But the rack was empty-no early paper. Strange that the court postponement hadn't generated enough excitement for the Gazette to make an extra effort. And even if, at home, she were to push the buttons on the TV, there'd be no news this time of day, only the soaps, every channel busy with degrading human melodramas written by disturbed mental patients.
But at least at home there would be something nice to eat while she waited for the paper. Wilma always left a plate for her in the refrigerator. She hadn't had a bite since breakfast with Mama, a disgusting mess of oatmeal, and then that nibble of peach turnover-more peach on her ear than in her stomach. Breaking into a run, swerving around pedestrians, she nearly collided with an old man and an elderly dog wandering along in the sunshine; then, turning the corner, she was almost creamed by a fast-moving bike. She jumped back just in time as its rider swerved, shouting at her. But soon she turned up her own stone walk between Wilma's flower beds. Slipping in through her cat door, she made a round of the house to be sure she was alone. Charlie could be unusually quiet sometimes, not a whisper of sound, not a vibe of her presence.
No one home, the rooms were still and empty. But trotting back through the dining room she caught the scent of Charlie's drawing materials. Maybe she'd left her sketch box on the table.
In the kitchen, crouched on the counter, the instant she forced the refrigerator open she smelled fresh crab. Leaping down before the door could shut, she snatched the plastic plate in her teeth, set it on the little rug.
Beneath the clear wrap, the soft plastic plate held a generous portion of fresh white crabmeat arranged beside a small cheese biscuit of her favorite brand, and an ounce of Jolly's special vegetable aspic, heavy on asparagus just the way she liked it. For desert Wilma had included a small plastic cup of Jolly's homemade egg custard. She ate slowly, enjoying each small bite, puzzling over why Judge Wesley would have recessed court.
Maybe Mama Blankenship had gone to the police, maybe the recess was until they could arrange for her testimony. Maybe what Mama told the police had been important enough to put a whole new face on the trial. Musing over that possibility, she finished her main course, licked her plate clean, and licked the last morsel of crab off her whiskers. As she started on her custard, she knew she had to call Captain Harper, that she wouldn't rest until she was sure he had the list. Why was she so shy of the phone? It couldn't be that hard. Just knock the phone off its cradle and punch in the number.
Finishing her custard, she headed for the living room, for the phone. But crossing the dining room she was aware once more of the scent that didn't belong in that room, the sketching smell-charcoal, eraser crumbs, fixative.
Wilma's guest room had taken on Charlie's personality, overflowing with Charlie's personal tastes and passions, her sketch pads, her easel, her hinged oak sketch box, and a larger oak painting box. Drawings stood propped against the furniture and the walls, stacks of art books crowded every surface and were stacked on the floor. This clutter was a product of Charlie's deep interests, very different from the dead, dormant clutter of the Blankenship house. Charlie Getz might have left the art world to make a living, but her heart hadn't left it.
Now in the dining room, smelling Charlie's drawings, Dulcie reared up to sniff at the buffet, then leaped up.
Landing on the polished surface she slammed hard into a large drawing, nearly knocked it off where it leaned against the wall. Backing away, she paused, balanced on the edge of the buffet.
There were three drawings. Her heart raced. They were of her. Life-size portraits so bold and real that she seemed ready to step right off the page.
The studies were done with charcoal on white paper, and neatly matted with pebbly white board. When had Charlie done these? She hadn't seen Charlie drawing her. She leaped away to the dining table to get a longer view. Looking across at the drawings, she could almost be looking into a mirror, except that these reflections were far more exciting than any mirror image. Charlie's flattery made her giddy. Her tail began to lash, her skin rippled with excitement.
She'd had no notion Charlie was drawing her. And who had known Charlie could draw like this? What is Charlie doing cleaning houses and grubbing out roof gutters, with this kind of talent?
She did a little tail chase on the dining room table, spinning in circles, and for a moment she let ego swamp her, she imagined these images of herself hanging in galleries or museums, saw herself in those full-color glossy art magazines, the kind the library displayed on a special rack. She saw newspaper reviews of Charlie's work in which the beauty of Charlie's feline model was remarked upon. But then, amused at her own vanity, she jumped down and headed for the living room. Her mind was still filled with Charlie's powerful art work, but she had to take care of unfinished business.
Leaping to Wilma's desk, she attacked the phone. Joe did this stuff all the time. Lifting a paw, she knocked the headset off.
The little buzz unnerved her. She backed away, then approached again and punched in the police number. But as she waited for the dispatcher to answer she grew shaky, her paws began to sweat. She was about to press the disconnect when a crisp female voice answered, a voice obviously used to quick response.
Her own voice was so unsteady she could hardly ask for Harper. She waited, shivering, for him to come on the line. She waited a long time; he wasn't coming. She'd sounded too strange to the dispatcher; maybe the woman drought her call was some kind of hoax. She was easing away to leap off the desk, abandon the phone, when Harper answered.
When she explained to him about the list which she had tucked under the back door, Harper said he already had it. She told Harper the list had been made by James Stamps, under the direction of Varnie Blankenship, and she gave both men's addresses, not by street number, which she hadn't even thought to look at, but by the street names and by descriptions of the two houses, the ugly brown Blankenship house, and the old gray cottage with the addition at the back.
She told Harper that Stamps walked his dog every morning, watching when people left for work, when children left for school. She said she didn't know when the two men planned the burglaries, that she knew no more than was on the list. Except that Stamps was on parole. This interested Harper considerably. He asked whether it was state or federal parole, but she didn't know. He asked if she was a friend of Stamps, and how she had gotten her information. She panicked then, reached out her paw ready to press the disconnect button.
But after a moment, she said, "I can't tell you that. Only that they're planning seven burglaries, Captain Harper. I thought-I supposed you'd need witnesses, maybe a stakeout."
She'd watched enough TV to know that if Harper didn't have eyewitnesses, or serial numbers for the stolen items, his men couldn't search Stamps's room and Varnie's house. Even if the stolen items were there, she didn't think the police could get inside without probable cause.
She knew it was expecting a lot to imagine that Harper would set up a stakeout every morning until the burglaries were committed, that he would do that guided only by the word of an unfamiliar informant. Her heart was thudding, she was afraid she'd blown this. "Those are expensive homes, up there. It would be terrible, all of them broken into in one morning. I don't know what vehicle they'll use, but maybe the old truck in Varnie's garage. It would carry a lot." She was so shaky she didn't wait for him to respond. In a sudden panic she pressed the disconnect and sat staring at the headset as the dial tone resumed.