Into that heavy, heavy tension, his voice fell like a stone thrown down a deep well. His voice alone almost made me go for my gun. "I am a contract killer, but I'm not here for you, Anita Blake."
I didn't take my eyes from his body, the tension didn't slacken. "Why tell me then?" My voice was softer than his, almost breathy.
"Because I haven't come to St. Louis to kill anyone. I really am interested in getting my ancestor raised from the dead."
"Why?" I asked, still watching his body, still treading the tension.
"Even hitmen have hobbies, Ms. Blake." His voice was matter-of-fact, but his body stayed very, very still. I realized, suddenly, that he was trying not to spook me.
I let my gaze flick to his face. It was still bland, still unnaturally empty, but it also held something else... a trace of humor.
"What's so funny?" I asked.
"I didn't know that coming to see you was tempting fate."
"What do you mean?" I was trying to hold on to that edge of tension, but it was slipping away. He sounded too ordinary, too suddenly real, for me to keep thinking about drawing a gun and shooting up my office. It suddenly seemed a little silly, and yet... looking into his dead eyes that humor never completely filled, it didn't seem all that silly.
"There are people all over the world who would love to see me dead, Ms. Blake. There are people who have spent considerable money and effort to see that such a thing would happen, but no one has come close, until today."
I shook my head. "This wasn't close."
"Normally, I'd agree with you, but I knew something of your reputation, so I didn't wear a gun in my usual manner. You noticed the weight of it when I bent forward that last time, didn't you?"
I nodded.
"If we'd had to draw down on each other, your holster is a few seconds faster than this inner jacket shit that I'm wearing."
"Then why wear it?" I asked.
"I didn't want to make you nervous by coming in here armed, but I don't go anywhere unarmed, so I thought I'd be slick, and you wouldn't notice."
"I almost didn't."
"Thanks for that, but we both know better."
I wasn't sure about that, but I let it go; no need to argue when I seemed to be winning.
"What do you really want, Mr. Harlan, if that is your real name?"
He smiled at that. "As I've said, I really do want my ancestor raised from the dead. I didn't lie about that." He seemed to think for a second. "Strange, but I haven't lied about anything." He looked puzzled. "It's been a long time since that was true."
"My condolences," I said.
He frowned at me. "What?"
"It must be difficult never being able to tell the truth. I know I'd find it exhausting."
He smiled, and again it was that slight flexing of lips that seemed to be his genuine smile. "I haven't thought about it in a long time." He shrugged. "I guess you get used to it."
It was my turn to shrug. "Maybe. What ancestor do you want raised, and why?"
"Why what?"
"Why do you want to raise this particular ancestor?"
"Does it matter?" he asked.
"Yes."
"Why?"
"Because I don't believe the dead should be disturbed without a good reason."
That small smile flexed again. "You've got animators in this town that raise zombies every night for entertainment."
I nodded. "Then by all means go to one of them. They'll do anything you want, pretty much, if the price is right."
"Can they raise a corpse that's almost two hundred years old?"
I shook my head. "Out of their league."
"I heard an animator could raise almost anything, if they were willing to do a human sacrifice." His voice was quiet.
I shook my head, again. "Don't believe everything you hear, Mr. Harlan. Some animators could raise a few hundred years worth of corpse with the help of a human sacrifice. Of course, that would be murder and thus illegal."
"Rumor has it that you've done it."
"Rumor can say anything it damn well pleases, I don't do human sacrifice."
"So you can't raise my ancestor." He made it a flat statement.
"I didn't say that."
His eyes widened, the closest to surprise that he'd shown. "You can raise a nearly two-hundred-year-old corpse without a human sacrifice?" I nodded. "Rumor said that, too, but I didn't believe it."
"So you believed that I did human sacrifice, but not that I could raise a few hundred years worth of dead people on my own."
He shrugged. "I'm used to people killing other people, I've never seen anyone raised from the dead."
"Lucky you."
He smiled, and his eyes thawed just a little. "So you'll raise my ancestor?"
"If you tell me a good enough reason for doing it."
"You don't get distracted much, do you, Ms. Blake."
"Tenacious, that's me," I said, and smiled. Maybe I'd spent too much time around really bad people, but now that I knew that Leo Harlan wasn't here to kill me, or anyone else in town, I had no problem with him. Why did I believe him? For the same reason I hadn't believed him the first time. Instinct.
"I've followed the records of my family in this country back as far as I can, but my original ancestor is on no official documents. I believe he gave a false name from the beginning. Until I get his true name, I can't track my family through Europe. I very much wish to do that."
"Raise him, ask his real name, his real reason for coming to this country, and put him back?" I made it a question.
Harlan nodded. "Exactly."
"It sounds reasonable enough."
"So you'll do it," he said.
"Yes, but it ain't cheap. I'm probably the only animator in this country that can raise someone this old without using a human sacrifice. It's sort of a seller's market, if you catch my drift."
"In my own way, Ms. Blake, I am as good at my job as you are at yours." He tried to look humble and failed. He looked pleased with himself, all the way to those ordinary, and frightening, brown eyes. "I can pay, Ms. Blake, never fear."
I mentioned an outrageous figure. He never flinched. He started to reach into the inside of his jacket. I said, "Don't."
"My credit card, Ms. Blake, nothing more." He took his hands out of his jacket and held them, fingers spread, so I could see them clearly.
"You can finish the paperwork and pay in the outer office. I've got other appointments."
He almost smiled. "Of course." He stood. I stood. Neither of us offered to shake hands. He hesitated at the door; I stopped a ways back, not following as closely as I normally do. Room to maneuver, you know.
"When can you do the job?"
"I'm booked solid this week. I might be able to squeeze you in next Wednesday. Maybe next Thursday."
"What happened to next Monday and Tuesday?" he asked.
I shrugged. "Booked up."
"You said, and I quote, 'I'm booked solid this week.' Then you mentioned next Wednesday."
I shrugged again. There was a time when I wasn't good at lying, even now I'm not great at it, but not for the same reasons. I felt my eyes going flat and empty, as I said, "I meant to say I was booked up for most of the next two weeks."
He stared at me, hard enough to make me want to squirm. I fought off the urge and just gave him blank, vaguely friendly eyes.
"Next Tuesday is the night of the full moon," he said in a quiet voice.