23
Kendrick Mahl's apartment occupied the third and highest floor of a casual Mediterranean condominium three blocks above the ocean, on the west side of Molena Point. The complex did not have a locked security door as Joe had envisioned, but was a structure of open, sprawling design, with gardens tucked between its rambling wings. Against the pale stucco walls, flowers bloomed all year in blazes of orange and pink and reds, and at occasional junctures, trellises of bougainvillea climbed to the roof, heavy with red blossoms.
Each first-floor unit opened to a terrace, and the glass doors of the upper apartments gave onto walled balconies set about with redwood chairs and potted plants. At one end of Mahl's veranda, a bougainvillea vine clung to the rail, providing from the ground below a comfortable vertical highway, an access tailored to the use of any inquisitive feline.
Joe and Dulcie, having checked the mailboxes in the open, tiled entry patio, headed for apartment 3C. Two floors straight up from 1C, Mahl's balcony was an easy climb. There was no one on the surrounding balconies to notice them, no one in the gardens below. The condo compound, this late afternoon, seemed to provide no visible witness.
From high up the vine they could see a small parking area, down between the buildings, surrounded by trees and flowers. But as they dropped down from the vine onto Mahl's balcony, they drew back. Classical music was playing softly, and the glass door stood wide-open. Deep within the bright living room, Mahl sat at a large, richly carved desk.
He was talking on the phone. They could not hear much of his conversation above the soothing music, something about delivering a painting. He seemed to be trying to arrange a suitable hour for his truck to arrive.
A skylight brightened the room, sending a cascade of sunlight down the white walls and across the whitewashed, polished oak floors. The room's furnishings were a combination of white leather and chrome set off by several dark, carved antique tables and chests, and half a dozen small potted trees. The pillows tossed on the long white sofa were deep-colored antique weavings. A Khirman rug in soft shades of red and rust graced the sitting area, nicely mirroring the fall of red bougainvillea on the balcony. And on the pristine walls, seven large paintings provided brilliant pools of color. None, of course, was by Janet Jeannot. Nor were any of the works by Rob Lake.
As the cats watched, peering in through the glass, Mahl hung up the phone and bent to some paperwork. In the instant that he turned to pull a file from the desk drawer they slipped in and fled, swift as winging moths, across to a white leather couch and behind it. Crouching in the dark between couch and wall, they looked out, assessing Janet's ex-husband.
Mahl was dressed in immaculate ivory slacks and a blue silk shirt, but the sleek clothes seemed too fine for his sour, owlish face, for shoulders hunched forward in an owlish manner. The cats grinned at each other, watching him, amused by his big, round, blank glasses. Even Mahl's nose was too much like a beak; Dulcie found him so humorous she had to hold her breath to keep from laughing aloud. And though Mahl was large and wide-shouldered, he did not look strong. His oversize form seemed put together carelessly, perhaps in haste. One had the impression of a creature that might be nearly hollow inside, of a thin, frail, loosely connected bone structure without strength.
They waited impatiently for Mahl to finish whatever work occupied him. At last he rose and retired to the kitchen; they heard the refrigerator door open and close, the sounds of metal cutlery on a plate. As Dulcie leaped to the desk, Joe slid behind a planter, where he could keep an eye on Mahl. From his leafy cover Joe watched Mahl make a roast beef sandwich, piling on thin, rare slices from a white deli wrapper. The rye bread and beef smelled so good he had to lick drool from his chin. But soon the smell was spoiled by the sharp scent of mustard. He never would get used to humans spreading all that smelly goo on good red meat.
Atop the desk Dulcie pawed through Mahl's in-box and stacks of papers, looking for some record of a rented locker or warehouse space. Most of the papers were letters, some about painting sales. She scanned them, but did not find them useful. None mentioned any kind of storage facility. None, of course, mentioned Janet's work. She left a few cat hairs clinging to the papers, but one could not help shedding. Mahl used as paperweights a small bronze bust of a child, a piece of jade as round and large as a goose egg, and a small pair of binoculars. All were hard to move as she perused the papers, all were hard to put back again. She had just moved the binoculars back into position and was fighting open the top desk drawer when Joe hissed.
She leaped off the desk, leaving the drawer open four inches, and slid underneath into the dark kneehole. The desk was a heavy mahogany piece with ball-shaped, carved feet that left a three-inch space beneath the back and sides. If she had to, she could just squeeze under.
Mahl came to the desk, but didn't sit down. His feet, inches from her face, were clad in soft leather slippers and cream-colored argyle socks below the creamy slacks. He grunted with mild surprise, and she heard him shut the drawer-the drawer she had worked so hard to open. She heard a paper rattle as if he had retrieved something from atop the desk, then he turned away, returned to the kitchen. She heard a chair scrape as if he had sat down at the kitchen table.
Leaping back to the top of the desk, again she worked the drawer open.
But it contained only a few desk supplies-pencils, pens, a plastic box filled with paper clips, a checkbook. She pulled out the checkbook and nosed it open. If Mahl found toothmarks in the leather, how would he know what they were?
Inside, besides the checks and check register, was a long, thin notepad. On the cover of the pad Mahl had written several phone numbers, an address, and on the lower left corner, in faint pencil, the numbers L24 62 97. The sequence looked familiar; this could be a padlock combination. It was the same pattern of numbers as Charlie's padlock.
Joe would make some comment about her rooting into Charlie's private possessions, but if Charlie didn't want cats nosing in her stuff, she should put it away. And Charlie had never rebuked her for jumping on the dresser.
Of course the numbers on Mahl's notepad could mean anything. There was no name of a locker complex, no number for the locker itself. She repeated the combination to herself twice, and then again. She could hear Mahl rinsing his plate. She searched the other drawers and looked beneath the blotter. She was down again, beneath the desk, searching up underneath in the best detective fashion, when Joe hissed once more, and she heard the soft scuff of Mahl's slippers. Sliding out under the end of the desk, she crouched behind a white leather chair. The music had increased in volume and intensity, until it was very military. She was not well hidden by the chair's chrome legs, but it was too late to move. Maybe he wouldn't look in her direction. Crouching behind the cold, shiny metal, she considered the task ahead.
They'd have to check every locker facility in Molena Point and, once inside, have to try their combination on every lock. And how were they going to turn the dial of every combination lock in every locker complex, when, probably, they couldn't even reach the stupid locks? She'd never seen a door for humans with a latch she could reach.
Crouching in Mahl's apartment behind the chrome chair, the task seemed impossible. They had no proof the numbers were a lock combination, and no proof what a locker might contain-maybe nothing more exciting than old worn-out furniture or tax files. How many locker complexes were there on the outskirts of Molena Point? How many lockers in each one?
It would be no use to try phoning the locker complexes, making up some story to get information: This is Kendrick Mahl, I've lost the number of my locker, I need to send it to a friend… because certainly Mahl would not have put the locker in his own name.