Molina only winced internally. Cops and coroners had dirty jobs and found harsh words to describe them. Normally, the distancing techniques of pros at scenes of crimeand dissolution didn’t bother her, but normally she didn’ feel personally responsible for the dead body under dis cussion.
What was the subject’s name? Probably a lavish phony but they’d soon pry the Plain Jane moniker from beneath the façade. They almost always did, and the corpse almos always proved to be someone’s not-so-darling little girl al grown up wrong. This one looked like a solid-gold sue cess, even after the rough hands of death. She had been ; Vanity Fair woman: long, elegant, impossibly thin and im possibly busty—Molina would bet on implants—dressed to kill. Or to be killed.
“The staff know her?” she asked Alfonso, although she suspected the answer.
“Too well,” he said, acting the usual morose when he wasn’t being downright lugubrious. “One of the hotel’s top call girls. High-rollers all the way. Or at least fat money rolls.”
Molina looked up, past the building’s gaudy neon rimmed ribs to the soaring true ceiling maybe twenty floor, above. “So she was a penthouse suite sweetie.”
He nodded. “I hate these cases: JFP. Jumped, fell, o: pushed. Damn hard to prove, any which way but dead.”
“Yeah.” Molina’s nerves unclenched a little. Bad as the situation was, Alfonso was right: damn hard to prove wha she privately called an ASH: accident, suicide, or homi cide. “So you haven’t pinned her to a room number yet?’ she asked.
“Barrett’s still on it, questioning staff. Trouble is, the lady was such a regular that they didn’t even bother to notice which rooms, which night.”
“She looks like she could have made money enough doing something legit,” Molina mused. She was no fashion maven, but she recognized the expensive flair that clothe( the twisted body. Why not model? Or act? Why hook?
Who could answer why women who could ride in limos on their looks so often ankled over to the shady side o the street? They might have thought the money was better but breaking out in legitimate modeling paid off massively for the few dozen who made it. Maybe an underlying self-hatred? Lately Molina was getting a bit too comfy with that feeling, but she wasn’t about to turn tricks to deal with it.
Alfonso nodded, still gazing soulfully above them with his hound-dog eyes. “That Barrett! You’d think he was in the cast of Rescue 51.”
Just then, as if summoned, Alfonso’s partner, thin and bony, leaned over the sixth-floor balustrade, directing a tech team that was descending from a wire stretched across the atrium’s architectural chasm.
“Randolph Mantooth, where are you?” Molina muttered, watching their herky-jerky progress.
“Your kid watch those old reruns too?” Alfonso asked. “Religiously.”
“Kids today! Growing up on yesterday.”
She nodded, too intent on observing the shaky operation to comment. She had no time to watch TV, or reruns of long-cold TV shows. Being twelve-year-old Mariah’s mother kept her current, but not much.
“Just how old is the Goliath?” she asked suddenly. “You’d think they’d know not to design interior atriums in a town where people lose their shirts and their self-respect every day and night. This is no place for Hyatt-style hotels enamored of atriums.”
Alfonso nodded, smiling fondly. He was a native. He loved every manifestation of the city’s phenomenal entertainment explosion along the Strip, like a research scientist enamored of cancer growth.
“Yeah,” he said, “they didn’t worry as much about divers in the old days. Maybe what, gosh, twenty years ago? The exterior balcony doors at this hotel didn’t used to be sealed shut, but they are now.”
“So this was the only way to fall,” Molina said. “Inside straight, so to speak. Over the internal atrium edge. Or to be pushed. Who spotted her?”
“Some ma and pa tourist couple on fourteen, waiting foran elevator and ambling to the edge to be brave and look over. Took her for part of the design at first.”
Molina had to agree. Well-dressed supine women always looked decorative, or sexy, or decadent. Or dead. The functions seemed interchangeable. She’d seen a lot of dead and never had found it decorative or sexy or even glamourously decadent. So shoot her.
They were shooting the woman below now. From every angle, videotape and still camera. She was a featured player on Dead TV and soon she’d be a star on Grizzly Bahr’s stainless-steel autopsy table while he droned the dreary statistics of her internal organs and external injuries into a microphone for an audience of one. Himself.
“Mine eyes dazzle,” Alfonso murmured, his hangdog countenance even droopier as they both blinked at the flashes illuminating the dead woman like heat lightning.
“Huh?” Molina stared at him as if he were a stranger.
He jerked her a weak grin. ” ‘She died young.’ That’s the rest of the line. Webster. Elizabethan playwright. Grim guy.”
“Webster? I thought he was the dictionary guy. Elizabethan? You?”
“You can’t help what sticks in your head in this job,” he said, shrugging. “There are a lot of pretty women in Las Vegas who die, and we gotta be there. ‘Pretty Woman.’ Roy Orbison. Greatest singer since Elvis.”
Elvis.
That was another subject Molina couldn’t stand, not since becoming involved with the Circle Ritz gang.
Who would think that ditsy, sixty-plus landlady Electra Lark could have assembled so many usual suspects under the fifties-vintage roof of the round condo-cum-apartment building she called the Circle Ritz? Not only former resident magician Max Kinsella, Mr. Now-you-see-him, Nowyou-don’t, was possibly involved in a murder, or three, but now, as of last night, so was Matt Devine, Mr. Altar-Boy Straight Arrow. Not to mention the object of their joint affections, Miss Temple Barr, who confused being a public relations freelancer with imitations of Nancy Drew! Molina just wished TEMPLE BARB, P.R., as her business card read, would decide which of the two apparently shady Circle Ritz men was on her personal Most Wanted list.
And now Molina herself was involved with the whole crew both professionally, and, on unhappy occasion, personally.
Involved. The word chilled her as many much harsher ones couldn’t. Speaking of which, there was a nasty task she couldn’t put off any longer.
She took a last long look at the dead woman. This was as good as this Jane Doe would ever look before she was dissected like a frog princess, unless someone sprung for a casket funeral and they sutured and shined her up to surface beauty again, but Molina doubted anyone would bother.
Molina’s eyes dazzled all right, but in Las Vegas that was just part of the eternal illusion for suckers to sop up and she wasn’t buying anything on face value.
The woman lying on the neon net below, though, had indeed died young, and Molina was horribly, terribly afraid that it was her fault.
Chapter 2
Adam’s Apple
Matt Devine dreamed of falling.
It wasn’t pleasant.
He woke up with a jerk, already sitting up. He was groggy, sandy-mouthed from rich food and too much wine and talk, and had to wonder where he’d been for the first time in his life.
Remembering made him cradle his aching head in his hands.
Vassar. An Eastern Protestant madonna. A call girl. Did that mean she was like a dog? You called and she came? Yes. That’s how demeaning the whole thing was. Buzz for a body. Pay for a person.
He wondered if he was still a little drunk.
Not that he’d been drunk last night … just high? High on anxiety.
He’d tried to forestall one woman with another and had ended up feeling both had cheated him somehow.
Trying to embrace the occasion of sin had become not … sin, just self-disgust.
The phone rang.