“Frequently!”
9
Oscar morning arrives and it is impossible not to succumb to the thrill of the thing. A man comes to do my makeup. Here is his assessment of my dress: “If you were collecting the all-time queen of Hollywood lifetime achievement award, you would be overdressed.” A cocktail dress is substituted. At four o’clock in the afternoon, I get in a car and pick up two writers who are writing a film that actually has a shot at getting made. We are going to the Vanity Fair dinner at Morton’s to watch the ceremony on video screens, eat some great tuna and then wait for everybody to leave the Kodak Theatre and join us. The Oscar ceremony most resembles Christmas in its sense of anticlimax. Everyone was so excited earlier; now they are subdued, and grow more subdued as prizes are won and the potential web of alternative futures gets smaller and smaller, until there are only the people who won and everyone else who didn’t. There is a chorus of “Well, that’s just hilarious” from every table as the Oscar host makes his jokes, although few people actually laugh, and everyone is made tense by occasional jibes against individuals, studios or Hollywood itself. When it is over people seem relieved. The consensus is that it wasn’t as bad as it might have been. One girl text messages through the entire event.
And then they come. We are told to vacate our tables and walk forward, where we will find Morton’s magically extended by the addition of a huge tarpaulin tent. At the mouth of the tent, the same TV girl with the microphone interviews the stars as they appear. Her MO is extreme naïveté: “What goes on in there?” she keeps asking, although she is as famous as many of the people inside and will soon join the party. “Can you just give us some idea of what kind of thing happens at a party like this?” Most of the invitees are at a loss to answer this question. An action star thinks about it and then indulges her: “It’s like Vegas: what goes on in there stays in there.” But “in there” there is only a charming, if tame, cocktail party, with a good deal of free booze and stilted conversation and a Porta-Potty. Everywhere people are trying to get introduced to other people, and feel glad when they are. These are melancholy victories, though. At a normal party we befriend people with the hope of seeing them again, of having a friendship, even a love affair. A “celebrity” encounter is more like a badge to be collected and then shown to other people. A whole night of collecting such badges grows demoralizing. You begin to understand the angry people you meet in Hollywood, who by choice or necessity regularly submit themselves to these one-way charm offensives, speaking with other human beings whom the world believes to be more than that. Yet there are people who seem to enjoy it; who work the room collecting all the badges and have no time to waste. At this party, a very short man who had been talking to a star and then, through a subtle shift in the circle, got stuck with me, actually asked to be released from his bondage. “Is it okay if I talk to someone else over there?”
This party is fun, all are beautiful, except for the old men who are powerful. People are drinking, finally, and the room is full of indiscreet conversation, much of it about where people will go next. Are you following the rappers with the thirty-thousand-dollar grills on their teeth and their newest accessory-a gold statuette in the palm? Or are you following the Frenchmen holding plush toy penguins above their heads? Committed badge collectors follow the whisper of the hope of an invitation up into the Hollywood Hills, in someone else’s car, with no clear idea of how they will get home.
Outside Morton’s, waiting for my car back to the hotel, I meet an old actor, a favorite of the late John Cassavetes, smoking a cigar and explaining how things are with him. “He chose me, you see?” he says of Cassevetes. “Me. It was a thing to be chosen by him, I can tell you that.” He is full of soul, and his eyes are rheumy and beautiful. “This town’s treated me well. I was never a star, no one knows my name, but I always worked, and now it’s given me a retirement plan. I’m the old dude in any movie you care to mention. Make nine or ten a year.” He smiled joyfully. We stood together on the forecourt with a lot of other people less joyfuclass="underline" losing nominees, yesterday’s news, TV stars, hungry models and people so famous they couldn’t get to their car without causing a riot. Of all the fantasies and dreams people have of a life in Hollywood, it seemed odd that no one had thought to dream a career like the one just described.
10
The next day I woke at eight. In the name of research I watched an hour of fantasy television about the Oscars that in no way described the evening I had just had. I went back to sleep and woke at eleven. I checked out and dragged my hangover and my laptop down to the pool. It was empty. I ordered a quesadilla, but the speedy service that had been in place only yesterday had vanished. It took half an hour to get some Tabasco sauce. And then it began to rain, softly at first and then dramatically. I moved in under the glass roof and thought of nearby San Fernando Valley, where the American porn industry-a fantasy industry even larger and more remunerative than Hollywood-is located. The pool boys packed up the loungers around me. The rain drummed the surface of the pool and forced water over its edge, soaking the feet of the waitresses as they cleared the tables.
I packed up myself and went outside to wait for a cab. Three New York hipster kids ran into the hotel with their coats above their heads, one of them complaining: “It’s not supposed to rain!” The dream persists, even as reality asserts itself. I looked to my right and for the first time that weekend spotted someone I actually knew: Bret Easton Ellis. He asked what I was doing in L.A. and I told him. I asked what he was doing, and he looked at me with a kind of beatific insanity, as if he didn’t quite believe what he was about to say: “I’m moving back to L.A.!” I wanted to a share a novelist’s joke with him: what if you got assigned to write about the Oscars and you didn’t mention a single actor? You know, as a kind of demystifying strategy? How about that? But he had to get in his car. Anyway, Bret’s been there, done that: his own Glamorama tried another demystifying strategy, with fifty celebrities name-dropped in the first five pages. But the fantasies of fame cannot be dislodged by anyone’s pen. It’ll have to be a collective effort; we’ll have to wake from this dream together. It’ll be darling.
FEELING
Fourteen – SMITH FAMILY CHRISTMAS