Children of God
(The second book in the Sparrow series)
Mary Doria Russell
FOR
KATE SWEENEY
AND
JENNIFER TUCKER
hermanas de mi alma
Prelude
SWEATING AND NAUSEATED, FATHER EMILIO SANDOZ SAT ON THE EDGE of his bed with his head in what was left of his hands.
Many things had turned out to be more difficult than he’d expected. Losing his mind, for example. Or dying. How can I still be alive? he wondered, not so much with philosophical curiosity as with profound irritation at the physical stamina and sheer bad luck that had conspired to keep him breathing, when all he’d wanted was death. "Something’s got to go," he whispered, alone in the night. "My sanity or my soul…"
He stood and began to pace, wrecked hands tucked under his armpits to keep the fingers from being jarred as he moved. Unable to drive nightmare images away in the darkness, he touched the lights on with an elbow so he could see clearly the real things in front of him: a bed, linens tangled and sweat-soaked; a wooden chair; a small, plain chest of drawers. Five steps, turn, five steps back. Almost the exact size of the cell on Rakhat—
There was a knock at the door and he heard Brother Edward Behr, whose bedroom was nearby and who was always alert for these midnight walks. "Are you all right, Father?" Edward asked quietly.
Am I all right? Sandoz wanted to cry. Jesus! I’m scared and I’m crippled and everybody I ever loved is dead—
But what Edward Behr heard as he stood in the hallway just beyond Sandoz’s door was, "I’m fine, Ed. Just restless. Everything’s fine."
Brother Edward sighed, unsurprised. He had cared for Emilio Sandoz, night and day, for almost a year. Tended his ruined body, prayed for him, watching appalled and frightened as the priest fought his way back from utter helplessness to a fragile self-respect. So, even as Edward padded down the hall to check on Sandoz tonight, he suspected that this would be the soft-voiced reply to a pointless question.
"It’s not over, you know," Brother Edward had warned a few days earlier, when Emilio had at long last spoken the unspeakable. "You don’t get over something like that all at once." And Emilio had agreed that this was true.
Returning to his own bed, Edward punched up the pillow and slid under the covers, listening as the pacing resumed. It’s one thing to know the truth, he thought. To live with it is altogether something else.
IN THE ROOM DIRECTLY BENEATH SANDOZ’S, THE FATHER GENERAL OF THE Society of Jesus had also heard the sudden, gasping cry that announced an arrival of the incubus who ruled Emilio’s nights. Unlike Brother Edward, Vincenzo Giuliani no longer rose to offer Sandoz unwelcomed help, but he could see in memory the initial look of bewildered terror, the silent struggle to regain control.
For months, while presiding over the Society’s inquiry into the failure of the first Jesuit mission to Rakhat, Vincenzo Giuliani had been certain that if Emilio Sandoz were brought to speak of what had happened on that alien world, the matter could be resolved and Emilio would find some peace. The Father General was both administrator and priest; he had believed it was necessary—for the Society of Jesus and for Sandoz himself— to face facts. And so, by methods direct and indirect, by means gentle and brutal, both alone and aided by others, he had taken Emilio Sandoz to the moment when truth could free him.
Sandoz had fought them every step of the way: no priest, no matter how desperate, wishes to undermine another’s faith. But Vincenzo Giuliani had been serenely confident that he could analyze error and correct it, understand failure and forgive it, hear sin and absolve it.
What he had been unprepared for was innocence.
"Do you know what I thought, just before I was used the first time? I am in God’s hands," Emilio had said, when his resistance finally shattered on a golden August afternoon. "I loved God and I trusted in His love. Amusing, isn’t it. I laid down all my defenses. I had nothing between me and what happened but the love of God. And I was raped. I was naked before God and I was raped."
What is it in humans that makes us so eager to believe ill of one another? Giuliani asked himself that night. What makes us so hungry for it? Failed idealism, he suspected. We disappoint ourselves and then look around for other failures to convince ourselves: it’s not just me.
Emilio Sandoz was not sinless; indeed, he held himself guilty of a great deal, and yet… "If I was led by God to love God, step by step, as it seemed, if I accept that the beauty and the rapture were real and true, then the rest of it was God’s will too and that, gentlemen, is cause for bitterness," Sandoz had told them. "But if I am simply a deluded ape who took a lot of old folktales far too seriously, then I brought all this on myself and my companions. The problem with atheism, I find, under these circumstances, is that I have no one to despise but myself. If, however, I choose to believe that God is vicious, then at least I have the solace of hating God."
If Sandoz is deluded, thought Vincenzo Giuliani as the pacing above him went on and on, what am I? And if he is not, what is God?
1
Naples
September 2060
CELESTINA GIULIANI LEARNED THE WORD «SLANDER» AT HER COUSIN’S baptism. That is what she remembered about the party, mostly, aside from the man who cried.
The church was nice, and she liked the singing, but the baby got to wear Celestina’s dress, which wasn’t fair. No one had asked Celestina’s permission, even though she wasn’t supposed to take things without asking. Mamma explained that all the Giuliani babies wore this dress when they were baptized and pointed out the hem where Celestina’s name was embroidered. "See, cara? There is your name and your papa’s and Auntie Carmella’s and your cousins’—Roberto, Anamaria, Stefano. Now it’s the new baby’s turn."
Celestina was not in a mood to be reasoned with. That baby looks like Grandpa in a bride dress, she decided grumpily.
Bored with the ceremony, Celestina began to swing her arms, head down, watching her skirt swirl from side to side for a while, sneaking a look now and then at the man with the machines on his hands, standing by himself in the corner. "He’s a priest—like Grandpa Giuliani’s American cousin Don Vincenzo," Mamma had explained to her before they left for the church that morning. "He’s been sick a long time, and his hands don’t work very well, so he uses machines to help his fingers move. Don’t stare, carissima."
Celestina didn’t stare. She did, however, peek fairly often.
The man wasn’t paying attention to the baby like everyone else and one time when she peeked, he saw her. The machines were scary, but the man wasn’t. Most grown-ups smiled with their faces but their eyes told you they wanted you to go and play. The man with the machines didn’t smile, but his eyes did.
The baby fussed and fussed, and then Celestina smelled the caca. "Mamma!" she cried, horrified. "That baby—"
"Hush, cara!" her mother whispered loudly, and all the grown-ups laughed, even Don Vincenzo, who wore a long black dress like the man with the machines and was pouring water on the baby.
Finally, it was over and they all left the dark church and walked out into the sunshine. "But Mamma, the baby went!" Celestina insisted, as they came down the stairs and waited for the chauffeur to bring the car around. "Right in my dress! It’ll be all dirty!"
"Celestina," her mother reproved, "you yourself once did such things! The baby wears diapers, just as you did."
Celestina’s mouth dropped open. All around her, grown-ups were laughing, except for the man with the machines, who stopped next to her and dropped to her level, his face a mirror of her own stunned outrage. "This is slander!" she cried, repeating what he had whispered to her.
"A monstrous calumny!" he confirmed indignantly, standing again, and if Celestina did not understand any of the words, she knew that he was taking her side against the grown-ups who were laughing.