This was probably the ugliest house in the village, a brown wooden box with a flat roof, cracked siding, and peeling trim, the fascia boards pale and discolored. On top of the large main floor stood a second, smaller cube, apparently a single room, resembling nothing so much as the wheelhouse on a Mississippi riverboat. The structure was, in fact, very much like Mavity's little fishing cottage, in a larger and more sprawling version and without the stilts that held Mavity's home above the muddy marsh.
The house backed on one of the wild canyons that bisected the Molena Point hills. Maybe, Wilma thought, the view from the back would be nice, out over the canyon and across Molena Valley to the low mountains that edged the rocky coast. These fissures that cut through the hills had, eons past, been deep sea canyons, this whole neck of land lying beneath the ocean. It was the canyons, in part, that kept Molena Point from becoming overpopulated. One couldn't build in them, and the lush terrain, with wild bushes and grasses, offered food and shelter to deer and coyotes, to occasional bobcats, and, just this last spring, to a large male cougar. How interesting that the house stood between the two worlds, the rear decks forcing out into the wild land, the front of the house solidly a part of manicured human civilization.
The front yard was enclosed by a tall wooden fence and belonged apparently to one or more large dogs that were not at the moment in residence. The earth was trampled bare beneath a few sickly bushes and dotted with their chewed rubber toys. At least the owners had cleaned up the dog do; and probably they had taken the dogs away for the day-the sight of canine pets could cause a prospective buyer to look twice as hard for interior damage, for chewed door moldings, scratched floors, and stained carpet. The ladies gathered in front, beside the "Open House" sign.
"I don't think…" Gabrielle began, looking the house over, "I don't think this one…"
Wilma took her arm. "Come on. It won't hurt to look, it's the last one on the list. Nearly four thousand square feet, Gabrielle, and it has enough water credits to start a hotel."
The ad read, five bedrooms and five baths, five custom-built fireplaces plus two sunny, legal basement apartments. The word legal should mean not only that the land was zoned for two apartments, but that every water fixture on the premises had a proper permit.
All over Molena Point there were unobtrusive apartments tucked into a hillside basement or over a garage, some legal, some not. All were in demand as rentals. Molena Point's water code mandated an official permit for any household fixture that used water in its functions, from a king-sized shower to a bar sink. New credits were not an option; your house had just so many. If you wanted another washbasin, you had to give up a fixture in exchange.
"There's plenty of parking space," Susan said. "Three-car garage and this nice wide drive. And the front planting, between the fence and the street, is nice, where the dogs don't play." That wide area was lush with native bushes, succulents, and large volcanic boulders. Susan's Lamb, though he, too, had a fenced yard, had in his poodle dignity allowed Susan's garden to flourish and even the lawn to present a respectable green carpet.
The front door was open. They saw no one inside. Entering, they formed a divergent group, Mavity in her maid's uniform, Wilma in jeans and a red T-shirt, Gabrielle wearing a linen suit and heels, and Cora Lee in stretch pants and the oversized shirt that hid her bandage. Susan wore a calf-length denim jumper over a white T-shirt, and leather sandals. They moved into the foyer.
"Oh, my," Mavity said.
"Oh!" Cora Lee whispered.
They stood in a wide entry, its tile floor and skylight bathing them in brilliance. Potted plants filled the corners. Through a door to their left, they saw a young couple in the large, light kitchen, talking with realtor John Farmer. Glancing up, he waved to Wilma. A stairway rose to their right. Passing it, they moved ahead into a large living room dominated by a fireplace of native stone.
The gray-blue walls wanted paint, and the carpet still showed stains despite an apparently recent cleaning. But the ceiling was high, with tall windows, a spacious room very different from what the exterior implied.
The three bedrooms on the main level, two to the right of the living room and one to the left past the dining room, were all large. Each had a private bath, and two had raised fireplaces.
The oversized kitchen was done in cream-and-white tiles. Opening off this were an ample laundry and storeroom, before one entered the garage. All the walls needed paint, and some needed patching. The doors were marred with claw scratches, made, apparently by a very large dog. Returning to the entry hall, they climbed the stairs.
The upstairs cubicle, that looked so small from without, offered a large master suite with another raised fireplace, a private deck, an ample study that would do for another bedroom, and a view straight down into the canyon. Three levels of decks overlooked the canyon. The ladies glanced shyly at each other, but no one spoke. They hurried down again, to the basement apartments.
Both apartments were fusty and needed work. But both had their own small kitchens. Either would do for a housekeeper, a caregiver, or as rental income.
Returning to the living room, they could see John Farmer still in the kitchen with the young couple. Farmer was in his forties, a man with surprisingly round cheeks, a pink-and-white complexion, a slim, sculpted nose, and dark hair in a military cut. He sat at the dining table with the blond young woman and the slim, red-haired young man. Their voices were low, their conversation solemn, the couple's expressions excited and serious.
"They're too young to afford this house," Mavity whispered.
"And whose BMW is that at the curb?" Susan said softly.
The sight of the young man making out a check wilted the ladies. When the couple had left, shaking hands with John Farmer and tucking away a deposit receipt, Farmer joined them.
"Did they offer full price?" Wilma asked.
John Farmer nodded, and put his arm around Wilma. "You folks were serious."
"We were," Wilma said. "Very serious. Are they requesting an inspection?"
"Yes. And the sale, of course, is contingent upon their getting their loan. If you'd come half an hour earlier…"
Wilma looked at the others; she didn't know what had come over her, she wasn't ready to sell her house, but they couldn't let this one go. Maybe the loan would be refused. Maybe the inspector would find some disastrous seepage problem that the couple wouldn't want to bother repairing.
"You can make a second deposit," John said. "Contingent upon their not completing the sale."
An hour later, after walking around the outside and inspecting the furnace and the ducts and wiring as best they could, and writing in several contingencies to their deposit, the checkbooks came out. The ladies split the deposit five ways and called their attorney to help set up the venture. The legal work seemed tedious, but they were caught up in the thrill of the purchase and in the trauma of not knowing whether they had actually made a purchase.
While Wilma and her friends agonized over their hunger to own this particular house, across the village in Wilma's guest room, Joe Grey and Dulcie were pawing a few scattered cat hairs from the dresser, where they had left a brown, padded envelope. They had placed a computer-printed note on top, weighting it down with Cora Lee's bracelet so it couldn't be missed.
Cora Lee,
The letter in this envelope belongs to you. You bought the white chest at the McLeary yard sale. Richard Casselrod took it from you by force, even if he did shove some money at you. He took the chest apart and removed this letter from the false bottom, so it should be legally yours, to keep or sell.