"I like the country, too," he interposed, "and no one ever said that I am sentimental." He tapped his head. "I'm as hard as nails up here." Quill cracked his knuckles in a disagreeable habit he has, and continued: "I have a shack on the West Shore, and I go there week-ends. My work is so confining that if I didn't get to the country once in a while, I would play out in a jiffy. I'm a nervous frazzle—a nervous frazzle—by Saturday noon. But I lie on the grass all Sunday, and if nobody snaps at me and I am let alone, by Monday morning I am fit again."
"You must be like Antжus."
This remark came from Wurm, our host. Wurm is a bookish fellow who wears great rimmed glasses. He spends much of his time in company thinking up apposite quotations and verifying them. He has worn out two Bartlett's. Wurm is also addicted to maps and dictionaries, and is a great reader of special articles. Consequently his mind is a pound for stray collarless facts; or rather, in its variety of contents, it more closely resembles a building contractor's back yard—odd salvage—rejected doors—a job of window-frames—a pile of bricks for chipping—discarded plumbing—broken junk gathered here and there. Mr. Aust himself, a building contractor who once lived on our street—a man of no broad fame—quite local—surely unknown to you—did not collect so wide a rubbish.
However, despite these qualities, Wurm is rather a pleasant and harmless bit of cobweb. For a livelihood, he sits in a bank behind a grill. At noon he eats his lunch in his cage, and afterwards with a rubber band he snaps at the flies. In the hunting season he kills in a day as many as a dozen of these pests' and ranges them in his pen tray. On Saturday afternoon he rummages in Malkan's and the second-hand bookshops along Fourth Avenue. To see Wurm in his most characteristic pose, is to see him on a ladder, with one leg outstretched, far off his balance, fumbling for a title with his finger tips. Surely, in these dull alcoves, gravity nods on its job. Then he buys a sour red apple at the corner and pelts home to dinner. This is served him on a tin tray by his stout landlady who comes puffing up the stairs. It is a bit of pleasant comedy that whatever dish is served happens to be the very one of which he was thinking as he came out of the bank. By this innocent device he is popular with his landlady and she skims the milk for him.
Wurm rapped his pipe bowl on the arm of his chair. "You must be like Antжus," he replied.
"Like what?" asked Flint.
"Antжus—the fellow who wrestled with Hercules. each time that antжus was thrown against the earth his strength was doubled. He was finally in the way of overcoming Hercules, when Hercules by seizing him around the middle lifted him off the ground. By this strategy he deprived him of all contact with the earth, and presently Antжus weakened and was vanquished."
"That's me," said Quill, the journalist. "If I can't get back to my shack on Sunday, I feel that Hercules has me, too, around the middle."
"Perhaps I can find the story," said Wurm, his eye running toward the bookshelves.
"Don't bother," said Flint.
There was now another speaker—Flannel Shirt, as we called him—who had once been sated with formal dinners and society, and is now inclined to cry them down. He leans a bit toward socialism and free verse. He was about to praise the country for its freedom from sordidness and artificiality, when Flint, who had heard him before, interrupted.
"Rubbish!" he cried out. "All of you, but in different ways, are slaves to an old tradition kept up by Wordsworth, who would himself, doubtless, have moved to London except for the steepness of the rents. You all maintain that you like the country, yet on one excuse or another you live in the city and growl about it. There isn't a commuter among you. Honest folk, these commuters, with marrow in their bones—a steak in a paper bag—the sleet in their faces on the ferryboat. I am the only one who admits that he lives in the city because he prefers it. The country is good enough to read about—I like it in books—but I choose to sit meantime with my feet on a city fender."
Here Wurm broke in again. "I see, Flint," he said, "that you have been reading Leslie Stephen."
Flint denied it.
"Well, anyway, you have quoted him. Let me read you a bit of his essay on 'Country Books.'"
Flint made a grimace. "Wurm always has a favorite passage."
Wurm went to a shelf and took down a volume. He blew off the dust and smoothed its sides. "Listen to this!" he said. "Picked up the volume at Schulte's, on the twenty-five cent table. 'A love of the country is taken,'" he read, "'I know not why, to indicate the presence of all the cardinal virtues…. We assert a taste for sweet and innocent pleasures and an indifference to the feverish excitements of artificial society. I, too, like the country,…' (you'll like this, Flint) 'but I confess—to be duly modest—that I love it best in books. In real life I have remarked that it is frequently damp and rheumatic, and most hated by those who know it best…. Though a cockney in grain, I love to lean upon the farmyard gate; to hear Mrs. Poyser give a bit of her mind to the squire; to be lulled into a placid doze by the humming of Dorlecote Mill; to sit down in dandie Dinmont's parlour … or to drop into the kitchen of a good old country inn, and to smoke a pipe with Tom Jones or listen to the simple-minded philosophy of Parson Adams.'"
"You hit on a good one then," said Flint. "And now as I was saying—"
Wurm interposed. "Just a moment, Flint! You think that that quotation supports your side of the discussion. Not at all. It shows merely that sometimes we get greater reality from books than we get from life. Leslie Stephen liked the real country, also. In his holidays he climbed the Swiss mountains—wrote a book about them—it's on that top shelf. Don't you remember how he loved to roll stones off a cliff? And as a pedestrian he was almost as famous as George Borrow—walked the shirt off his back before his college trustees and all that sort of thing. But he got an even sharper reality from books. He liked the city, too, but in many a mood, there's no doubt about it, he preferred to walk to Charing Cross with Doctor Johnson in a book, rather than to jostle on the actual pavement outside his door."
"Speed up, Wurm!" This from Quill, the journalist. "Inch along, old caterpillar!"
"As far as I am concerned," Wurm continued, "I would rather go with Charles and Mary Lamb to see The Battle of Hexham in their gallery than to any show in Times Square. I love to think of that fine old pair climbing up the stairs, carefully at the turn, lest they tread on a neighbor's heels. Then the pleasant gallery, with its great lantern to light their expectant faces!"
Wurm's eyes strayed again wistfully to his shelves. Flint stayed him. "And so you think that it is possible to see life completely in a mirror."
"By no means," Wurm returned. "We must see it both ways. Nor am I, as you infer, in any sense like the Lady of Shalott. A great book cannot be compared to a mirror. There is no genius in a mirror. It merely reflects the actual, and slightly darkened. A great book shows life through the medium of an individuality. The actual has been lifted into truth. Divinity has passed into it through the unobstructed channel of genius."
Here Flint broke in. "Divinity—genius—the Swiss Alps—The Battle of Hexham —what have they to do with Quill's shack out in Jersey or Colum's dirty birdhouses? You jump the track, Wurm. When everybody is heading for the main tent, you keep running to the side-shows."
Quill, the journalist, joined the banter. "You remind me, Wurm—I hate to say it—of what a sea captain once said to me when I tried to loan him a book. 'Readin',' he said, 'readin' rots the mind.'"
It was Colum's turn to ask a question. "What do you do, Flint," he asked, "when you have a holiday?"