She stopped the van and let it idle, to see what they would do.
They glanced at each other, a strange little look between them, then they rose again and trotted away. Turning their backs, they disappeared into the meadow grass as if dismissing her.
Driving on, she couldn't rid herself of the notion that Joe and Dulcie had cut her dead. Had not wanted her snooping, had all but told her to mind her own business. Even after she began the Blackburns' repairs she kept seeing the two cats turning to look at her, seeing their impatient, irritated expressions.
The Blackburn house was a small, handsome Tudor with gray stone walls, brick detailing, and a shake roof. Letting herself in, she did a light weekly cleaning, fixed the sticking latch on the back gate, and put new washers in a dripping faucet. Mrs. Blackburn had left her check on the hall table with a plate of chocolate chip cookies and a note.
Charlie, Becky made a ton of these for school, and I snagged a few. There's milk in the refrigerator.
She sat at the Blackburns' kitchen table enjoying the cookies and milk, then put her plate and glass in the dishwasher and headed back for the apartments.
She arrived just after six. Mavity had left, her VW Bug was gone. She checked the work Pearl Ann had finished, her patches on the back wall of the building so cleverly stippled that, once the wall was painted, no one would ever guess there had been need for repairs. As she headed out again through the patio, she heard a little clicking noise.
Glancing above her, she saw that Winthrop Jergen's windows were open, the louvered metal shade blowing gently against the molding.
She wondered if Pearl Ann had missed her appointment and was still there, because Jergen never opened the windows. Strange that both Pearl Ann and Mavity would forget to shut them, considering the angry exchanges they'd had with Jergen. Though she could hardly blame Mavity for forgetting, with the events of the morning.
Heading up the stairs, she knocked twice and when Jergen didn't answer she let herself in. He didn't much like her having a key, but as long as she contracted to clean for him, both she and Mavity had keys. She thought, when she pushed the door open, that he must be there after all, and she called out to him, because beyond the entry she could see the glow of his computer screen.
He didn't answer. But she could see a spreadsheet on the screen, long columns of numbers. Her attention focused on the room itself, on the overturned lamp hanging off the desk by its cord, on the toppled swivel chair lying amidst scattered in-boxes and file folders. On Winthrop Jergen lying beside the chair, his blood staining the papers and seeping into the Kirman rug.
Charlie remained absolutely still. Looking. Trying to take in what she was seeing.
He lay twisted on his side, his white shirt and pale blue suit blood-soaked. His throat was ripped open in a wide wound like a ragged hank of bleeding meat.
A cleaning cloth lay beside him in a pool of blood, the kind of plaid mesh cloth that she bought in quantity. Though he couldn't possibly be alive, she knelt and touched his wrist. There was, of course, no pulse. No one could live with that terrible wound, with their throat ripped away. She felt nauseated, could feel the cookies and milk want to come up.
Stepping carefully around Jergen's body, trying not to be sick, trying to stay out of the blood, she moved to the desk, fished an identical cleaning cloth from her pocket, and used it to pick up the phone.
But then she quietly laid it down again and grabbed up a heavy postal scale and turned to face the room, appalled at her own stupidity. If the killer was still in the apartment, she had to get out.
What was she was going to do, fend him off with a postal scale?
But she had no other weapon.
Warily she moved into the bedroom, checking the closet, then the bath. Finding those spaces empty, she approached the kitchen, knowing she should run, get out-knowing this was crazy, that this could not be happening. It was bright afternoon in a village as respectable and civilized as a cup of afternoon tea. Through Jergen's front windows, the low sun gleamed gently, sending sparkles across the calm sea and across the village rooftops; this was Molena Point, tame and quiet, not New York or L.A. with their news of bloody daytime murders.
Finding the kitchen empty, she returned to Jergen's desk, and using the cleaning rag to pick up the phone, she called 911.
But even as she dialed, she wondered if she'd locked the front door behind her. And, waiting for the dispatcher, she laid down the receiver and fled to the door and locked it.
She returned to the desk to hear the dispatcher shouting, "Hello? Hello?"
Standing over Jergen's body, holding the phone in the dustrag, she began to shiver. The metallic smell of blood and the smell of other bodily releases sickened her. She gave the address and stood staring down at Jergen's bloody face and bloody, torn throat, unable to hang up or to look away.
The only dead people she had encountered in her twenty-eight years were those from whom all signs of violence or distress had been gently wiped away, bodies thoughtfully groomed and arranged in the clean satin lining of expensive caskets-an elderly neighbor when she was twelve, her mother's cousin Marie two years later. Her father, when she was eighteen, and her mother when she was in art school. All the deceased were dressed in their Sunday best, their hands calmly folded over their demure chests, her mother's gold wedding band gleaming on her pale finger.
In the room's silence, the faint hum of the computer was like a thin voice whispering to her. Moving past the end of the desk and the two low file cabinets, she saw, for the first time, what appeared to be the murder weapon; though for a long moment she looked at it uncomprehending.
On the rug beside the file cabinets lay the metal divider from an ice cube tray. Blood covered its protruding aluminum handle and had run down into the little squares turning them as red as if someone had ejected a double line of red ice cubes-blood ice cubes. There should be a little wooden stick in each like the frozen orange-juice suckers that mothers made to keep their kids from eating junk.
Sirens screamed, coming up the hill. She backed away from the bloody kitchen utensil and moved unsteadily to the wide window beyond the couch. Standing at the glass, she watched the emergency vehicle careen into the lane, followed by two squad cars, watched two medics jump out loaded with an oxygen tank and black bags-as if her report of death had been faulty, as if the caller might have misjudged the condition of the victim. As if Winthrop Jergen still had a chance at life. Behind the medics, Max Harper swung out of his police unit, and two more uniformed officers from the other squad car double-timed through the patio as she hurried to unlock the door.
21
HIGH UP THE HILLS, a narrow hunting trail led beneath a tangle of toyon bushes, a track no wider than a cat's shoulders, and along the path in a spill of sunshine, Joe and Dulcie crouched feasting on a fat mouse, the last of five sweet morsels they had caught within the hour skittering among the roots and leaves. Above the cats, the toyon's hollylike berries were hard and green, having just emerged from their summer blossoms; the afternoon was warm and still, the only sound was the twittering of some sparrows pottering among the upper leaves.
Suddenly sirens screamed, blasting up from the village.
Rearing tall so they could see down the hills, the cats watched an ambulance careen up the winding streets followed by two police units, and skid into the dead-end street below Clyde's apartments-and they took off down the hills, Joe with visions of Clyde falling off the roof, Dulcie's sudden fear involving the power saws. Bolting down the slopes, charging through bushes and tall grass and across the last street, they scorched past the hot rubber stink of the ambulance and squad cars and into the patio.