8. Sofia has had all the same traumas as Emilio but unlike Emilio, she did not have sympathetic supporters to help her overcome what happened to her. How does she survive her experiences? How would you describe her reaction to the traumas she has suffered? Why does she become so blind to the suffering of the remaining Jana’ata?
9. In the Coda, Emilio muses that we come into the world hardwired to hear noise and make language, to see a chaos of color and find patterns, to experience random events and make a coherent life out of them. Is it possible that the idea of God is simply a manifestation of that biological drive to impose structure on sensory input?
10. How would you compare Children of God to the first Sandoz/Rakhat book, The Sparrow? Some reviewers consider Children of God a much darker story. Do you agree?
11. Even when he appears to be getting on with his life, Sandoz is caught in the larger machinations of a battle between Fate and Providence. Which do you think wins out in the end? Is there a clear winner? Does this novel provide the answers to Sandoz’s questions about faith?
12. This story forces us to face the task of accepting the less theological and more ethical possibility that God may be merely an idea, yet one that still drives a people to live like children of God who place as much faith in a universal family as they do in the divine. Do you think God is merely an idea or does God really exist?
13. Beyond its determination to see Sandoz fulfill his destiny on Rakhat with or without his consent, why does the Church conspire to kidnap Sandoz and send him back to Rakhat? What purpose does this act serve? What would your reaction be if you were in Sandoz’s shoes? Does the result—Sandoz’s reconnection with God and his coming to terms with what happened to him on the planet—justify his kidnapping? In other words, do the ends justify the means?
14. There were extraordinarily important children born because Emilio was on Rakhat, including Isaac, Ha’anala and Rukuei. So, whether it’s Providence or dumb luck, Emilio was the catalyst for everything that happened on Rakhat in the generations that followed the first Jesuit mission. Do you think Emilio realizes this? Does this make the suffering he lived through worthwhile?
15. What do you think of Danny Iron Horse’s plan to save the Jana’ata by establishing reservations? Do you think Danny’s plan will work in the long run or will it be as disastrous as America’s reservation system was for Native Americans?
16. Sandoz faces a dilemma at the end of The Sparrow. If he accepts the spiritual beauty and the religious rapture he experienced as real and true, then all the rest of it—the violence, the deaths, the maiming, the assaults, the humiliations—all that was God’s will, too. Either God is vicious—deliberately causing evil or at least allowing it to happen—or Sandoz has been deluded. What do you think of the way Russell handled this dilemma in Children of God? What is the place of evil and pain in a world ruled by a benevolent God?
17. Isaac composes a song based on the DNA for humans, Jana’ata, and Runa. He says it is God’s music. What do you think he means by that?
About the Author
MARY DORIA RUSSELL is the author of the novels The Sparrow and A Thread of Grace. She is trained as a paleoanthropologist and has written scientific articles on subjects ranging from bone biology to cannibalism. She lives in Cleveland, Ohio, with her husband and their son.