable, cut off from shelter and safety, so near and yet so far.
Millions of suburbanites did it every morning, but they didn’t have Max’s past.
Inside the house, he poured the black coffee into a white mug, then sat on a stool at the huge island counter and spread the paper wide as he skipped the usual front-page headlines—endless foreign talks and sports results—and paged through the rest.
Las Vegas papers always sizzled with entertainment news. Max found himself perusing small items on openings and closings and newly contracted acts, the longer features on the old standbys, as if he were still an up-and-coming performer with a professional interest in these constant comings and goings. As if he still harbored the unsinkable illusion of a career.
He missed the intense physical, mental, and social stimulus of doing his magic act, almost as much as he missed sleeping nightly with Temple. For the year they had lived together at the Circle Ritz apartment building while Max performed nightly at the Goliath Hotel, his life had seemed real for the first time since Sean. Imagine…the surreal atmosphere of Las Vegas making him feel so normal.
The next steps, and he had seen them clearly then, marriage. With children? A house, he could afford a nice one. A long-term contract with one of the spectacular megahotels always rising from the Vegas sands these days like the new Atlantis exchanging a watery mythological grave for a gravy train run on the glittering sandbox of the Strip here and now. What a magic show he could dream up for a place called the Atlantis! More than a magic show, a post—Cirque du Soleil and Eau mélange of sophisticated circus acts with a futuristic accent….
Max sipped a fragrant distillation of the other, legal, and less lethal export of Colombia: the innocuous bean. His career had always been a cover, not his real job. He was dreaming to think he could resurrect it. Dreams are only in your head. With Sean.
Still, he felt a bit…wistful? Envious? Professionally curious? He reread a veteran columnist’s spiel about the latest hot Strip magician, who happened to be someone Max had introduced himself to only recently in the line of his other work. And had dreamed about only minutes before. According to Gene Igo, the Cloaked Conjuror’s brand of now-you-see-it, now-you-know-how-it’s-done magic show violated every unspoken tenet of the magician’s code but was packing them in at the New Millennium Hotel and Casino.
Max read about the multimillion-dollar, multiyear contract, the CC’s desert retreat/fortress and dedication to “unmasking the mystery of magic” in a “thrilling, dramatic fashion.”
The next paragraph outlined the other magicians’ wrath at the CC flaunting trade secrets for fun and profit.
And then Max read his own name. The familiar letters exploded in his mind like Fourth of July rockets. The Mystifying Max Kinsella. Stage name and real name in one marquee-spanning phrase.
The bloody fool! It was true, CC said in Igo’s column, as was now being reported, that the Cloaked Conjuror’s act was literally death-defying, that he’d received many death threats. The columnist suggested that surely these couldn’t be serious.
“Of course they’re serious,” the CC had “snapped,” wrote the columnist, who had greater latitude in description than a fact-tied, objective-voiced news reporter. “The Mystifying Max Kinsella retired from magic a year ago because of death threats. Just vanished.”
At this point the magician who appears everywhere in what amounted to almost armor snapped his leather-gloved fingers. “Like that. Gone. No magic involved. The Synth had caught up with him.”
At first we thought he’d said “the Syndicate,” as in old-time crime organizations, but the CC explained that the word was “Synth,” and even spelled it for us: an ancient secret society of magicians formed to protect trade secrets.
This is why he uses no name and wears a leopard-spotted mask with a built-in voice modifier that hides his head completely. The gloves he wears constantly prevent leaving even fingerprints as a trail. The effect is a cross between Darth Vader and a protected witness, if you ask us.
“What about baths?” this reporter joked.
“I dry-clean,” he said wryly. And seriously.
The Cloaked Conjuror also said he isn’t married, for which the ladies must be very grateful.
Max shook his head and rattled the open pages, as if to shake sense into what he was reading. “The fool!”
Like most fools, the Cloaked Conjuror had managed to pull a boatload of others into the dangerous currents of his folly with this one interview. Not only Max but Temple and God knew who else. Never name an enemy. You warn him. Or her. Or it.
“‘The Mystifying Max Kinsella.’ Well, well, well.”
Lieutenant C. R. Molina wasn’t prone to gloating over her high-fiber breakfast cereal. She wasn’t even used, at that early hour, to being anyone more than Carmen Molina, working single mom, until she donned her clip-on leather paddle holster and left the house for police headquarters. But the morning paper had snapped her from domestic to professional mode in the crunch of a bran nugget.
“Is it a show?” her daughter Mariah asked, eyes still glued to the comics page. “This ‘Max’ thing?”
“Was a show. Mostly a no-show now.” Molina, muttering, stared at the newsprint until it went out of focus. “Death threats. That’s something Little Miss Red didn’t mention.”
“Mom! You’re talking to yourself again. I was supposed to remind you not to do that.”
“Oh. Right. Sorry.” Molina eyed her daughter over the crinkle-cut edge of the newsprint. “Are you supposed to be wearing that to school?”
“That” was an assembly of beads and fishline that hung over the top of one twelve-year-old ear.
“I’m giving a report on TitaniCon.”
“With visual aids?”
“Yeah.” Mariah liked that idea. “Right.”
Carmen saw that she had inadvertently given her daughter an excuse instead of an objection, so she just dropped the discussion. “You walking to school with Yolanda?”
“Like always.”
“Watch out for bogeymen. There were two cases of guys trying to grab school kids last week.”
“Those were little kids, Ma. Do I have to hear about every creep on the streets? I know what to do.”
“So do police officers, and sometimes even they get caught sleeping.”
“Anyway, I gotta get going if I’m not gonna be late.”
Carmen nodded, her eyes back on the newsprint. She heard Mariah’s dishes slide into the sink, and tap water rinsing them. Then a hasty “ ’Bye,” and the slam of the front door before her maternal mouth could open to forestall the bang.
Molina was still shaking her head as the frown she’d kept Mariah from seeing settled into her features like an old friend into a favorite rocking chair.
Death threats. First motive for Kinsella’s disappearance she’d heard. And what was this “Synth”? Magical nonsense, she’d bet. A catchword that meant nothing, like “presto.”
But she was familiar with the man quoted. At least she’d seen the Cloaked Conjuror up close at TitaniCon. Speaking of creepy guys who weren’t out on the street…that animalistic mask, the mechanically altered voice…at least the Mystifying Max had performed bare-faced, which she supposed suited a congenital liar like him.