else. In the maidservants' hall, through which we had to pass, two maids
were sitting at their work, but rose to salute us with an expression so
mournful that I felt completely overwhelmed.
Passing also through Mimi's room, Papa opened the door of the bedroom,
and we entered. The two windows on the right were curtained over, and
close to them was seated, Natalia Savishna, spectacles on nose and
engaged in darning stockings. She did not approach us to kiss me as she
had been used to do, but just rose and looked at us, her tears beginning
to flow afresh. Somehow it frightened me to see every one, on beholding
us, begin to cry, although they had been calm enough before.
On the left stood the bed behind a screen, while in the great arm-chair
the doctor lay asleep. Beside the bed a young, fair-haired and
remarkably beautiful girl in a white morning wrapper was applying ice to
Mamma's head, but Mamma herself I could not see. This girl was "La
Belle Flamande" of whom Mamma had written, and who afterwards played so
important a part in our family life. As we entered she disengaged one
of her hands, straightened the pleats of her dress on her bosom, and
whispered, "She is insensible." Though I was in an agony of grief, I
observed at that moment every little detail.
It was almost dark in the room, and very hot, while the air was heavy
with the mingled, scent of mint, eau-de-cologne, camomile, and Hoffman's
pastilles. The latter ingredient caught my attention so strongly that
even now I can never hear of it, or even think of it, without my memory
carrying me back to that dark, close room, and all the details of that
dreadful time.
Mamma's eyes were wide open, but they could not see us. Never shall I
forget the terrible expression in them--the expression of agonies of
suffering!
Then we were taken away.
When, later, I was able to ask Natalia Savishna about Mamma's last
moments she told me the following:
"After you were taken out of the room, my beloved one struggled for a
long time, as though some one were trying to strangle her. Then at last
she laid her head back upon the pillow, and slept softly, peacefully,
like an angel from Heaven. I went away for a moment to see about her
medicine, and just as I entered the room again my darling was throwing
the bedclothes from off her and calling for your Papa. He stooped over
her, but strength failed her to say what she wanted to. All she could
do was to open her lips and gasp, 'My God, my God! The children, the
children!' I would have run to fetch you, but Ivan Vassilitch stopped
me, saying that it would only excite her--it were best not to do so.
Then suddenly she stretched her arms out and dropped them again. What
she meant by that gesture the good God alone knows, but I think that in
it she was blessing you--you the children whom she could not see. God
did not grant her to see her little ones before her death. Then she
raised herself up--did my love, my darling--yes, just so with her hands,
and exclaimed in a voice which I cannot bear to remember, 'Mother of
God, never forsake them!'"
"Then the pain mounted to her heart, and from her eyes it as, plain that
she suffered terribly, my poor one! She sank back upon the pillows, tore
the bedclothes with her teeth, and wept--wept--"
"Yes and what then?" I asked but Natalia Savishna could say no more. She
turned away and cried bitterly.
Mamma had expired in terrible agonies.
XXVII -- GRIEF
LATE the following evening I thought I would like to look at her once
more; so, conquering an involuntary sense of fear, I gently opened the
door of the salon and entered on tiptoe.
In the middle of the room, on a table, lay the coffin, with wax candles
burning all round it on tall silver candelabra. In the further corner
sat the chanter, reading the Psalms in a low, monotonous voice. I
stopped at the door and tried to look, but my eyes were so weak with
crying, and my nerves so terribly on edge, that I could distinguish
nothing. Every object seemed to mingle together in a strange blur--the
candles, the brocade, the velvet, the great candelabra, the pink satin
cushion trimmed with lace, the chaplet of flowers, the ribboned cap, and
something of a transparent, wax-like colour. I mounted a chair to see
her face, yet where it should have been I could see only that wax-like,
transparent something. I could not believe it to be her face. Yet, as
I stood grazing at it, I at last recognised the well-known, beloved
features. I shuddered with horror to realise that it WAS she. Why were
those eyes so sunken? What had laid that dreadful paleness upon her
cheeks, and stamped the black spot beneath the transparent skin on one
of them? Why was the expression of the whole face so cold and severe?
Why were the lips so white, and their outline so beautiful, so majestic,
so expressive of an unnatural calm that, as I looked at them, a chill
shudder ran through my hair and down my back?
Somehow, as I gazed, an irrepressible, incomprehensible power seemed
to compel me to keep my eyes fixed upon that lifeless face. I could not
turn away, and my imagination began to picture before me scenes of her
active life and happiness. I forgot that the corpse lying before me
now--the THING at which I was gazing unconsciously as at an object which
had nothing in common with my dreams--was SHE. I fancied I could
see her--now here, now there, alive, happy, and smiling. Then some
well-known feature in the face at which I was gazing would suddenly
arrest my attention, and in a flash I would recall the terrible reality
and shudder-though still unable to turn my eyes away.
Then again the dreams would replace reality--then again the reality put
to flight the dreams. At last the consciousness of both left me, and for
a while I became insensible.
How long I remained in that condition I do not know, nor yet how it
occurred. I only know that for a time I lost all sense of existence, and
experienced a kind of vague blissfulness which though grand and sweet,
was also sad. It may be that, as it ascended to a better world, her
beautiful soul had looked down with longing at the world in which she
had left us--that it had seen my sorrow, and, pitying me, had returned
to earth on the wings of love to console and bless me with a heavenly
smile of compassion.
The door creaked as the chanter entered who was to relieve his
predecessor. The noise awakened me, and my first thought was that,
seeing me standing on the chair in a posture which had nothing touching
in its aspect, he might take me for an unfeeling boy who had climbed
on to the chair out of mere curiosity: wherefore I hastened to make the
sign of the cross, to bend down my head, and to burst out crying. As I
recall now my impressions of that episode I find that it was only during
my moments of self-forgetfulness that my grief was wholehearted. True,
both before and after the funeral I never ceased to cry and to look
miserable, yet I feel conscience-stricken when I recall that grief
of mine, seeing that always present in it there was an element of
conceit--of a desire to show that I was more grieved than any one else,
of an interest which I took in observing the effect, produced upon
others by my tears, and of an idle curiosity leading me to remark