Chuck Palahniuk
Choke
Chapter 1
IF YOU'RE GOING TO READ THIS, DON'T BOTHER.
After a couple pages, you won't want to be here. So forget it. Go away. Get out while you're still in one piece.
Save yourself.
There has to be something better on television. Or since you have so much time on your hands, maybe you could take a night course. Become a doctor. You could make something out of yourself. Treat yourself to a dinner out. Color your hair.
You're not getting any younger.
What happens here is first going to piss you off. After that it just gets worse and worse.
What you're getting here is a stupid story about a stupid little boy. A stupid true life story about nobody you'd ever want to meet. Picture this little spaz being about waist high with a handful of blond hair, combed and parted on one side. Picture the icky little shit smiling in old school photos with some of his baby teeth missing and his first adult teeth coming in crooked. Picture him wearing a stupid sweater striped blue and yellow, a birthday sweater that used to be his favorite. Even that young, picture him biting his dickhead fingernails. His favorite shoes are Keds. His favorite food, fucking corn dogs.
Imagine some dweeby little boy wearing no seat belt and riding in a stolen school bus with his mommy after dinner. Only there's a police car parked at their motel so the Mommy just blows on past at sixty or seventy miles an hour.
This is about a stupid little weasel who, for sure, used to be about the stupidest little rat fink crybaby twerp that ever lived.
The little cooz.
The Mommy says, "We'll have to hurry," and they drive uphill on a narrow road, their back wheels wagging from side to side on the ice. In their headlights the snow looks blue, spreading from the edge of the road out into the dark forest.
Picture this all being his fault. The little peckerwood.
The Mommy stops the bus a little ways back from the base of a rock cliff, so the headlights glare against its white face, and she says, "Here's as far as we're going to get," and the words come boiling out as white clouds that show how big inside her lungs are.
The Mommy sets the parking brake and says, "You can get out, but leave your coat in the bus."
Picture this stupid runt letting the Mommy stand him right in front of the school bus. This bogus little Benedict Arnold just stands looking into the glare of the headlights, and lets the Mommy pull the favorite sweater off over his head. This wimpy little squealer just stands there in the snow, half naked, while the bus's motor races, and the roar echoes off the cliff, and the Mommy disappears to somewhere behind him in the night and the cold. The headlights blind him, and the motor noise covers any sound of the trees scraping together in wind. The air is too cold to breathe more than a mouthful at a time so this little mucous membrane tries to breathe twice as fast.
He doesn't run away. He doesn't do anything.
From somewhere behind him, the Mommy says, "Now whatever you do, don't turn around."
The Mommy tells him how there used to be a beautiful girl in ancient Greece, the daughter of a potter.
Like every time she gets out of jail and conies back to claim him, the kid and the Mommy have been in a different motel every night. They'll eat fast food for every meal, and just drive all day, every day. At lunch today, the kid tried to eat his corn dog while it was still too hot and almost swallowed it whole, but it got stuck and he couldn't breathe or talk until the Mommy charged around from her side of the table.
Then two arms were hugging him from behind, lifting him off his feet, and the Mommy whispered, "Breathe! Breathe, damn it!"
After that, the kid was crying, and the entire restaurant crowded around.
At that moment, it seemed the whole world cared what happened to him. All those people were hugging him and petting his hair. Everybody asked if he was okay.
It seemed that moment would last forever. That you had to risk your life to get love. You had to get right to the edge of death to ever be saved.
"Okay. There," the Mommy said as she wiped his mouth, "now I've given you life."
The next moment, a waitress recognized him from a photograph on an old milk carton, and then the Mommy was driving the evil little squealer back to their motel room at seventy miles an hour.
On the way back, they'd got off the highway and bought a can of black spray paint.
Even after all their rushing around, where they've arrived is the middle of nowhere in the middle of the night.
Now from behind him, this stupid kid hears the rattle of the Mommy shaking the spray paint, the marble inside the can knocking from end to end, and the Mommy says how the ancient Greek girl was in love with a young man.
"But the young man was from another country and had to go back," the Mommy says.
There's a hissing sound, and the kid smells spray paint. The bus motor changes sounds, clunks, running faster now and louder, and the bus rocks a little from tire to tire.
So the last night the girl and her lover would be together, the Mommy says, the girl brought a lamp and set it so it threw the lover's shadow on the wall.
The hiss of spray paint stops and starts. There's a short hiss, after that a longer hiss.
And the Mommy says how the girl traced the outline of her lover's shadow so she would always have a record of how he looked, a document of this exact moment, the last moment they would be together.
Our little crybaby just keeps looking straight into the headlights. His eyes water, and when he shuts them he can see the light shining, red, right through his eyelids, his own flesh and blood.
And the Mommy says how the next day, the girl's lover was gone, but his shadow was still there.
Just for a second, the kid looks back to where the Mommy is tracing the outline of his stupid shadow against the cliff face, only the boy's so far away that his shadow falls a head taller than the mother. His skinny arms look big around. His stubby legs stretch long. His pinched shoulders spread wide.
And the Mommy tells him, "Don't look. Don't move a muscle or you'll ruin all my work."
And the doofus little tattletale turns to stare into the headlights.
The can of spray paint hisses, and the Mommy says that before the Greeks, nobody had any art. This was how painting pictures was invented. She tells the story of how the girl's father used the outline on the wall to model a clay version of the young man, and that's the way sculpture was invented.
For serious, the Mommy told him, "Art never comes from happiness."
Here is where symbols were born.
The kid stands, shivering now in the glare, trying to not move, and the Mommy keeps working, telling the huge shadow how someday it will teach people everything that she's taught it. Someday it will be a doctor saving people. Returning them to happiness. Or something better than happiness: peace.
It'll be respected.
Someday.
This is even after the Easter Bunny turned out to be a lie. Even after Santa Claus and the Tooth Fairy and Saint Christopher and Newtonian physics and the Niels Bohr model of the atom, this stupid, stupid kid still believed the Mommy.
Someday, when he's grown up, the Mommy tells the shadow, the kid will come back here and see how he's grown into the exact outline she'd planned for him this night.
The kid's bare arms shake with the cold.
And the Mommy said, "Control yourself, damn it. Hold still or you'll ruin everything."
And the kid tried to feel warmer, but no matter how bright they were, the headlights didn't give off any heat.
"I need to make a clear outline," the Mommy said. "If you tremble, you'll turn out all blurred."
It wasn't until years later, until this stupid little loser was through college with honors and he'd busted his hump to get into the University of Southern California School of Medicine—until he was twenty-four years old and in his second year of medical school, when his mother was diagnosed and he was named as her guardian—it wasn't until then that it dawned on this little stooge that growing strong and rich and smart was only the first half of your life story.