Commemorative is crowded and loud. Hot and noisy. I try to see Peter and Bed-Stuy but can't, so I take her hand and force my way through the crowd. I finally find them near the back, at the end of the bar. They're talking with a flyer, he only comes to Peter's shoulder, and he's dark and ugly. Not many flyers are pretty, like most of them he looks as if his head is too big for his body.
"Zhang!" Peter shouts, "This is-!"
I miss the name in the noise but nod and smile anyway. I don't share Peter's preoccupation with flyers. He says they're atheletes, good in bed. I signal the bartender 'two beers' and she puts them up on the bar. Peter hands them to me, we can't get close. Peter is happy and animated, trying to converse with his flyer. Bed-Stuy has the patient look of a man who has stood at a lot of bars and is willing to wait to see if his luck changes. San-xiang seems a little overwhelmed.
I smile at her and shrug to show my apology. She smiles and drinks some of her beer.
I watch her drink her beer, and she watches me. Then she turns pink and looks down at her glass. How fascinating she is. I can't help looking at her, trying to define just what went wrong. What would she need to become beautiful? Larger eyes? More bone in the jawline? And why hasn't she done it?
We don't stay long, it's too loud. She is a bit unsteady when we leave.
"Are you all right?" I ask her.
She leans against me and whispers conspiratorially, "I'm a little drunk." Her body language, her gestures, are all the actions of a girl being cute, of a flirt, and yet looking up at me is that square monkey face, those tiny porcine eyes. She wrinkles her nose and her eyes almost disappear, and I gaze, entranced by the grotesque.
It feels lewd. All my life I have been careful not to stare. I don't stare at war veterans, I don't stare at street people. I guess, unconciously, I don't stare at people who are ugly, either. But I can stare at San-xiang. I have the sudden urge to kiss her on the forehead, I don't know why.
We take the subway to Brooklyn and walk to her parent's apartment. In the hall we stop and I think of being in middle school and bringing the girl to her door and trying to decide if I was supposed to kiss her or not. I kiss San-xiang, a nice brotherly kiss.
"I had a wonderful time," she says and gives me a trembling smile. "You are very nice."
"So are you," I say.
"Why don't you have a girlfriend? You're very handsome."
I like to be told I'm handsome as much as anyone does but coming from San-xiang it is a bit disconcerting. I make the Nali-nali, the don't-talk-about-it motion with my hand, looking away embarrassed. "No reason," I say. "I just don't really want a girlfriend right now, I guess." The walls in the hallway are China red.
She rubs the back of her hand across her eyes and her voice is full of tears when she says, "I have to go, goodnight."
She unlocks the door and closes it behind her and I am left standing in the hall, wondering, what did I do?
I do not expect her voice when I answer the call. It is Tuesday evening and I've only been home from work for a few minutes.
"Zhong Shan?" she says, "It's San-xiang." We make inconsequential small-talk, how is work? I ask her how her work is and realize that I don't even know what she does.
"Some friends of mine and I," she says, "on Thursday nights, we have, well, it's kind of a political study meeting but it's really not, we sit around and talk, mostly. I was wondering if you would like to come? It won't be late, I mean, I know you work on Friday, we all do, so it… it won't be late. But if you're busy, I'll understand. I mean, this is short notice and I know you probably have plans, or, really that you might have plans. That's what I meant, that you're probably a fairly busy person, and it might not be convenient."
She is so nervous, I want to save her. "No," I say, "I don't have plans. I'm not very political though. I'm pretty dumb about politics."
"But you went to the Middle School for Political Theory, didn't you?"
"Yeah, but that was ten years ago, and we didn't learn too much about politics. Mostly we studied Mandarin."
"Oh," she says in her high, voice. "It doesn't really matter, we just mostly talk, anyway."
"Sure. What time?"
"About 6:30," she says and tells me where to come. I usually start at 7:00 a.m. and get off about 4:30 in the afternoon so that gives me time to get home and change. But Thursday comes and the project we are working on includes a side wall that will eventually have an artificial water-wall and a courtyard for the public. The wall is to be done in a continuous pour and for all the usual reasons we are late beginning the pour. Of course a special crew does the pour but I have to be there until it's finished to secure the site.
At six I head for Brooklyn, still in coveralls and workboots. The proletariat. Well, that ought to go over big in San-xiang's political study group.
I am late, it is quarter of seven when I get to the address San-xiang has given me. I need a shower and a beer, not necessarily in that order. The door opens and I say, "Excuse me, I am a friend of San-xiang?"
The face in the doorway is Chinese. A man, about my age. "Come in," he says, "we were afraid you got lost."
"I'm sorry," I say, "I had to work late."
There are five people in the little main room of this apartment, including San-xiang, whose eyes almost disappear in her delight.
"So you are the man with the incredible name," drawls a tall woman, not Chinese.
I smile and nod. "One cannot choose one's parents," I say. Oh my foolish mother. Zhong Shan is the name of a famous Chinese revolutionary, the first president of the Republic; it is the Mandarin version of the Cantonese name Sun Yat-sen. To be named Zhang Zhong Shan is like being named George Washington Jones. I sit down next to San-xiang and she introduces me around. I catch only two names, the woman is Ginny and the ABC who met me at the door is Gu Zhongyan. There is also a couple, clearly married, in their forties, I think.
I apologize again for coming late, and for coming straight from work without a chance to clean up.
"We hope to eventually establish a neighborhood association or a commune," Gu Zhongyan explains, "but we are none of us financially able yet. So for now we have a study group."
The male half of the couple passes out flimsies of an article out of a magazine. It's political theory. I read through the first couple of paragraphs and don't much understand, it's something about optimum community size. San-xiang studies hers carefully for a moment, then puts it in a folder and pulls out another stack of flimsies carefully underlined and highlighted. She has made notes to herself in Chinese along the margins. Her characters are tiny swift swirls of line.
They talk for awhile about the article. Ginny and Gu appear not to have read it as carefully. The male half of the couple is clearly the most committed. I gather in the course of the conversation that he and his wife lived in a commune before but there was some trouble and they left.
The only commune I am familiar with is Peter's, which has no ideology and exists merely as a tenant's association to keep his building running. And doesn't seem to do that too terribly well. I'm tired, it's been a long day, and they talk carefully about the relationship between competition and productivity.
I feel inadequate. I know that politics is important I just don't like to think about it. I don't know what my opinions are, I just know that very little I hear ever seems to have much to do with me, or with my life.
This apartment is the apartment of a serious person. Disordered, but in a serious way-a large system on the wall, equipped for information and music, but no vid. There are flimsies in a stack on the floor, obviously down-loaded. The wall at the back has homemade bookshelves filled with books and stacks of flimsies in binders. The books look like non-fiction. I used to read a lot during my alienated adolescence. Fiction. There is a book lying on the floor near Gu's chair, The Social Matrix: Religious Communities in Capitalist America.