The women paused uncertainly by the foot of the bed, watching the patient. She lay with her eyes closed, whether in sleep or out of shyness or bad temper was impossible to tell. The two black-robed ladies leaned forward, peering.
“Mary Nell? Are you awake? It’s Roberta and Gustel.”
“Mary Nell? Can you hear us? It’s Cousin Roberta and Cousin Gustel.”
When the patient didn’t open her eyes, Ms. Prior took the ladies’ arms and guided them to a pair of upholstered chairs that had been drawn up at the side of the bed, the backs to the wall and facing, across the bed, the glass doors. The black-clad women sat woodenly. The shorter lady leaned forward. “Mary Nell, it’s Roberta. Are you awake?” As she leaned, she deposited her flowered handbag on the floor. The tall lady remained silent, clutching her bowl in her lap.
Joe, dropping down from Dillon’s arms, slipped behind the orange tree, then leaped up into its branches. The sky had grown darker, and the clouds were moving fast. A damp wind scudded through the branches, shivering the leaves. He settled in a fork where he could see out between the moving leaves, directly down upon the bed, upon Mary Nell Hook and her two sturdy cousins. He could see, as well, beneath the bed, Dulcie’s two hind paws and the tip of her twitching tail.
Dulcie’s view was restricted to the floor, the bed legs, a corner of the blanket hanging down, and the high-topped black shoes of the visitors. Each woman, when seated, kept her feet flat on the floor as if to assure adequate balance. Above their ankle-high shoes, two inches of leg were encased in thick, black corrective stockings-a sharp contrast to Adelina’s silk-clad ankles and creamy pumps, her sleek narrow foot tapping softly beside the bed. The two ladies smelled of mothballs, a strange mix when combined with Adelina’s perfume and the sweet aroma of vanilla from the bowl that Gustel held. These, with the strong air freshener that had been sprayed earlier, left her nose nearly numb. But she did catch a whiff from the bed above, of nail polish remover. This seemed a puzzling aroma to be associated with a frail, bedridden lady. But maybe she liked nice nails-though one couldn’t seethem beneath the white cotton gloves.
She could see Dillon standing beyond the glass door and draperies, a shadow among shadows in the darkening patio, a subtlety probably not detectable by human eyes. She had seen Joe streak for the tree-he was hidden, now, high among the leaves-but she caught a glimpse of his yellow eyes, watching.
A chair creaked as if the short lady had leaned forward.“Mary Nell? Mary Nell, it’s Roberta. Open your eyes, Mary Nell. It’s Roberta and Gustel.”
There was a rustle of the covers as if Mary Nell had turned to look at her visitors.
“Mary Nell, Cousin Grace sends her love,” Gustel said. “I’ve brought you a vanilla pudding.”
Mary Nell murmured, faint and weak.
“Her husband Allen’s son is graduating from Stanford, and we came out to the coast for the ceremony, and, of course, we wanted to see you; it’s been years, Mary Nell.”
Mary Nell grunted delicately.
“Do they treat you well? We talked with your trust officer, and she said they are very kind here.”
Another soft murmur, a bit more cheerful.
The conversation progressed in this vein until Dulcie had to shake her head to stay awake. From Mary Nell’s responses, the patient, too, was about to* drift off. The cousins took turns talking, as if they had been programmed by some strict familial custom which allowed exactly equal time to all participants. Mary Nell’s answers remained of the one-syllable variety. Not until Gustel began to talk about the old school where Mary Nell had taught did the patient stir with some semblance of vigor.
Gustel, holding her pudding gently on her lap, told about the grandchild of one of Mary Nell’s students, who was now vice principal of that very same school. When she described for Mary Nell the new modern gymnasium with a skylight in the dome, this elicited from Mary Nell her first decipherable comment. “A light in the roof. Oh my. And little Nancy Demming, just imagine, she was no bigger than me.”
“We have all your old history books and cookbooks, Mary Nell; we’re keeping them for the great grandchildren.”
“A regular window,” Mary Nell said. “A regular window in the roof.” The springs grumbled as if she had shifted or perhaps leaned up for a better look at her cousins. It was at this moment that Dulcie saw Mae Rose.
Mae Rose had abandoned her wheelchair and was creeping along the hall. Walking unsteadily, clutching at the wall, she was headed for the open door.
Dulcie had left Mae Rose near the front door, in the parlor. When Mae Rose stopped to wait for Eula, Dulcie had lost patience, leaped down, and streaked in through this door behind the nurses’ feet. She thought that not even Dillon peering in through the glass had seen her as she slid beneath Mary Nell’s bed.
She didn’t know why Mae Rose had left her wheelchair; it frightened her to see the little woman walking so precariously. She did not see Eula, though she could see a good slice of hall from where she crouched; it was only close up that her view was limited to chair legs and feet. Mae Rose crept along to the door, clutching her little doll Lucinda and hanging on to the wall. Moving inside, she approached the bed, drew so close that Dulcie could see only her pale, bare legs and her bright pink slippers. The smell of air freshener was so strong she couldn’t even catch Mae Rose’s sweet, powdery scent. Just the chemical smell of fake pine.
Wanting to see more, she reared up behind the bed, shielded by Mary Nell’s plumped pillows, and peered out through a tiny space beside Mary Nell’s left ear. She watched Mae Rose lean over the bed, smiling eagerly at Mary Nell, holding out the doll. Mary Nell grunted, perhaps startled at the proximity of the doll. When she leaned up a few inches from the bed, Mae Rose pressed the doll toward her, as if by way of a loving gift.
The cousins, sitting beside the bed like two black crows, watched this exchange with blank stares. And Dulcie drew back imperceptibly, deeper into the shadows behind the bed.
She felt that if either cousin spotted her, escape would be imperative. And now suddenly Eula appeared in the hall, stumping along in her walker. Behind Eula came a scowling nurse, pushing Mae Rose’s empty wheelchair.
Soon the nurse had forced Mae Rose away from the bed, back into her rolling chair, and started away with her, pushing determinedly. But then the nurse seemed to take pity. She turned back again, rolled the chair back into Mary Nell’s room, and up to the bed.
Again Mae Rose held out the doll.“Mary Nell, do you remember Lucinda?”
“I remember her,” Mary Nell said weakly.
“She’s for you, to keep you company. She’s your doll now.” Mae Rose thrust the doll at Mary Nell. The bed creaked as Mary Nell reached. Dulcie watched intently through the tiny space between the two pillows. Mae Rose and Mary Nell looked silently at each other. Mae Rose said, “I’ve missed you, Mary Nell. And I miss Jane. Do you see Jane over in Nursing?”
“She’s not well,” Mary Nell told her. “She misses you. She said-she said, if I saw Mae Rose, to give her love.” Her voice was weak and shaky. The effect on Mae Rose was to bring tears; Mae Rose’s face crumpled. And at the same moment, Adelina appeared.
Adelina paid no attention to Mae Rose’s weeping; she dispatched the tearful old lady back to her own wing, and Eula with her; sent them both away, escorted by two nurses.
The two cousins had sat scowling and silent through the little episode. Seated firmly, their feet planted, they gave each other a meaningful look, then rose as one. Moving slowly, with a measured precision, Roberta clutched her flowered handbag. Gustel turned away from her sister only long enough to deposit her vanilla pudding on the dresser beside the books.
As the two cousins made their good-byes to Mary Nell, Dulcie studied the hall and the glass door, weighing her chances. She could likely unlatch the glass door, but she didn’t want Dillon to see her do that. She was assessing the traffic in the hall when she saw the foot.