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Joe stood up, twitched an ear at her.

She sped, a blur so fast she burst at the cottontail before it had any clue. It spun, was gone inches from her claws. Joe cut it off. It doubled back. Dulcie leaped. It swerved again, angling away. They worked together hazing, doubling, then closed for the kill.

The blow was fast, Joe's killing bite clean. The rabbit screamed and died.

They crouched side by side, ripping open its belly, stripping off fur and flinging it away. Joe ate as he plucked the warm carcass, snatching sweet rabbit flesh in great gulps. But Dulcie devoured not one bite until she had cleaned her share of the kill, stripped away all fur. When the warm meat lay before her as neat as a filet presented for her inspection by a favorite butcher, she dined.

They cleaned the rabbit to the bone. They washed. They cleaned one another's wounds again, then climbed an oak tree and curled together where five big limbs, joining, formed a comfortable nest. The breeze teased at them, and, above the oak's dark leaves, the blue sky swept away free and clean. Below them, down the falling hills, where the village lay toy-sized, their own homes waited snug and welcoming. Home was there, for that moment when they chose, again, to seek human company.

But at that moment the cats needed no one. They tucked their chins under and slept. Joe dreamed he was a hawk soaring, snatching songbirds from the wind and needing never to touch the earth. Dulcie dreamed of gold dresses and of music, and, sleeping, she smiled, and her whiskers twitched with pleasure.

They woke at darkfall. Below them the lights of the village were beginning to blink on, bright sudden pricks like stars flashing out. The smell of cooking suppers rose on the salty wind, a warm and comforting breath of domesticity reaching up to enfold them.

Galloping swiftly down the hills, within minutes they were trotting along the grassy center median of Ocean Avenue beneath its canopy of eucalyptus trees, their noses filled with the familiar and comforting aromas of Binnie's Italian and an assortment of village restaurants, and with the lingering scent of the greengrocer's and the fish market; how comforting it was, when home smells embraced them. Their wounds were beginning to burn and ache.

They parted at Dolores Street, Dulcie trotting away toward the main portion of the village, where, beyond the shops and galleries, her stone cottage waited. Joe turned left, crossed the eastbound lane of Ocean, and soon could see his own cat door, his own shabby white cottage. He pictured Clyde getting supper, pictured the kitchen, the two dogs greeting him licking and wagging.

He stopped, sickened.

Only Rube was there. Barney would never again greet him. He approached the steps slowly, riven with sadness.

His plastic cat door was lit from within, where the living-room lights burned, and he heard the rumble of voices. Looking back over his shoulder toward the curb, he realized that he knew the two cars parked there- both belonged to Molena Point police officers.

Turning back across the little scraggly yard, he leaped up onto the hood of the brown Mercury. It was only faintly warm; Max Harper had been here a while. Sitting on Harper's dusty hood studying the house, he tried to decide-did he want to spend an evening with the law?

He didn't relish Harper's cigarette smoke. But he might pick up some useful information. And it amused him to hassle Harper, and to spy on the police captain, to lie on the table among the poker chips, listening. Learning things that Harper wouldn't dream would go beyond those walls. And even if his eavesdropping didn't prove useful, it was guaranteed to drive Clyde nuts.

Flicking an ear, he leaped down and trotted on inside.

21

The letter had been folded many times into a tiny rectangle no larger than a matchbook. It had been stuffed between layers of cotton filling in the belly of the doll, and the doll's stomach sewn shut again with the ragged green stitches. The letter had lain concealed for more than three months, and the doll hidden and forgotten.

Dear Mae,

I don't know if I'm being foolish in writing this. Maybe my distress and unease are only a result of my condition or of the medication they give me. Maybe that causes my shaky handwriting, too. I do feel odd, off-balance, and my hands don't work well. I was so hoping you would visit me here and that we could talk. The nurses say you haven't asked about me, but I don't believe them. I've longed to come over to your room or the social room. You're so near, just beyond this wall, but it's as if a hundred miles separate us.

The doctor told me to walk, so I have been all around the halls, but always accompanied by a nurse, and none of the nurses will let me come over to the social room. They are so needlessly stria, and I haven't the strength to defy them, not like I once had. Six months ago I wouldn't have stood for this high-handed treatment.

I haven't seen anything of your friends, Mae, though I have watched the doors where the charts are posted. I don't think any of them are here. Their names are not on the doors, and I've looked carefully.

If your fears continue, maybe you should talk to the police. But I wouldn't ask these nurses questions, they get terribly cross.

I heard the supervisor scolding one of the nurses when she thought I was asleep. Though I don't know much Spanish, just a few words, I'm sure she was saying something about a phone call and your friend Mary Nell Hook. I think she told the nurse not to answer questions from anyone, told her to tend to her own job unless she wanted-something "guardia," something about the police. Though I didn't understand much of it, the conversation frightened me. The supervisor mentioned Ms. Prior, too, in a threatening way. I think Adelina Prior can be very cold, I would not want to cross her.

I don't know if there's any connection, but twice late in the night I've awakened to see a man standing across the hall inside a darkened room, just a shadow in the blackness, looking out. And once when I woke around midnight I thought someone had been standing beside my bed watching me. Not one of the nurses but someone studying me intently, and I felt chilled and afraid-but maybe it was only my overactive imagination, or maybe the medication is affecting my nerves.

I'm putting this note inside Mollie, and I mean to ask Lupe to bring her back to you. I'll tell her that I don't want her anymore, that the doll makes me sad. I know you'll make Mollie a new dress. When you do, you'll find my stitching hidden under her skirt and slip-I just hope Lupe doesn't find it. I'll use green thread so you won't miss it-but you wouldn't miss it, my hands are no better for sewing than for writing.

I know I seem very depressed. I suppose that's natural, given my illness. Though I do wonder if the medicine doesn't make me feel worse.

I long to see you, Mae, but I'm so very tired, too tired to argue. I miss you. And I long for my friend Dillon, too. Since I came here, she hasn't written, though I have written to her several times. How strange the world has become. I feel very disoriented and sad.

With all my love,

J.

22

Joe pushed in through his cat door and headed for the kitchen, toward the cacophony of good-natured male voices and the click of poker chips. He heard someone pop a beer, heard cards being shuffled. When he heard Clyde belch and politely excuse himself, he knew there were ladies present. And that meant a better-than-usual spread from Jolly's Deli. He could already smell the corned beef, and wished he hadn't eaten so much of that big cottontail rabbit.