“You said he lives beside the west entrance to the mine,” I say.
“The east entrance,” Prim corrects me.
“You distinctly said the west, because then I said, 'Next to the slag heap? and you said, 'Yeah, “ I say.
“The slag heap next to the east entrance,” says Prim patiently.
“No. When did you say that?” I demand. “Last night,” Haymitch chimes in.
“It was definitely the east,” adds Peeta. He looks at Haymitch and they laugh. I glare at Peeta and he tries to look contrite. “I'm sorry, but it's what I've been saying. You don't listen when people talk to you.”
“Bet people told you he didn't live there today and you didn't listen again,” says Haymitch.
“Shut up, Haymitch,” I say, clearly indicating he's right.
Haymitch and Peeta crack up and Prim allows herself a smile.
“Fine. Somebody else can arrange to get the stupid goat knocked up,” I say, which makes them laugh more. And I think, This is why they've made it this far, Haymitch and Peeta. Nothing throws them.
I look at the Peacekeepers. The man's smiling but the woman is unconvinced. “What's in the bag?” she asks sharply.
I know she's hoping for game or wild plants. Something that clearly condemns me. I dump the contents on the table. “See for yourself.”
“Oh, good,” says my mother, examining the cloth. “We're running low on bandages.”
Peeta comes to the table and opens the candy bag. “Ooh, peppermints,” he says, popping one in his mouth.
“They're mine.” I take a swipe for the bag. He tosses it to Haymitch, who stuffs a fistful of sweets in his mouth before passing the bag to a giggling Prim. “None of you deserves candy!” I say.
“What, because we're right?” Peeta wraps his arms around me. I give a small yelp of pain as my tailbone objects. I try to turn it into a sound of indignation, but I can see in his eyes that he knows I'm hurt. “Okay, Prim said west. I distinctly heard west. And we're all idiots. How's that?”
“Better,” I say, and accept his kiss. Then I look at the Peacekeepers as if I'm suddenly remembering they're there. “You have a message for me?”
“From Head Peacekeeper Thread,” says the woman. “He wanted you to know that the fence surrounding District Twelve will now have electricity twenty-four hours a day.”
“Didn't it already?” I ask, a little too innocently.
“He thought you might be interested in passing this information on to your cousin,” says the woman.
“Thank you. I'll tell him. I'm sure we'll all sleep a little more soundly now that security has addressed that lapse.” I'm pushing things, I know it, but the comment gives me a sense of satisfaction.
The woman's jaw tightens. None of this has gone as planned, but she has no further orders. She gives me a curt nod and leaves, the man trailing in her wake. When my mother has locked the door behind them, I slump against the table.
“What is it?” says Peeta, holding me steadily.
“Oh, I banged up my left foot. The heel. And my tail-bone's had a bad day, too.” He helps me over to one of the rockers and I lower myself onto the padded cushion.
My mother eases off my boots. “What happened?”
“I slipped and fell,” I say. Four pairs of eyes look at me with disbelief. “On some ice.” But we all know the house must be bugged and it's not safe to talk openly. Not here, not now.
Having stripped off my sock, my mother's fingers probe the bones in my left heel and I wince. “There might be a break,” she says. She checks the other foot. “This one seems all right.” She judges my tailbone to be badly bruised.
Prim's dispatched to get my pajamas and robe. When I'm changed, my mother makes a snow pack for my left heel and props it up on a hassock. I eat three bowls of stew and half a loaf of bread while the others dine at the table. I stare at the fire, thinking of Bonnie and Twill, hoping that the heavy, wet snow has erased my tracks.
Prim comes and sits on the floor next to me, leaning her head against my knee. We suck on peppermints as I brush her soft blond hair back behind her ear. “How was school?” I ask.
“All right. We learned about coal by-products,” she says. We stare at the fire for a while. “Are you going to try on your wedding dresses?”
“Not tonight. Tomorrow probably,” I say.
“Wait until I get home, okay?” she says.
“Sure.” If they don't arrest me first.
My mother gives me a cup of chamomile tea with a dose of sleep syrup, and my eyelids begin to droop immediately. She wraps my bad foot, and Peeta volunteers to get me to bed. I start out by leaning on his shoulder, but I'm so wobbly he just scoops me up and carries me upstairs. He tucks me in and says good night but I catch his hand and hold him there. A side effect of the sleep syrup is that it makes people less inhibited, like white liquor, and I know I have to control my tongue. But I don't want him to go. In fact, I want him to climb in with me, to be there when the nightmares hit tonight. For some reason that I can't quite form, I know I'm not allowed to ask that.
“Don't go yet. Not until I fall asleep,” I say.
Peeta sits on the side of the bed, warming my hand in both of his. “Almost thought you'd changed your mind today. When you were late for dinner.”
I'm foggy but I can guess what he means. With the fence going on and me showing up late and the Peacekeepers waiting, he thought I'd made a run for it, maybe with Gale.
“No, I'd have told you,” I say. I pull his hand up and lean my cheek against the back of it, taking in the faint scent of cinnamon and dill from the breads he must have baked today. I want to tell him about Twill and Bonnie and the uprising and the fantasy of District 13, but it's not safe to and I can feel myself slipping away, so I just get out one more sentence. “Stay with me.”
As the tendrils of sleep syrup pull me down, I hear him whisper a word back, but I don't quite catch it.
My mother lets me sleep until noon, then rouses me to examine my heel. I'm ordered to a week of bed rest and I don't object because I feel so lousy. Not just my heel and my tailbone. My whole body aches with exhaustion. So I let my mother doctor me and feed me breakfast in bed and tuck another quilt around me. Then I just lie there, staring out my window at the winter sky, pondering how on earth this will all turn out. I think a lot about Bonnie and Twill, and the pile of white wedding dresses downstairs, and if Thread will figure out how I got back in and arrest me. It's funny, because he could just arrest me, anyway, based on past crimes, but maybe he has to have something really irrefutable to do it, now that I'm a victor. And I wonder if President Snow's in contact with Thread. I think it's unlikely he ever acknowledged that old Cray existed, but now that I'm such a nationwide problem, is he carefully instructing Thread what to do? Or is Thread acting on his own? At any rate, I'm sure they'd both agree on keeping me locked up here inside the district with that fence. Even if I could figure out some way to escape—maybe get a rope up to that maple tree branch and climb out—there'd be no escaping with my family and friends now. I told Gale I would stay and fight, anyway.
For the next few days, I jump every time there's a knock on the door. No Peacekeepers show up to arrest me, though, so eventually I begin to relax. I'm further reassured when Peeta casually tells me the power is off in sections of the fence because crews are out securing the base of the chain link to the ground. Thread must believe I somehow got under the thing, even with that deadly current running through it. It's a break for the district, having the Peacekeepers busy doing something besides abusing people.
Peeta comes by every day to bring me cheese buns and begins to help me work on the family book. It's an old thing, made of parchment and leather. Some herbalist on my mother's side of the family started it ages ago. The book's composed of page after page of ink drawings of plants with descriptions of their medical uses. My father added a section on edible plants that was my guidebook to keeping us alive after his death. For a long time, I've wanted to record my own knowledge in it. Things I learned from experience or from Gale, and then the information I picked up when I was training for the Games. I didn't because I'm no artist and it's so crucial that the pictures are drawn in exact detail. That's where Peeta comes in. Some of the plants he knows already, others we have dried samples of, and others I have to describe. He makes sketches on scrap paper until I'm satisfied they're right, then I let him draw them in the book. After that, I carefully print all I know about the plant.