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Garfield, as told to Jim Davis

“A felony against felines has been purrpetrated! As corporate mascots, catnapping is something we enjoy, but not when we are the catnapees! The fur flies as this furmidable feline detective gets inside the book publishing scene to solve the mystery and save our tails. Midnight Louie is one cool cat!”

Baker and Taylor, mascots of Baker & Taylor Book Distributors

The adventures of Baker and Taylor—the cats—as depicted in Midnight Louie’s memoirs are purely fictional.

 

COPYRIGHT

 

Cat in an Alphabet Soup

First Kindle edition Copyright October 2013 Carole Nelson Douglas

Previously published and copyrighted as Catnap Copyright March 1992

Proofreader: Pat Martin

Images Copyright iStock.com

Cover and interior book design Copyright Carole Nelson Douglas

Author photo Copyright Sam Douglas

This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

A Wishlist Book

www.wishlistpublishing.com

CAT IN AN

ALPHABET SOUP

THE FIRST

MIDNIGHT LOUIE MYSTERY

by

CAROLE NELSON DOUGLAS

 

For the real and original Midnight Louie, nine lives weren’t enough

Prologue

Midnight Louie, P.I.

I have a nose for news and pause at nothing. That is why I always find the body.

This time it is one dead dude tucked at the back of one among three thousand booths cramming the half-million-square-foot East Exhibition Hall of the Las Vegas Convention Center.

As usual, my presence on the scene—not to mention my proximity to the corpse—puts me in a delicate position. For one thing, my unappetizing discovery is made in the wee hours of morning. Security with a capital s is blissfully unaware of my presence among the aisles of merchandise on display, which is the way I like it.

Now Las Vegas is a twenty-four-hour town and I am a twenty-four-hour kind of guy. That is why they call me Midnight Louie.

It is in my veins, Vegas. I know every back alley and every gawdy-awful over-electrified Strip sign. Vegas is people on the take, people on the make, people just out to have a good time—to win a little, maybe lose a lot. There are times I might be wiser to skip town (I am no angel), but I stay and even try to go straight.

Yet it does not pay to know too much in this town, not that the tourists ever suspect half the stuff that goes on. Naw, to them Las Vegas is just a three-day round-trip junket of blackjack, singing slot machines and free drinks with more paper umbrellas than booze in ’em.

Some say that Las Vegas is no longer the hotsy-totsy town that it was back when Bugsy Siegel hung out the first resort hotel-casino sign in the forties. Some even say that a certain Family has loosed its hairy-knuckled grasp on the profits from gambling, girls, and anything that gives the folks any illicit fun, including substances of a pharmaceutical nature. (Drugs are not my vice of choice, let me make clear, though I do take a wee nip now and then.)

Still, it does not behoove a retiring soul like myself to admit to knowing too much. My habits are quiet, my profile low and, while I have a certain rep in this town, it is among a choice acquaintanceship, most of whom are like-minded about discretion always being the better part of discovering dead bodies.

Death broadcasts an unmistakable whiff. No lurid pools of blood need apply to advertise the fact. All five senses recoil from lifelessness, whether in the remains of a mouse or a man. I never met a corpse I liked, but the feeling would be mutual, I suspect. In a philosophical moment, I muse on how the late, possibly lamented (nothing is a sure thing in this town), would view being discovered by the likes of myself, for the fact is that among some circles I am known as something of a rambler, if not a gambler.

So I stand over the corpus delicti in flagrante delicto and consider the fragile nature of life and death in Las Vegas and my propensity for scenting the scene of the crime. It is dark except for the fluorescent glow of distant security lights, but I see well enough to observe no visible signs of violence on the body—no guarantee of natural causes, not even in this town, which can cause fatal shocks to the pocketbook, if not the system.

I picture explaining my presence to the local constabulary, a ludicrous scene for the simple reason that I always keep my lips buttoned tighter than a flasher’s London Fog when he finds himself in custody. Midnight Louie does not talk—ever. I have my ways of getting the word out, however, and I review options. I am not one to pussyfoot around a problem.

First and most important, the Las Vegas Convention Center is far from my normal purview. How I got here is like this: I am undercover house detective at the Crystal Phoenix, the classiest little hotel and casino to flash its name in neon on the Strip. This is a tasteful, if not tasty, sign with a mythical beast of an avian nature exploding its pinfeathers in blue-and-magenta neon with a dash of emerald green; in other words, a first cousin to the NBC peacock, another mythical beast of more recent manufacture.

Some around town find it unusual that a dude with my, shall we say, pinstriped, if not actually checkered, past would snag a responsible job like unofficial house detective. I owe it to the Crystal Phoenix’s founder, Nicky Fontana, a sweetheart of a guy and the only one in his large Family to go as straight as the Las Vegas Strip itself.

Nicky inherited eight million in legitimate dough from his grandma's pasta factory in Venice (California, that is). So he throws this considerable yeast into remodeling an abandoned hotel into a showpiece of what Vegas could be if the whole town had the taste to employ a marzipan little doll like Van von Rhine to manage the joint.

This pint-size doll also managed to marry Nicky, and therein lies the source of my present disenchantment. The union, while profitable to the hotel, has produced an offspring. The Crystal Phoenix, an around-the-clock palace of high-stakes poker tables, glitter, glitz and free food, now knows the Patter of Little Feet.

Time was when my little feet were the only ones welcome in the establishment, from the chorus girls’ dressing room to the owners’ penthouse. However, the newcomer—who has no obvious attractions other than the dubious ability to scream like a harem of Siamese in heat at odd hours of the night—is the center of an epidemic of cooing that leaves myself cold.

I express my distaste by strolling far from my now- unpleasant turf to the Las Vegas Convention Center, which I see by the local rags is hosting the ABA, aka the American Booksellers Association.