Besides cash and jewelry, she favors expensive cameras, the more expensive brands of small electronic equipment, and she has been known to take small pieces of artwork. Missing from the home of John Eastland on Mission Drive is a complete set of rare ivory chess pieces, and from an unnamed residence in the hills, five valuable, limited edition collector’s dolls of unusual beauty. From the Elaine Carver residence the woman has stolen a small etching by Goya valued at a hundred thousand dollars, and for which there is a generous reward. The rash of burglaries is an unfortunate stain on the reputation of Molena Point. Anyone having information about the identity of the woman, or about the stolen items, should contact Captain Harper of the Molena Point Police.
She set down her coffee cup, staring at the newspaper. Mrs. Garver’s claim of a missing Goya so amazed her she had almost choked. There had never been a Goya. She’d seen no etching by Goya in that house, nor had she seen any valuable artwork there. The woman was flat lying. Planning to rip off her insurance company for a cool hundred thousand, and using her as the patsy.
The fact that someone would piggyback a scam of that magnitude on her own modest operation was both annoying and, in a way, flattering. But then she started to get mad-mad that this Garver woman would set up a poor little old bag lady to take the rap for a hundred-thousand-dollar painting.
The idea so angered her that by the time she finished her coffee and paid her bill, she was seething. The woman wasn’t going to get away with this.
Returning to the ladies’ room, she dropped a quarter in the pay phone and called the Molena Point PD.
She was able to reach Max Harper himself, and told him there was never any Goya etching.“I expect the Garvers’ insurance agent will be pleased to have that information.” And because she was feeling so mad, and because she had to prove to Harper that she spoke the truth, she gave him a complete list of the items she had taken from the Garver house, gave him a far more detailed accounting than was in the paper.
Hanging up the phone, she stood a moment, letting her pounding heart slow. Then she got out of there fast.
In the car she pulled on her coat again, against the chill of the fog, and headed on through the village. That insurance company would nip Mrs. Garver’s scam, jerk her up short. And as far as Harper tracing her phone call, he hadn’t had time. She knew how long such a thing took; she’d researched phone tracing carefully. Anyway, she’d be out of here in a day or two, and on up the coast. Withcat burglarsmeared all over the front page, the whole village was alerted, she didn’t dare hang around. Just a few loose ends to take care of, and she’d be gone. In Molena Point she’d be history.
27 [????????: pic_27.jpg]
Max Harper left the police station at midmorning, heading up the hills to have another look around the Prior estate. He didn’t intend to pull into the Prior drive in his police unit. He thought he’d stop by his place, saddle Buck, and take a ride. He’d been using Buck all week to quarter the hills above the residential areas, looking for human bones or a shallow grave. And he could do with a break this morning, get out of the station for a few hours. The morning had not started out well, everything he’d touched seeming as murky and vague as the fog itself. Driving slowly uphill through the thick mist, he went over this morning’s and last night’s phone calls, looking for some detail he might have missed.
He had come in just before eight, parking in his reserved slot in the lot behind the station. He was pouring his first cup of coffee when his phone buzzed. The caller was a woman; she wouldn’t give her name. She told him that Elaine Garver had lied about the Goya etching, said there was no etching. He couldn’t dismiss the call; the woman gave him a detailed list of stolen items, information that only the Garvers or the burglar herself could know-or one of his own people, and that wasn’t likely. If he prided himself on anything, it was on the quality and honesty of his officers, in a world where that wasn’t always the case. Nothing made him as deeply angry as hearing some report about a bad cop, about someone’s inner departmental decay.
When the anonymous caller hung up, too quickly to trace, Wilma Getz was on another line. She wanted to come in with the little Thurwell girl, see him for a few minutes. She said just enough to make him uneasy, make him think the problem might be tied in with Susan Dorriss’s phone call late last night.
He would never peg Susan Dorriss as one to pass on wild stories, any more than he would think of Wilma that way. Yet the story Susan gave him was the same wild tale he’d heard weeks ago from that Casa Capri patient, little Mrs. Mae Rose.
Last night, Susan had called from her daughter’s car phone, sitting in the parking lot of Casa Capri. Said she didn’t want to use a phone inside Casa Capri. She had called her daughter at about ten, and Bonnie came on down and wheeled her out to the car.
Susan had called Bonnie just after Mae Rose came to her with the note she had supposedly found inside an old doll, a note from the woman Mae thought was missing, from Jane Hubble. Susan said the note and the doll smelled musty from being closed up in a locked closet. His immediate reaction was, what was he supposed to do about a note some old lady found inside a doll? And maybe he’d been short with Susan. When she read the note to him, his temper flared. He’d wanted to say, maybe it was something in the water up at Casa Capri that made everyone nuts, that he’d rather deal with any kind of straightforward crime than some groundless mystery that had just enough truth toturn him edgy. And when Susan told him about seeing Teddy Prior get out of his wheelchair and walk, that set him back. Everyone knew Teddy was incurably crippled-everyone thought they knew that.
And then this morning when Wilma brought the kid in, little Dillon Thurwell, to tell him about the doll, neither Wilma nor the kid knew that Susan had called him with the same story. Neither Wilma nor the kid knew about the note; Mae Rose had found that hours after the two of them left Casa Capri yesterday afternoon, and Mae Rose had taken the note to Susan.
He’d never known Wilma Getz to go off on a tangent. She’d worked her whole life in corrections and wasn’t the kind to buy into some nut story. Unless Wilma herself was getting senile. On the phone, she’d said, “I guess it’s all nonsense, Max. I know it sounds crazy-but you know that little niggling feeling? That ring of truth that’s so hard to shake?”
“Go on.”
“I saw Dillon take the doll from the closet, I could see clearly across the patio, from where I stood in the glass doors of the social room. I watched her slip inside, remove the lap desk, open it, and take out the doll. She shoved the desk back, hid the doll in her shirt, and made a dash out thedoor just as it started to rain. The cats?” She’d paused, stopped talking.
“The cats? You started to say, what?”
“Oh, that the cats were out in the rain, too. You know, the Pet-a-Pet cats.”
“So?”
“I don’t know-so they got wet. What time can I come in?”
“Come on in,” he had said, sighing. “I can give you a few minutes.” He had hung up, poured another cup of coffee, and gotten some paperwork done. Not twenty minutes later, there was Wilma coming into the station with the kid. Threading their way back through the crowded squad room, Wilma herded the kid along, her hand on the little girl’s shoulder, the child looking fascinated by all the uniforms, and looking scared.
He’d poured coffee for Wilma and got the kid a Coke. Dillon was real silent for a while, but when she saw the picture of Buck on his desk she brightened right up. He told her about Buck, and they’d talked about horses. She started talking about Jane Hubble’s horse, and the next thing she launched right in, telling him that Jane was missing, that she’d tried three times to see Jane and every time had been run off from Casa Capri. Told him how yesterday afternoon she’d found Jane’s lap desk with the doll inside.