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“Have you ever read any of Conan Doyle’s works, Mr. Burke? Sherlock Holmes, surely you are familiar with that fictional detective? Holmes was a self-described amateur. And, simultaneously, the king of his profession. Performing feats for compensation is not a higher art.”

“Maybe where you live,” I told him.

“Where I live. . . doesn’t matter. That I live is all that is of importance. Vital importance. I am Wesley now. His immortality is mine. I no longer require your services. Any works of art erected after Wesley’s demise which are attributed to him are, in fact, mine. When this ‘whisper-stream’ of yours speaks, as it will forever, every time it says his name, it will be me of which it speaks. Do you understand?”

“Sure. You’re gonna blow this building. After you get out. So everyone’ll say: That’s Wesley—he knows how to blow things up and still walk away. You’re an identity-thief.”

“My work was superior to his in every aspect!” he said, sharply. “His identity is mine, now. I have not ‘stolen’ it, I have ascended to it. And then transcended it. And you have, unwittingly, already identified my work. . . my recent work. . . as his. That is not theft, it is proper attribution. Anything less would be plagiarism.”

“How can you be sure I did that?” I asked him.

“Oh, I have no doubts,” he said. “Mr. Felestrone is proof enough of that.”

“How can you be sure?” I repeated.

“Pure art will out. Time is its only test. Axiomatically, I cannot personally verify such things. It is an act of faith.”

“And you did it all for art?”

“For my art. I do not fit any of those pitiful law-enforcement ‘profiles.’ I do not live to kill. In fact, I killed to live. . . although I do not believe you are capable of comprehending such a concept other than in the most elemental terms. No ‘motivation’ drives my work. The motivation is the work itself.”

“Bullshit,” I told him calmly.

“Surely you are not fool enough to believe you can anger me into accessibility, Mr. Burke? Am I supposed to rise to your transparent bait and physically attack you in some way? Your attempt is ludicrous. Do you know what an osmotic membrane is?”

“Yeah. A one-way barrier. You can cross over to the other side, but you can’t step back.”

“Ah. You surprise me. I would not have thought—”

“I did a lot of reading in prison,” I told him.

“Which apparently included a good deal of pop psychology,” he said dryly. “Nevertheless, this barrier—the one which separates us now—is, in fact, osmotic. You could enter the area I now occupy, if I so elected. See. . . this!” he said.

A yellow light suddenly blinked on to my right. It looked like it was floating in air.

“What you see is a projected beam. It will open the barrier between us.”

“A door in the Lexan?”

“If you will. I prefer my own analogy—it is more. . . applicable to the instant situation, especially given the wires embedded in the glass. Do you wish to come closer, then, Mr. Burke?”

“No,” I told him. “I’m fine right here.” I lit a cigarette, leaned back in my chair, blew smoke at the invisible ceiling.

“Then you wish to retract your absurd statements concerning my alleged ‘motivations’ for my art?”

“Sure,” I told him. “I’ll do that. I figure there’s a better way.”

“What are you—?”

“I know you,” I told him. I didn’t know if he could feel that truth—maybe it would just wash against the glass, never touch him. But it was all I had. I couldn’t see his eyes. A freak’s eyes always get soft and wet—sex-wet—when he talks about his fun. Wesley’s eyes were as dry as his bloodless heart—killing was work to him. “And I know you don’t want me going out and being your ‘agent,’ ” I sneered softly at him. “Once was enough. Now you want this all to vanish. Everything. You figured it out a long time ago. Immortality requires death. And that part you said I’d never understand. . . killing to live? I know who you killed to live.”

“Do you actually believe I—?”

“Why don’t you tell him?” I said, turning to Nadine. “It’s time now. You wanted this so bad. Now you’re here. Tell him.”

“I. . .” she started to speak, then stopped.

Velociraptor. A combination of crocodile and bird. Both survived. He claimed that for his own. Time to find out if he’d split or stayed mixed. It was all I had. I sucked the smoke deep into my lungs again, knowing it had to be perfect or I was done. “Go ahead. Tell him. Tell him the truth. . . Zoë.”

She gasped so hard her whole body shuddered in the chair. She got to her feet, shakily. Stood with her hands behind her back, one knee slightly bent. A little girl.

“You are my father,” she said into the darkness. “You gave me life. I waited for you. Inside. But I knew you would come for me someday.”

“You’re—” His voice cracked, clear even through the microphone.

“You never killed her at all,” I told him, flat, no more debating. “Not all of her. That last journal entry was as cute as it gets. You figured out Angelique was a multiple. And you knew why she was. But that wasn’t what did it. It was when she recognized you that everything. . . changed. Changed forever. You killed the alter. Killed Angelique. And left this other one behind. I don’t know how you did that, but. . .”

I let my voice trail off. Then I spoke right at Nadine’s back: “Where did you wake up?”

“I. . . don’t know,” she said, her voice still a child’s. “It was in. . . California, somewhere. The police found me. I was. . . they said I was. . . amnesic. They put me in a hospital. I never. . . They looked, but they never found. . . I was. . . adopted. Not really adopted. . . a foster home. They named me. Nadine. I was very. . . intelligent. But I couldn’t remember. I was. . . somewhere else. Inside. Waiting. I’m an architect. I knew I loved. . . design. And I hated men. I was never with a man. Ever. I. . . waited. And when my father started to. . . avenge. . . I felt the pull. I always. . . knew, I think. But not. . . I’m still not. . . I’m Zoë. Now. I am.”

The speaker spit out, “You could not. . .” but his voice trailed off.

“You know the truth,” I told him, calm and quiet and centered as deeply as I ever had been in my life. “You only killed Angelique. That’s when your art was done. When you found out the real reason why you did it. She taught you. She’s not lying. You are her father. But she was the one who gave you life.”

“My life is art. And my art is death.”

“Yes. And you’re done now. You’re Wesley. You can’t die. So you can’t stay either.”

“I know,” he said. A human voice now. He must have switched off the distorter in the microphone.

“Take Zoë with you,” Nadine begged him. “I wanted to go with you then. I can help you now. I can be with you. I don’t want to be here.”

She was crying then. I didn’t move, even when the cigarette started to burn the tips of my fingers.

“Come here, child,” he finally said.

Nadine walked forward. Touched the yellow button. And stepped into the darkness.

I heard a faint click as the Lexan door closed again.

I sat there, frozen, watching the barrier.

A white-orange fireball exploded in front of my eyes. The room rocked.

I got off the floor, surprised I was still there. I knew what was coming next. Wesley was going out again. The same way. I wondered how much time I had even as I ran toward the waiting elevator.