“One of the two was most important to The Pillar,” Chopin said. “From what I heard, The Pillar wasn’t sure how to find the other.”
“So tell me about the one he was sure of,” Tom said.
“It’s a well-known man. When I first heard his name, I accidentally peed in my soup — but shoved it down some minister’s throat the other day,” Chopin said. “Point is this man, number thirteen, was a man The Pillar couldn’t bring to the meetings.”
“Why?”
“Because he is such an evil man, protected by a tribe of criminals in a far-away country, and The Pillar seemed to fear him the most.”
“The Pillar feared a man so much?” Tom wondered.
“The thirteenth man was part of The Pillar deal,” Chopin explained. “A bonkers deal I never understood. It had to do with something the fourteen men, plus The Pillar, did way back in a place called Wonderland.”
“Wonderland?” Tom mopped his head in frustration, wondering about the many things that happened back then that he wasn’t aware of. Maybe he was such a trivial being back then, no one but Lewis Carroll bothered talking to him.
“Wonderland is real?” Dormouse jumped awake.
“Just go back to sleep,” Tom said, focusing on Chopin. “Do you happen to know what kind of deal that was?”
“All I understood is that fourteen men were involved with The Pillar, and that the deal wasn’t complete. To complete it, the last two needed to be found.”
“And killed,” Tom assumed. “The Pillar was only playing those poor fourteen men. Whatever deal they had he figured he had to kill them at some point,” he paused for a moment and then said, “And that’s why he hadn’t killed the twelve for all those years since Wonderland. The twelve were his only way to find the missing two.”
“Are you saying The Pillar didn’t just kill twelve men, but fourteen?” Inspector Dormouse yawned, and Chopin seized the opportunity and shoved a tomato into his mouth.
Tom pried the tomato out, rolling his eyes at the silliness of his companions. “This is the only explanation. The Pillar only killed the twelve men when he was sure of the identities of the other two and how to get to them.”
“You sound like Sherlock Holmes,” Chopin said. “Though it should be Inspector Sherlock Dormouse who sounds like Holmes.”
“Don’t bother with Inspector Dormouse,” Tom said. “We’re getting closer to what happened to The Pillar. Now, tell me of the one person The Pillar identified of the missing two.”
“You mean the thirteenth man The Pillar needed to kill, but was afraid of?” Chopin grinned, showing a silver tooth.
“Yes, him,” Tom said, wondering if Chopin had managed to chop off his own tooth at some point.
“I hope you’re ready for the surprise,” Chopin said.
“Trust me, I’ve seen wonders,” Tom said. “I’m hardly surprised these days.”
“But you will,” Chopin said. “Because the thirteenth member’s name is the Executioner.”
Tom was wrong. This did surprise him a great deal. “You mean the Columbian drug lord? The one The Pillar raided his crops and killed his army?”
“The Pillar had to kill everyone in Mushroomland to make sure the Executioner, the thirteenth member, was dead,” Chopin said. “Didn’t I tell you I would surprise you?”
Then Chopin accidentally chopped off another finger.
Chapter 62
Chess City, Kalmykia
The shame of war was splattering on my face. With every head I chopped off or man I killed, blood covered me and Fabiola.
“I’ve got your back,” Fabiola shouted, slicing left and right, her back sticking to mine. She’d told me this was the technique she used with her best warriors to kill their enemies in Wonderland.
“Am I supposed to feel safe with my back to the woman who promised to kill me?” I shout back, ready for my next attacker.
“Shut up and do what you do best, Alice,” Fabiola said. “Kill.”
Why does everyone think it’s an honor to be talented at killing? If I turn out to have been the greatest gunslinger in Wonderland, I don’t think I will feel proud about it. The idea of killing people you have never met before because they’re wearing a different uniform baffles me.
But I have to defend myself.
“Why a pawn?” I shout back at Fabiola. We’re still advancing, though most of the rest of our white army is dead now. However, Fabiola’s strategy has worked so far. I have to admit; she is one fierce warrior. She even stabs her victims one more time after killing them, just to make sure.
“What pawn?” she says.
“Why did Lewis make me a pawn?” I slice another head off. “Why the weakest of the kingdom?”
“Pawns aren’t the weakest,” Fabiola says. “They’re only underestimated.”
“How so? I feel like a brainless killing machine you shoved onto the battlefield and, with my skills, I am only trained to do what you tell me.”
“There is a wisdom behind that.”
“What kind of wisdom, Fabiola? Please stop lying to me.”
“Even though I don’t want you to find Carroll’s Knight, I was hoping you’d figure out the wisdom of being a pawn on your own.”
“That’s lame, White Queen. I might as well die before I have enough time to figure out anything.”
“Behind you,” Fabiola, in an amazing and unbelievable maneuver, moves to my side and stabs a black pawn who was about to kill me.
“Thanks,” I say, frozen in place.
“Don’t ever thank your soldier friends in war,” she grunts.
“Why?”
She chops off the head of a black bishop who was about to finish me. “That’s why, Alice.”
I get the message and advance with fierce anger toward an approaching black pawn, slashing left and right, using my None Fu skills and jumping in midair. Their heads roll off the chessboard, which is nothing but a red bloodbath now.
“Where is Margaret and the Queen?” I ask Fabiola.
“Don’t bother looking for them. High governmental people are cowards. They’re hiding somewhere,” Fabiola says.
“Then how are we going to win?” I ask. “Aren’t we supposed to kill them all, or are you still worried the Chessmaster will find Carroll’s Knight if we win?”
“I’m worried, but we have no choice or both of us will die,” Fabiola stands against my back again. “But winning doesn’t mean having to kill them all.”
“Then how are we going to win?”
“By you being a pawn?”
“What are you saying?”
“Search inside you, Alice. You must know the answer.”
Instantly, I remember The Pillar being fed up with Hollywood movies. When Fabiola tells me this, I wonder the same. Why wouldn’t she just tell me what to do to win? Why does she have to say things like ‘search inside me’? So clichéd.
But then, in the middle of my fried brain and torn muscles, killing left and right, an idea presents itself.
It’s something I had heard earlier. I believe it was The Pillar who had pointed at it.
“I know what I have to do,” I shout, advancing forward. “I’m a pawn. And if a pawn reaches the other side of the chessboard, they can exchange their piece for a king or queen or a stronger warrior.”
“That’s the Alice I’ve been looking for,” Fabiola chirps.
“You mean the Alice The Pillar believes in,” I say.
She pouts, but then let’s it go. “Look, I designed this board to hide what’s left of Carroll’s chess pieces. You don’t need to exchange pieces. All you have to do, as a pawn, is to make it to the other side and we win.”
Even though I’m ready, I realize how much harder it is to advance then to fight in the same place. How am I going to kill all of them and reach the other side?
“Don’t worry,” Fabiola says. “I will help you reach the other side.”