He hoped camouflaging the one lie in verbiage and indignation would get it by Vernon.
"When did Charlie Condon know about this?" Vernon asked.
Condon was the company's chief financial officer, but more important, he was the man who had hired Vernon.
"We told him yesterday," Pierce said. "Together. I heard she'd made an appointment to talk to him last before she left today. If Charlie didn't tell you, there is nothing I can do about that. I guess he didn't see it as necessary, either."
That was a shot, reminding Vernon that he had been left out of the loop by his own sponsor. But the former FBI man shook it off with a quick frown and moved on.
"You didn't answer before. Did she receive a severance?"
"Of course. Yes. Six months' pay, two years' medical and life insurance. She's also selling the house and keeping all proceeds. Satisfied? I hardly think she's vulnerable. She should clear more than a hundred grand on that house alone."
Vernon seemed to calm a bit. Knowing that Charlie Condon had been in the loop eased things for him. Pierce knew Vernon viewed Charlie as being the practical business side of the company while Pierce was the more ephemeral talent side. And somehow Pierce's being on the talent side lowered Vernon 's respect for him. Charlie was different. He was all business. If he had signed off on Nicole James's departure, then it was going to be okay.
But then again, if Vernon was satisfied, he wasn't going to say so to Pierce.
"I am sorry if you don't like the questions," he said. "But it's my job and my duty to maintain the security of this firm and its projects. There are many people and companies whose investment must be safeguarded."
He was alluding to the reason he was there. Charlie Condon had hired him as a showpiece. Vernon was there to placate potential investors who needed to know that the company's projects were safe and secure and, therefore, that their investments would be safe and secure. Vernon 's pedigree was impressive and more vitally important to the company than the actual security work he performed.
When Maurice Goddard had made his first trip out from New York to be shown around the place and receive the initial presentation, he had also been introduced to Vernon and had spent twenty minutes talking about plant security and personnel with him.
Pierce now looked at Clyde Vernon and felt like screaming at him, letting him know how close they were to running out of significant funding and how inconsequential he was in the scheme of things.
But he held his tongue.
"I understand your concerns perfectly, Clyde. But I don't think you have to worry about Nicole. Everything is cool."
Vernon nodded and finally conceded, perhaps sensing the growing tension behind Pierce's eyes.
"I think you're probably right."
"Thank you."
"Now, you said you were selling the house."
"I said she's selling it."
"Yes. Have you moved yet? Do you have a number where you can be reached?"
Pierce hesitated. Vernon had not been on the A-list of people who had gotten his new number and address. Respect was a two-way street. While Pierce viewed Vernon as capable, he also knew what had gotten the man the job was his FBI pedigree. Of his twenty-five years in the bureau, Vernon had spent half in the L.A. field office on white collar crime and corporate espionage investigations.
But Pierce viewed Vernon largely as a poseur. He was always on the move, charging down hallways and banging through doors like a man on a mission. But the bottom line was that there wasn't a whole lot to the mission of providing project security to a firm that employed thirty-three people, only ten of which could get through the mantrap and inside the lab, where all the secrets were kept.
"I've got a new phone number but I don't remember it," Pierce said. "I'll get it to you as soon as I can."
"What about the address?"
"It's over in the Sands on the beach. Apartment twelve oh one."
Vernon took out a little notebook and wrote down the information. He looked just like a cop from an old movie, his big hands crowding the small notebook as he scribbled. Why do they always have such small notebooks? It was a question Cody Zeller had once posited after they'd seen a cop flick together.
"I'm going to get back to work now, Clyde. After all, all those investors are counting on us, right?"
Vernon looked up from his notebook, one eyebrow raised as he tried to gauge whether Pierce was being sarcastic.
"Right," he said. "Then I'll let you get back to it."
But after the security man had retreated through the mantrap, Pierce again realized he could not get back to it. An inertia had set in. For the first time in three years he was unencumbered by interests outside the lab and free to do the work. But for the first time in three years he didn't want to.
He shut down the computer and got up. He followed Vernon 's wake through the mantrap.
4
When he got back to his office Pierce turned the lights on by hand. The voice-recognition switch was bullshit and he knew it. Something installed simply to impress the potential investors Charlie Condon walked through the place every few weeks. It was a gimmick.
Just like all the cameras and Vernon. But Charlie said it was all necessary. It symbolized the cutting-edge nature of what they did. He said it helped investors envision the company's projects and importance. It made them feel good about writing a check.
But the result was that the offices sometimes seemed to Pierce to be as soulless as they were high-tech. He had started the company in a low-rent warehouse in Westchester, having to take readings on experiments in between takeoffs and landings at LAX. He had no employees. Now he had so many he needed an employee relations officer. He drove a fender-dented Volkswagen Beetle then -the old kind. And now he drove a BMW. There was no doubt, he and Amedeo had certainly come a long way. But with increasing frequency he would drift off to memories of that warehouse lab beneath the flight pattern of runway 17. His friend Cody Zeller, always looking for a movie reference, had once told him that "runway 17" would be his "Rosebud," the last words whispered from his dying lips. Other similarities to Citizen Kane notwithstanding, Pierce thought there was a possibility Zeller might be right about that.
Pierce sat down at his desk and thought about calling Zeller and telling him he'd changed his mind about going out. He also thought about calling the house to see if Nicole wanted to talk. But he knew he couldn't do that. It was her move to make and he had to wait her out -even if it never happened.
He took the pad out of his backpack and called the number for accessing his home voice mail by remote location. He tapped in the password and was told electronically that he had one new message. He played it and heard the nervous voice of a man he didn't know.
"Uh, yes, hello, my name is Frank. I'm at the Peninsula. Room six twelve. So give me a call when you can. I got your number from the website and I wanted to see if you're available tonight. I know it's late but I thought I'd try. Anyway, it's Frank Behmer, room six twelve at the Peninsula. Hope to hear from you soon."
Pierce erased the message but once more felt the weird magic of secretly being inside somebody's hidden world. He thought for a few moments and then called Information to get the number for the Peninsula in Beverly Hills. Frank Behmer had been so nervous while leaving the message that he hadn't included the callback number.
He called the hotel and asked for Behmer in room 612. The call was picked up after five rings.
"Hello?"
"Mr. Behmer?"
"Yes?"
"Hi. Did you call for Lilly?"
Behmer hesitated before answering.
"Who is this?"
Pierce didn't hesitate. He had been anticipating the question.