That’s right. We can’t catch up with reality.
Here is an example. We’re still using the old concepts of ‘near and far’, ‘them and us’. But what do ‘near’ and ‘far’ actually mean after Chernobyl, when, by day four, the fallout clouds were drifting above Africa and China? The earth suddenly became so small, no longer the land of Columbus’s age. That world was infinite. Now we have a different sense of space. We are living in a space that is bankrupt. What is more, over the last hundred years people have begun to live longer, yet our lifespan is still tiny compared to the life of the radionuclides that have settled on our land. Many of them will live for thousands of years. We can’t dream of even a glimpse of such a distant future! In their presence, you experience a new sense of time. And this is all Chernobyl, its imprint. The same thing is happening to our relationships with the past, science fiction, knowledge. The past has proved impotent, and all that is left of knowledge is an awareness of how little we know. We are going through an emotional retuning. Instead of the usual words of comfort, a doctor tells a woman whose husband is dying, ‘No going near him! No kissing! No cuddling! This is no longer the man you love, it’s a contaminated object.’ Here, even Shakespeare bows out, even Dante. The question is whether to go near or not. To kiss or not. One of the heroines of my book went near and kissed, and remained by her husband’s side until his death. She paid for it with her health and the life of their baby. But how can you choose between love and death? Between the past and an unfamiliar present? Who could presume to judge the wives and mothers who did not sit with their dying husbands and sons? Next to those radioactive objects. In their world, love has changed. And death too.
Everything has changed, except us.
It takes at least fifty years for an event to become history, but here we have to follow the trail while it is still fresh.
The Zone. It is a world of its own. First it was invented by science-fiction authors, then literature gave way to reality. We cannot go on believing, like characters in a Chekhov play, that in a hundred years’ time mankind will be thriving. Life will be beautiful! We have lost that future. A hundred years on, we have had Stalin’s Gulags and Auschwitz. Chernobyl. And September 11 in New York. It is hard to comprehend how all this could happen within one generation, within the lifetime of my father, for example, who is now eighty-three years old. Yet he survived it!
What lingers most in my memory of Chernobyl is life afterwards: the possessions without owners, the landscapes without people. The roads going nowhere, the cables leading nowhere. You find yourself wondering just what this is: the past or the future.
It sometimes felt to me as if I was recording the future.
1
Land of the Dead
Monologue on why people remember
I’ve got a question too. Something I can’t really answer myself.
You’ve decided to write about it. And I don’t really want people to know all those things about me, what I went through there. See, I feel the urge to open up, to unburden myself, but then I feel like I’m baring my soul, and that’s something I don’t want to do.
Remember War and Peace? After the war, Pierre Bezukhov is so shaken that he feels he and the whole world can never be the same. But, soon enough, he catches himself slipping back into his old ways: having a go at the coachman, grumbling and growling. So why do people remember things? Is it to get at the truth? For the sake of justice? To let go and forget? Because they realize they were part of some monumental event? Or are they taking refuge in the past? And then there’s the fact that memory is fragile, fleeting, it isn’t precise facts, it’s your conjecture about your own self. It’s just emotions, not proper knowledge.
I got all worked up, rummaged through my memory and it came back.
For me, my most terrible time was in childhood. It was the war.
I remember us boys playing ‘Mummies and Daddies’: we used to undress the tiny children and lay them on top of each other. They were the first children born after the war. The whole village knew what their first words were, which of them had started walking, because children got forgotten in the war. We were waiting for new life to appear. ‘Mummies and Daddies’ we called that game. We wanted to see new life appearing. We were only eight or ten years old ourselves.
In the bushes by the river, I saw a woman killing herself. She took a brick and was bashing herself on the head. She was pregnant by a Nazi collaborator the whole village hated. When I was still a boy, I saw kittens being born, helped my mother pull the calf out of a cow, took our sow for mating with a boar. I remember … remember when they brought my father home dead. He had a sweater on that Mother had knitted him. He must have been shot by a machine gun or assault rifle and some bloody lumps were bulging out from the sweater. He lay on our only bed, we had nowhere else to put him. Then we buried him in front of the house. The earth in his grave wasn’t light and soft, it was heavy clay from the beetroot patch. There was fighting all around us. Dead horses and people lying in the streets.
For me, those memories are so off limits that I’ve never spoken aloud about them.
Back then, I looked at death the same way I looked at birth. It brought up pretty much the same feelings as when the calf came out of the cow. Or the kittens were being born. Or when the woman was killing herself in the bushes. Somehow it all seemed the same thing, no different. Birth and death.
I remember from my childhood the smell in the house when a pig was slaughtered. You’ve barely nudged me, but I’m sliding back into that nightmare, that horror. Falling headlong …
Something else I remember is the women taking us little ones to the bathhouse. Many of them, my mother too, had their wombs slipping out of place (we knew all about it), and they trussed themselves up with rags. I saw it. Their wombs were slipping out from all the hard labour. There were no men: they were all being wiped out at the front or in partisan fighting. There were no horses either, so the women drew the ploughs themselves. They ploughed the vegetable plots and the collective-farm fields. When I grew up and had intercourse with women, I remembered what I saw in the bathhouse.
I wanted to forget. Forget everything. And I was forgetting. I thought the worst was behind me, the war years, and that now I was safe. Protected by my knowledge, by what I’d gone through there. But …
I went into the Chernobyl Zone. Been there many times now. It was there I realized I was helpless. And I’m falling apart because of this helplessness. Because I can no longer recognize the world. Everything has changed. Even evil is different. The past can’t protect me any more. It can’t comfort me, can’t offer me any answers. It used to have answers. (He becomes pensive.)
Why do people remember the past? Well, I’ve spoken to you now, put it into words, made sense of something. I don’t feel quite so isolated now. But how is it for other people?
Pyotr S., psychologist