"You're not going to stay, are you, kitty?
"But you've brought me a kitten who will-maybe a kitten who needs me?" She looked carefully at Dulcie, then looked into the youngster's pansy face. "A little black-and-white kitten. Black mustache and blue eyes." Unceremoniously she turned the kit over on his back and looked between his hind legs.
"Little male cat. Well, that's fine. He should be a match for Varnie-when Varnie gets out." Righting the kit, she cuddled him again, looking deep into his eyes. "I'll call you Chappie. I had a cat once named Chappie-for Charlie Chaplin. Chappie stayed with me for fifteen years. Funny," she said, looking at Dulcie, "I never did give you a name, did I, kitty?
"Maybe I knew," she said, and her old voice trembled. "Maybe I knew, all the time, that it was just a visit.
"But Chappie," she said, stroking him, "Chappie's come to stay, hasn't he?" She cocked her head, watching Dulcie. "Strange thing for a little cat to do, to bring me another kitty, someone to take your place.
"But then," she said, "cats are strange little folk. Aren't they, sweet kitty?" Reaching across the table, she stroked Dulcie gently.
Dulcie nudged her head beneath Mrs. Blankenship's hand, and gave her a long, happy purr. She let the old woman pet her for a while, but at last she turned away. Crouched on the windowsill, she gave the old woman one last look, then leaped to the lawn.
And she ran, racing down the street to Wilma's car and in through the open door.
She did not take her usual place on the seat. She slipped under the steering wheel into Wilma's lap and stayed there, close, as Wilma drove home.
27
Leaving her old van parked in front of the Aronson Gallery, Charlie walked down to Jolly's Deli to take delivery of the picnic hamper Wilma had ordered earlier in the day. She liked the deli, with its clean, whitewashed and polished woodwork, its tile floors of huge handmade tiles glazed pale as eggshells, its hand-painted tile counters decorated in flower patterns; she loved the smell of the deli, a combination of herbs and spices and baking so delicious it was like a little bit of heaven reaching out into the street, pulling in passersby. The tiny round tables set before the windows were always full as villagers enjoyed Jolly's imported meats and cheeses, homemade breads and delectable salads.
She liked old George Jolly, too. He was always happy, seeming sublimely satisfied with the world. She imagined him in his old truck making early-morning trips to Salinas to buy the best produce, imagined trips to some exclusive specialty wholesaler for his fine imported meats and cheeses. She wondered if he did all the baking, at perhaps three in the morning, or if he delegated that task to one of his efficient assistants. She knew Jolly did his own roasting of hams and sides of beef, in a large brick room behind the deli kitchen. She wondered if he had grown up consciously striving to live up to the name of Jolly, or if his name was only coincidental. Too bad he couldn't dish out to others some of his optimism, dish out helpings of cheerfulness as he dished up Greek salad and salmon quiche.
Too bad George Jolly couldn't sell a pound or two of happiness to Beverly Jeannot. That bad-tempered woman could use it.
Beverly had been at the gallery when Charlie left. She'd seen Beverly come in as she sat at the back, at a card table, preparing a work proposal, bidding for the gallery's cleaning account. When she looked toward the front windows, Beverly was coming in, pausing for a moment just inside the glass door as if for maximum effect, before making her way to Sicily's desk.
She was dressed in a pink suit reminiscent of a bowl of strawberry ice cream. Pink shoes. Her hair in perfect marcel waves. Of course Beverly would be coming to the gallery, Sicily was her sales agent now, Sicily would be marketing-for fabulous prices-the last of Janet's canvases.
Sitting down opposite Sicily, Beverly spied Charlie at the back and beckoned imperiously.
Summoned like a servant, Charlie stood waiting beside the desk while Beverly made herself comfortable, settling securely into her chair, arranging her pink handbag carefully in her lap. She didn't waste time on social niceties. "Your cleanup work, Miss Getz, still cannot begin. The police have not released the house. I find this delay intolerable. I presume there is no help for it."
What was she supposed to say? That she'd clean illegally after midnight?
"Now, with this case dismissed and with a second trial pending, I have no idea when the work can start." She looked Charlie over. "I presume that when the police do give me a release, you still intend to perform the work immediately."
"Whenever that occurs," Charlie said. She wanted to tell the woman to stuff her damned job. Beverly didn't seem to care about the trial itself, or that the man who really murdered Janet would now be punished. Didn't seem to give a damn that an innocent man had been freed. What an insufferable woman. How could she be Janet's sister?
"If you will call me, I'll have my crew there as soon as possible." Of course she'd given Beverly no hint that her crew had consisted of three people including herself-or that now she'd lost a third of that staff. With James Stamps in jail, she'd have to hustle to find enough help to do a decent job-or any job. What a joke that one person made up a third of her entire work force.
Returning to the back, she had filled in, for Sicily, a multiple-copy work proposal for weekly maintenance of the gallery, number of hours per week she would give Sicily, exactly what that would include; and her weekly fee and what items, such as repairs, would be charged extra. She could hear clearly the conversation at Sicily's desk
"I am anxious that the paintings be removed from that locker right away. Such a place does not seem suitable. All this impounding is most inconvenient."
"There are new, heavy-duty locks on the doors and gate," Sicily said. "And there is a guard on duty. The moment the locker is released, the moment the police give me permission, Janet's work will be brought here. My storeroom has a metal-shielded door, fire alarms, and frequent police surveillance. I must admit I'm somewhat surprised."
"Surprised at what?" Beverly said, bristling.
"Surprised and interested that you do not appear to be grieving for your dead sister."
Charlie hid a smile.
Beverly squared her shoulders, dangerously stretching the pink fabric. "Janet and I were not close, not even as children. When our parents were divorced she went with our father, I with Mother. We did not see each other often after that. Were, in fact, like strangers. I would be hypocritical to pretend more distress than I feel."
But you were still related, Charlie thought. You were sisters. And she wondered why Janet had left all her assets to Beverly, when they weren't close. But maybe Janet had felt differently about blood relationships, about family.
"I knew Janet so very little, she was more an acquaintance than a sister. I am deeply sorry she died so horribly, and I do feel eased now that the real killer seems to be in custody. I did not think that Rob Lake person was capable of killing anyone, but it was not up to me to decide."
Charlie signed the proposal and tore off her copy. Placing the gallery's copy in a white envelope, she left it at Sicily's desk, not stopping to disturb the two women, and headed for Jolly's.
Now, standing at the counter in the bright deli, she accepted the picnic hamper, wondering, amused, if she was going to be able to carry it. The huge wicker basket, covered with a red-and-white-checkered cloth, looked big enough to supply the entire street with supper.