She’d almost laughed when she decanted it because the bigger crock it lived in was also very crooked, not merely a reject but so lopsided that her mother had kept trying to throw it out, and her father kept rescuing it; and when her father died her mother kept it after all, for those memories of him. Mirasol had thought, as she carefully poured, that perhaps this honey had an affinity for those who do not sit securely, who do not rest peacefully, who limp instead of walk. She hadn’t quite been able to laugh, but she’d been smiling when she tucked it into its corner of a saddlebag, and the smile had been as refreshing as cold water on a hot day. This was the honey that had given her energy in the sennight past when she had none, the honey she had put last into the cup for her last-of-all stop on the pavilion hill. It was the honey she had given the Master, the day he had come to her cottage, and a bee had stung him.
She opened it because why else would she have taken the jar out? The smell of it made her think of the last dream she had had, on the pavilion hill.
It was not easy to arrange her hands in any Chalice grasp on a small round crooked wooden pot, but she managed. She held the little fat shapeless thing against her breast, beneath her chin, and the smell of the honey, even in these circumstances, still tried to make her smile. She was not thinking of her bees, but as she fitted herself into the Chalice stance, composing herself to stand true and straight and still, like a statue on its plinth, several bees landed on the backs of her hands, and several more on her hair—and one on the end of her nose. Again she tried to smile—as if there is a smile here, as real as a bee, trying to make me wear it, she thought, as I am trying to hold—to wear—being Chalice. Even with no chalice. to hold as evidence. “Welcome, my little friends,” she whispered. “Do you remember your Master, who saved your sister?”
If the Grand Seneschal heard her, he gave no sign. Probably he was watching the scene below too closely to notice her or her bees.
Awkwardly the Master raised his sword in the ritual gesture. Gracefully Horuld did the same.
One of Mirasol’s Chalice hands loosed itself from holding the little jar, and with the same formality as if the gesture were a ritual as old as Chalices, as old as demesnes and Masters, extended its forefinger, drew it through the jar, and put the finger in Mirasol’s mouth.
The flavour bloomed on her tongue.
Thousands of years of Chalices, following the practises and services, the ceremonies and conventions, binding the demesnes, listening and speaking to the earthlines, sustaining and strengthening their Masters, witnessing the work of the Circle, doing as they must, and as every Chalice had done before and would do after them. Even when a Chalice died suddenly with no apprentice, the force of the tradition would lift and carry—no, sweep, flood, overcome—her inheritor into what she had inherited; into the Chalice way. It had always been like this; it had been this way since the demesnes were drawn. Chalices did not create; they cultivated.
There had never been a honey Chalice before.
The flavour of the honey filled her mouth; it felt as if it were seeping through the skin of her mouth and tongue, into her blood, running through her body with every beat of her heart.
The Master and Heir each took the ritual step forward, lowering the blades of their swords, and then stepped back again, again raising the blades to the beginning position. The Master stumbled as he stepped back, and again needed two hands to steady his sword.
Any decent man would refuse to raise a sword against a Fire-priest whose strength is in Fire, not swordplay, she thought. Any Heir fit to be Master of a demesne would refuse to go through with this.
The faenorn began. Horuld danced forward, one step, two steps. And the Master—as she had known he would—dropped his sword, spread his arms and stepped forward.
And at the top of the grand front stair of the House, the Chalice stepped forward too and screamed No through the taste of the honey in her mouth.
And the bees—hundreds of thousands, millions of bees, the Chalice’s own bees, the House bees, the wild bees of the forests, the bees of hundreds of hives in hundreds of meadows and gardens and glades all over the demesne—the bees plunged down from where they had hovered above the roof of the House, making a noise more like thunder than like the humming of bees, and covered the faenorn field in a black cloud.
The Overlord seemed frozen where he stood; the four men at the four corners of the field stepped uncertainly back, seemingly more bewildered than frightened.
The faenorn field seethed with bees, peaking like sea waves lashed by storm winds. There was one shriek above their thunder, a man’s voice: “I’m on fire! Burning—I’m burning!”
And then…nothing.
Perhaps half the bees flew away, dispersing like ordinary bees, making a humming noise as they went no different from any ordinary bees. The rest remained, lying in dark motionless heaps and hummocks over the space at the foot of the stair that ran up to the front doors of the House from the edge of the parkland and the end of the drive. The squared-off faenorn arena, as well as the crescent of gravelled drive, had disappeared under the dunes of dead bees.
My bees, Mirasol thought. My bees! What have I done! But she was the first to move. Still clutching her jar of honey, with the leather saddlebag still banging on her hip, she ran down the steps and waded into the rough sea of dead bees. There was one hummock, bigger and blacker than the rest, where the bees were all her own. My bees, she thought, weeping. She fell on her knees beside the hummock, and for a moment hesitated, not in fear but in sorrow; and then she leaned forward, her free hand disappearing to the shoulder as she brushed away the bodies of her bees, golden glints appearing and disappearing as the yellow stripes on their bellies appeared and disappeared.
What was under the hummock moved.
The Master sat up. His cloak was gone; he was bare-headed and bare-chested. His skin was the colour of Mirasol’s, and his eyes were brown. He looked up, first at her, then at the sky; then at his own hands. He touched the back of one with the other. It was an ordinary, easy, smooth, human gesture. Mirasol stood up and offered him her hand, and he grasped it—grasped it with no hesitation—to stand up too, although he moved lithely and gracefully. His hand was no warmer than Mirasol’s own. He was wearing but a few tattered rags; she let go of his hand to take off her own cloak and drape it round him. He smiled at her. She held out her jar of honey. He took it doubtfully, and stood looking at it.
“It’s only honey,” she said. “It’s the honey you ate with me, the afternoon you and Ponty came to my cottage.”
“Only honey,” he said musingly, and his voice too was human, deep and resonant, with none of the crackly disturbing echoes of Fire. “I am not sure I can think of ‘only honey’ ever again. I saw you, just now, at the top of the stair, holding this little pot of honey as your chalice. straight and proud as any jewelled queen, with your saddlebag over your shoulder and the dust of your journey still on you. I knew I had no hope left—I had even convinced myself that I was relieved that the struggle was about to be over, because I knew I had already lost. And when I looked up and saw you as you were, in no gaudy robes and bearing no solemn goblet—suddenly I had hope.”
“I did not see you looking,” said Mirasol.
“I did not want you to see,” said the Master. “And I looked away quickly, because I knew the hope was false. I knew—I think I knew—that it was not really about hope, it was about looking at you. And so I looked at Horuld, and at his sword, and reminded myself that they were about to kill me.”