Muhammad waved down a passing car that was already crammed full of women, children, and graybeards, and tried to push me in. But something stuck, or maybe something snapped. I could not just flee like that. I had seen too many refugees before. Doctors, lawyers, greengrocers, tradesfolk, all grappling with one another to be first out and away, reduced to aggressive beggary by their plight. That my foreignness put me in another category made me more determined to wait until that last woman and child had been removed before I cut and ran.
There were other factors, too. Commander Ali and his identical twin sons were observing the shuttle to safety from their cement bunker and seemed to sneer at (but not stop) the sudden exodus from town.
“Let’s go!” wailed Muhammad.
“Skora,” I replied. “Soon.”
Then a jet screamed over and everyone on the road dove for the muddy ditches, even if the aircraft was merely terrorizing and not actually bombing the column of would-be refugees. Picking myself up from the mud, I ditched Muhammad and shuffled over to Commander Ali’s bunker.
“What’s happening?” I demanded.
“They are bombing the forest,” came the even reply.
“What are you going to do?”
“Wait until they come in and fight like men.”
I waited with Commander Ali and his men, filming women and children boarding buses and trailers pulled by tractors. Refugees, refugees, trundling off in both directions. It was so sad, and I wanted nothing to do with it. I wanted action—and Commander Ali and his men were not providing any of that.
Perhaps that other commander who had semiarrested me the night before might provide some, I thought. I ran over the road, hunched down for reasons I cannot possibly explain now. Everyone else was standing.
Remarkably, I was able to locate the commander’s house, not so much due to my uncanny ability to remember the urban details through the fear filter of the night before, as due to the fact that I recognized the older woman from the kitchen, now squatting outside. She was shucking dried cornhusks with her apparent husband, the older man, looking on. The contrast with the relative chaos of the main street some two blocks away was extraordinary.
“As-salam aleikum,” I saluted the stoic, elderly man, and he sort of jerked his head in the direction of one of the green metal doors that defined the outside perimeter of all the houses along that particular muddy stretch of street.
The commander was standing in the courtyard, helping one of his men lift a heavy machine gun into a small cart pulled by a donkey and cover it with hay.
“Good morning!” said the commander as if welcoming me to tea. “Still here?”
“I couldn’t cut and run like that,” I blurted out. “I am here to work.”
“Work?” chuckled the commander. “We are going to work, so just follow us.”
Just like that.
I thought it best to introduce myself formally, and asked the commander for his name.
“Hussein,” he said.
I would like to believe myself to be in pretty good shape. While I do not jog, I hunt and track deer, ski, windsurf, and ride a mountain bike with vigor. Friends and foes alike are amazed at the spectacle of my full-body-weight inverted push-ups. But at the end of some five or six hours of stumbling after Hussein as he made his daily inspection tour around the periphery of Samashki, I was wringing wet with sweat and more exhausted than, say, after dragging an elk hindquarter up and over and back down the forests on the south face of the Crazy Mountains of central Montana.
Part of the problem was weight: The camera kit I was lugging around weighed perhaps twenty pounds or so, with the flak jacket and shock plates adding another thirty. But it would have been difficult keeping up with Hussein had my burden been reduced to blue jeans, a T-shirt, and tennis shoes. We were up and over barrier fences and clambering up rickety ladders to the shattered second floors of houses that would never be completed, stopping to chat and say hello to a hidden knot of gunmen with sniper rifles perched in the attic. We waded through muddy cow pastures oozing with goo to discover a line of incredibly narrow slit trenches occupied by half a dozen fifteen-year-old volunteers. Their task was to sit out the day and night waiting for a tank assault and fend off same with plastic bottles filled with kerosene. We doubled back to the town periphery to check on the point position on a secondary road—the farmhouse of an elderly couple and their son Alikhan, who allegedly knocked out two APCs during the original pitched battle over vodka by pin-point shooting at some metallic Achilles’ heel in the enemy’s war-wagon armor plating. Alikhan’s slingshot weapon was a pretty basic if high-powered hunting rifle, perhaps the Russian version of a Remington 30.06 picked up from a pawnshop. The barrel and stock were clamped together with blue electrician’s tape.
“You have to aim just so,” he explained to me on camera. “Then it explodes.”
“Then it explodes!” echoed his mother, pleased as punch, following her son around the kitchen with an apronfull of what must have been armor-piercing shells.
Another farmhouse HQ, occupied by a group of perhaps ten or fifteen men, ranging in age between fifteen and fifty.
“Allah ul-Akhbar!” shouted Hussein at our approach. “God is the Greatest!”
“Allah ul-Akbar!” replied two sentries, putting down their guns.
“This American correspondent is making a film about the Chechen spirit,” Hussein explained to the assembled. “I am giving him free range to the front.”
I shot videotape of scruffy men on guard duty, kids cleaning their guns, and even several testimonials to bravery and devotion, including some character reciting a poem by the nineteenth-century Russian poet Lermontov about Chechen bravery and devotion. I shot tape of the same men planting and replanting mines in a field across which Hussein anticipated a possible Russian armor attack. Tromping around in the mud with the men was unnerving, to say the least, since the locations of the mine field (the mines themselves purchased from the enemy in exchange for vodka and cash) was only marked in individual memory, and the removal of and relocation of the devices seemed casual in the extreme. The queerest moment came just before sunset, when, in a drizzling rain, Commander Hussein pulled his four-ton Kamaz truck into a naked field, threw out a chain attached to the tailgate, and instructed two of his men to attach the chain to some object hidden beneath a patch of scattered, moldy hay. The truck lurched forward, and out of the ground rolled an octagonal object that was as large as a desk. It was, I realized with just a little shock, horror, and ignorant, knee-jerk fear, the explosive warhead of a surface-to-surface missile, or SCUD.
“If detonated properly, this thing will send an entire armored column into the sky!” chortled Hussein, as he and his five men pushed the monster up a set of thick boards into the back of the truck. In fading light, I filmed them doing so. Then there was a momentary pause, and the warhead began to reassert its command of gravity in the face of human frailty, and started to roll back down the ramp.
“Toms!” shouted Hussein, urgently, mispronouncing my first name. If there are moments when the never-touch-a-weapon-on-either-side rule taught to prospective war correspondents is to be violated, perhaps this was mine. I dropped my camera in the mud and threw my shoulders and legs and back into the task at hand, helping roll the megamissile mine back up the ramp and on to the back of the truck.
“My, you are a strong brute!” roared Hussein as we bounced down the pitted, muddy Samashki perimeter. “Who knows what would have happened if you had not been there!”