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It may savor of bravado to find pleasure in what is so commonly condemned. Here is a smart fellow, you may say, who sets up a paradox—a conceited braggart who professes a difference to mankind. Or worse, it may appear that I try my hand at writing in a "happy vein." God forbid that I should be such a villain! For I once knew a man who, by reading these happy books, fell into pessimism and a sharp decline. He had wasted to a peevish shadow and had taken to his bed before his physician discovered the seat of his anжmia. It was only by cutting the evil dose, chapter by chapter, that he finally restored him to his friends. Yet neither supposition of my case is true. We who enjoy wet and windy days are of a considerable number, and if our voices are seldom heard in public dispute, it is because we are overcome by the growling majority. You may know us, however, by our stout boots, the kind of battered hats we wear, and our disregard of puddles. To our eyes alone, the rain swirls along the pavements like the mad rush of sixteenth notes upon a music staff. And to our ears alone, the wind sings the rattling tune recorded.

Certainly there is more comedy on the streets on a wet and windy day than there is under a fair sky. Thin folk hold on at corners. Fat folk waddle before the wind, their racing elbows wing and wing. hats are whisked off and sail down the gutters on excited purposes of their own. It was only this morning that I saw an artistocratic silk hat bobbing along the pavement in familiar company with a stranger bonnet—surely a misalliance, for the bonnet was a shabby one. But in the wind, despite the difference of social station, an instant affinity had been established and an elopement was under way.

Persons with umbrellas clamp them down close upon their heads and proceed blindly like the larger and more reckless crabs that you see in aquariums. Nor can we know until now what spirit for adventure resides in an umbrella. Hitherto it has stood in a Chinese vase beneath the stairs and has seemed a listless creature. But when a November wind is up it is a cousin of the balloon, with an equal zest to explore the wider precincts of the earth and to alight upon the moon. Only persons of heavier ballast—such as have been fed on sweets—plump pancake persons—can hold now an umbrella to the ground. A long stowage of muffins and sugar is the only anchor.

At this moment beneath my window there is a dear little girl who brings home a package from the grocer's. She is tugged and blown by her umbrella, and at every puff of wind she goes up on tiptoe. If I were writing a fairy tale I would make her the Princess of my plot, and I would transport her underneath her umbrella in this whisking wind to her far adventures, just as davy sailed off to the land of Goblins inside his grandfather's clock. She would be carried over seas, until she could sniff the spice winds of the south. Then she would be set down in the orchard of the Golden Prince, who presently would spy her from his window—a mite of a pretty girl, all mussed and blown about. And then I would spin out the tale to its true and happy end, and they would live together ever after. How she labors at the turn, hugging her paper bag and holding her flying skirts against her knees! An umbrella, however, usually turns inside out before it gets you off the pavement, and then it looks like a wrecked Zeppelin. You put it in the first ash-can, and walk off in an attempt not to be conspicuous.

Although the man who pursues his hat is, in some sort, conscious that he plays a comic part, and although there is a pleasing relish on the curb at his discomfort, yet it must not be assumed that all the humor on the street rises from misadventure. Rather, it arises from a general acceptance of the day and a feeling of common partnership in the storm. The policeman in his rubber coat exchanges banter with a cab-driver. If there is a tangle in the traffic, it comes nearer to a jest than on a fairer day. A teamster sitting dry inside his hood, whistles so cheerily that he can be heard at the farther sidewalk. Good-naturedly he sets his tune as a rival to the wind.

It must be that only good-tempered persons are abroad—those whose humor endures and likes the storm—and that when the swift dark clouds drove across the world, all sullen folk scurried for a roof. And is it not wise, now and then, that folk be thus parceled with their kind? Must we wait for Gabriel's Trump for our division? I have been told—but the story seems incredible—that that seemingly cursed thing, the Customs' Wharf, was established not so much for our nation's profit as in acceptance of some such general theory—in a word, that all sour persons might be housed together for their employment and society be rid of them. It is by an extension of this obscure but beneficent division that only those of better nature go abroad on these blustering November days.

There are many persons, of course, who like summer rains and boast of their liking. This is nothing. One might as well boast of his appetite for toasted cheese. Does one pin himself with badges if he plies an enthusiastic spoon in an ice-cream dish? Or was the love of sack ever a virtue, and has Falstaff become a saint? If he now sing in the Upper Choir, the bench must sag. But persons of this turn of argument make a point of their willingness to walk out in a June rain. They think it a merit to go tripping across the damp grass to inspect their gardens. Toasted cheese! Of course they like it. Who could help it? This is no proof of merit. Such folk, at best, are but sisters in the brotherhood.

And yet a November rain is but an August rain that has grown a beard and taken on the stalwart manners of the world. And the November wind, which piped madrigals in June and lazy melodies all the summer, has done no more than learn brisker braver tunes to befit the coming winter. If the wind tugs at your coat-tails, it only seeks a companion for its games. It goes forth whistling for honest celebration, and who shall begrudge it here and there a chimney if it topple it in sport?

Despite this, rainy weather has a bad name. So general is its evil reputation that from of old one of the lowest circles of Hell has been plagued with raw winds and covered thick with ooze—a testament to our northern March—and in this villains were set shivering to their chins. But the beginning of the distaste for rainy weather may be traced to Noah. Certain it is that toward the end of his cruise, when the passengers were already chafing with the animals—the kangaroos, in particular, it is said, played leap-frog in the hold and disturbed the skipper's sleep—certain it is while the heavens were still overcast that Noah each morning put his head anxiously up through the forward hatch for a change of sky. There was rejoicing from stem to stern—so runs the legend—when at last his old white beard, shifting from west to east, gave promise of a clearing wind. But from that day to this, as is natural, there has persisted a stout prejudice against wind and rain.

But this is not just. If a rainy day lacks sunshine, it has vigor for a substitute. The wind whistles briskly among the chimney tops. There is so much life on wet and windy days. Yesterday Nature yawned, but today she is wide awake. Yesterday the earth seemed lolling idly in the heavens. It was a time of celestial vacation and all the suns and moons were vacant of their usual purpose. But today the earth whirls and spins through space. Her gray cloud cap is pulled down across her nose and she leans in her hurry against the storm. The heavens have piped the planets to their work.

Yesterday the smoke of chimneys drifted up with tired content from lazy roofs, but today the smoke is stretched and torn like a triumphant banner of the storm.

"1917"

dreamed last night a fearful dream and this morning even the familiar contact of the subway has been unable to shake it from me.

I know of few things that are so momentarily tragical as awakening from a frightful dream. Even if you know with returning consciousness that it was a dream, it seems as if a part of it must have a basis in fact. The death that was recorded—is it true or not? And in your mind you grope among the familiar landmarks of your recollection to discover where the true and the fictitious join.