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Emerson didn’t appear to have moved, hunched over something on his knees. As he got closer John saw that it was a pouch of photographs.

‘Hi, Emerson,’ he called out, and the other man looked up, blinking to focus. ‘Am I interrupting?’

‘What? Oh, no, John. Hello.’

‘It looked so pleasant in here. Private and secluded.’

‘Yes, it is.’

‘Are you sure I’m not intruding?’

‘Not at all. Come and sit down.’

John nodded at the photographs. ‘Nancy’s?’

‘Yes. She brought these with her. I was just… well, you know. I guess I’ll have to give these back to her family, but I wanted to remember them.’

‘Is that her? She was an attractive woman, Emerson.’

‘Very.’ He said it with some feeling. ‘When she was younger she turned a few heads, I can tell you.’

‘Including yours, eh?’

Emerson smiled. ‘Well, we were both married then, to other people. But yes, I did admire her. And she was talented, very artistic. She painted in watercolours-New England landscapes mainly. They were much sought after. She sold them through a local gallery. Look.’

He showed John a photo of people at a fancy-dress party. ‘That’s Nancy as a bird of paradise. She made the costume herself, and the mask. Isn’t it beautiful?’

‘Oh yes. And that’s you as the pirate chief, eh?’

‘That’s right.’ Emerson gave another wistful smile. ‘She made the parrot on my shoulder. We had a good laugh about that. She had a great sense of humour.’ He frowned suddenly.

‘Sorry.’

‘Not at all, it’s important to remember. She got her artistic talent from her mother. There’s one of them together… here.’

He drew out one of the older black and white pictures.

‘Her mother was a professional sculptor, using her maiden name, Maisy McKellar. Nancy had been hoping to make contact with the McKellars in Scotland on this trip. Before Maisy married Nancy’s father, Ronald, she worked with William Gordon Huff in California. Have you heard of him?’

John shook his head.

‘He’s mainly known for his statues of characters from the Old West-Indians and pioneers, that kind of stuff. There’s a picture of Maisy somewhere… here.’

A couple, their hair and clothes obviously in the style of the 1930s, stood arm in arm in front of a long reflecting pool, with a monumental arch in the background.

‘Art Deco,’ John said. ‘It looks very Hollywood, don’t you think? And that’s Maisy with Huff?’

‘I’m not sure. I guess it could be.’

‘They look a glamorous couple.’ John pointed to another photo. ‘And those are Nancy’s grandchildren?’

‘Yes, seven at the last count. I wonder what their parents have told them. Your grandmother was thrown under a bus. It’s obscene, isn’t it?’

‘It is.’

‘The police have no idea why he did it. I suppose he was doped up on ice or some damn thing.’ He shook his head sadly.

‘I’m sorry,’ John said. ‘This is upsetting you.’

‘Well, maybe it helps me to talk about it. Apart from the police, the only people I know in this city are in that hotel. They’re trying very hard to help, but they do seem kind of odd.’

‘Yes.’ John chuckled. ‘They are, aren’t they?’

‘You’ve heard about the memorial service idea?’

‘Yes, Toby told me. I’ll be there.’

‘That’s kind of you. It’ll help to see a friendly face.’

‘Well, I’ll get moving. See you then.’

Not much more than a mile away to the east, Kathy was working in her office. She’d started the morning with a brisk swim in the baths in Pimlico, looking forward to an active day and, hopefully, a breakthrough. But on her desk she found a heap of accumulated paperwork awaiting her urgent attention, and reluctantly she sat down and started working through it.

A response had come in from the FBI during the night. They had spoken to Nancy’s solicitor and confirmed that her two sons were her principal beneficiaries. They had also determined that neither had a police record and a preliminary search of both men’s business and financial affairs had revealed nothing unusual.

But something had been fatally special about Nancy Haynes. If Danny Yilmaz was to be believed, someone had begun to arrange her murder within a couple of days of her arrival in London. Nancy must have been observed during that time, her movements tracked.

Kathy sent a reply to America, asking for a check on Emerson Merckle and information on Nancy’s financial records, then turned to the forensic reports on Nancy’s body and clothing and Danny’s Kawasaki. There had been dozens of fibres, fingerprints and DNA traces, all painstakingly listed, but so far no matches to anyone apart from Nancy, Emerson and Danny.

After a couple of hours scanning incoming reports, Kathy rubbed her eyes and got to her feet. She went out to see how the CCTV team was getting on, searching for sightings of the killer on the underground, and picked up a mood of resignation.

‘There are fifty stations on the Northern Line,’ Zack said with a sigh. ‘Not to mention connections to the Victoria Line, the Piccadilly, Circle, Central, District…’

‘I get the picture. How about his ticket? Could he have bought an Oyster card with a credit card?’

Zack nodded, thinking. ‘We could get the numbers of all the Oyster cards that went through the Camden Town ticket machines at that time on Thursday… Leave it with me.’

Kathy moved on, checking progress, feeling impatient, then returned to her desk. Mickey Schaeffer was at Tottenham, Brock at headquarters, and she wanted to be out of the office. One of the reports in the pile in front of her was by an officer who had spoken to organisers at the Chelsea Flower Show, which seemed to raise more questions than it answered. How had that worked, exactly? If the man that Emerson had photographed at the show was really the killer, waiting for his moment, had he planned to kill Nancy there among the crowds, and then changed his mind when he realised that they’d noticed him? The more Kathy thought about it, the more odd it seemed, a strange combination of planning and improvisation. Where had the man come from? Would a native Londoner have done it like that? Would they have relied on someone like Danny Yilmaz to make an escape? And how had he got into the flower show?

This was the final day of the show, she remembered; she could go and see for herself. She pulled on her jacket and headed out.

The street in front of the entrance gates was jammed with visitors carrying sun hats, backpacks and handfuls of maps and tickets, queuing to get in. As they approached the gates she saw them stare at the police notices posted nearby, appealing for witnesses with pictures of Nancy and the unidentified man, and whisper among themselves.

Among them were a few army veterans resident at the Royal Chelsea Hospital, in whose grounds the flower show was held, wearing the scarlet coats and black caps of the Chelsea Pensioners. She spoke to one who gave her directions to the organisers’ office. Inside, a brisk woman finished a phone call and showed Kathy to a table in a corner of the tent.

‘Yes, I spoke to a detective yesterday, Inspector,’ she said. ‘He wanted a printout of the names of all the people who bought tickets for Thursday, but he baulked a bit when I told him there were forty thousand of them. And I doubt it would help anyway. Thursday’s tickets were sold out two months ago, so he probably didn’t pre-book.’

‘Then how did he get a ticket?’

‘Probably from a scalper at the gate. I’m told the going rate is as much as two hundred and fifty pounds at the moment. The detective did try to speak to one of them, but I don’t know how much success he had.’

There had been no mention of that in the officer’s report. ‘Are there cameras at the gate?’

The woman shook her head. They discussed the security at the show and the information on volunteers held in the computer, until Kathy decided there was no more she could find out. She thanked the woman and left. Outside she stood for a while at the entrance, watching the visitors streaming through. She saw no one trying to sell tickets, and after a while she returned to Queen Anne’s Gate.