"Did you know this girl?"
"Yeah, yeah, she was my niece. My sister's girl. She was like a daughter-I never had a kid, and I just…" He shook his head and stopped talking; her image was in his eyes, Lucas thought.
"Jeez. I'm sorry," Lucas said.
"Yeah, well…" Marshall came back from wherever he'd gone. "I just hope I haven't gone goofy. When I saw that thing on TV last night, there wasn't one thing that didn't sound like our guy."
Lucas leaned back in his chair. "I hate to tell you this, but we found a guy last night who might've seen him. He supposedly looks like Bruce Willis. Kind of stocky, buzzcut hair, dark. We do think he might've met Aronson in a restaurant, like the guy picking up your niece in the Union," Lucas said. "Hang on a second…"
He went to the outer office and retrieved Marcy's drawing of Willis, brought it back, and passed it to Marshall. "We found an old friend of Aronson's last night who might've seen the guy, just by accident. This is what we think he might look like."
Marshall looked at the picture for a moment, then up at Lucas, shook his head, and said, "Just the opposite of what Laura told her housemates. Perfect opposite."
"Pretty much," Lucas said.
Marshall peered at the picture for another moment, sighed, and then said, "Maybe I'm on the wrong track. But there are a couple of other things there in the file. I've kept a lookout for women who might have been victims. We didn't have much to go on, so there are quite a few candidates-people drop out of sight all the time. There was a young girl here in Minnesota who disappeared about two years after Laura was killed: Linda Kyle. Came from Albert Lea and was going to Carlton College in Northfield. Anyway, she disappeared one day, never has been found. She was an art student and had been hanging around galleries up here in Minneapolis when she got bored. She'd had a couple of dates with a guy in the city, but none of her friends ever saw him. No suspects."
"Huh. None of her friends ever saw him. It's like a technique," Lucas said. Then: "I don't remember her. I don't remember the case."
"Not too surprising-seven years ago, and they never found anything, and she wasn't from here," Marshall said. "Then there's another one, three years ago, from New Richmond, Wisconsin, just across the St. Croix River."
"I know the town," Lucas said. He drove through it sometimes on the way to his cabin.
"A woman named Nancy Vanderpost, married but separated, twenty-two years old, and one day she disappeared. Hasn't been found. She'd been talking about going to Los Angeles and doing performance art. She also had a romance going on here in the Twin Cities, but they never identified the guy. She was living in a trailer home, and when they went in there was no sign of a struggle or anything, but they found
… fingernails. Two broken fingernails. And they found her purse next to a couch, all of her clothes were there as far as they knew, and the main thing is, all of her insulin was there. She wouldn't have left that."
"The connection is the fingernails and the art in the Cities?" Lucas asked. "And the thing about nobody ever seeing who the woman is dating?"
Marshall nodded, his Lennon glasses opaque with reflected light, hiding his eyes. "One other thing, a guess. All the trailers in this trailer court are right next to each other. Ten feet apart. If her purse was in the place, then I think that's where the guy took her out of…"
"If somebody took her out."
"Yeah. If. If somebody did, he didn't shoot her, didn't beat her to death, didn't do anything that gave her a chance to scream, didn't get involved in any loud arguments, wasn't drinking, and didn't stab her to death. They brought the state crime lab in to look at her trailer, and there was no trace of blood at all. I think he strangled her. I think that's what the fingernails mean: These women are beating their hands on the floor."
"No drawings?"
"Only hers. She did drawing and music and dance and acting and poetry and journaling and photography and everything else, but I'm told she wasn't very good at any of it. Just sort of a… fucked-up soul, looking for something a little bigger than she was."
"Some kind of art guy," Lucas said.
"That's what I think," Marshall said. "I pushed it hard as I could from Dunn County, but there was nothing to go on, and there was always the possibility that she was in L.A., or that she'd had an insulin problem and had wandered off somewhere and died. There's all kinds of places around New Richmond where you could get lost."
"Her car?"
"Was parked in town. They found it the day after they went into her place."
"I see one difference between what you've got and what we've got," Lucas said. "Yours are all small-town kids, and ours isn't. Like maybe your guy is picking on kids who are a little naive. Aronson was living here in the Cities, and had been-"
"But the paper said she was originally small-town. Maybe it's an attitude that pulls him in."
"Maybe…" Lucas got his feet up on his desk for a moment, thinking about it, and then said, "You heading back home?"
"I'd like to hang around this afternoon. It was snowing like crazy when I went through Hudson. I'm afraid they're gonna close the Interstate over the river. I'd like to see what you've got going. I know our part of the case backwards and forwards, and maybe something'll occur to me."
"You're welcome to hang out long as you want. Get Marcy to run that name-Tom Lang?-through the lists we're compiling. Maybe you should go over and look at Aronson's body-talk to the docs, see if she's missing any nails, or if there's any abrasions on her hands."
"What do you think about my list?"
"Interesting. Somebody's probably out there operating."
"Somebody always is," Marshall said.
DEL CAME BACK a few minutes after Marshall left and found Lucas staring at the ceiling of his office. Del said, "I ran those guys from the ad agencies. One of them doesn't pay his parking tickets. The other one has never talked to a cop, far as I can tell."
"Did you run them against the lists?" Lucas asked.
"Not yet. Marcy was entering stuff…" Lucas had turned in his chair, his eyes drifting away as Del was talking. Del said, "Hey. What's up?"
"Huh?"
"Look like you've seen a ghost."
Lucas explained about Marshall. "I've been looking through his file. It's got a bad feel to it, Del."
"You think he's onto something?"
"I'm afraid he might be," Lucas said.
"He got anyplace we can go with it?"
Lucas pushed himself onto his feet. "Not right away. So let's go look up Morris Ware."
Del nodded. "That dickhead. I was hoping he'd moved to one of the fuckin' coasts with the rest of the perverts. Where'd you hear about him?"
Lucas pulled his coat on. "That Lori chick over at Hot Feet Jazz Dance, down on…"
"… Lyndale. Yeah. Strange chick."
"I was over there a couple of days ago. She did one of those dance things where you hold on to a bar and stretch your leg over your head. I spent five minutes talking to her crotch."
"And her crotch said Morris Ware…"
"… is back out on the street with his Brownie, looking for the young stuff again."
"Not surprised," Del said. "That's not something you get over."
Lucas asked, "Didn't Ware run with the art crowd, like from over at the Walker?"
"Yeah, for a while, I think. He did this book, Little Women on the Edge, or something like that. Like on the edge of puberty. It was supposed to be art, naked girls, but it had the smell of puke about it."
7
MORRIS WARE LIVED in a tidy two-story stucco house under the northern approach lanes for Minneapolis… St. Paul International Airport. A Miracle Maids van sat in front of the house, and a pink plastic Miracle Maids bin sat on the porch, next to the front door. The porch might have held a porch swing-there were hooks in the ceiling, and worn spots on the deck-but didn't. Both the back and front yards were surrounded by low dark-green chain-link fences. A clapboard garage sat astride the driveway behind the fence, and on the lawn, next to the driveway, a Macon Security sign warned against burglary: "Armed Response Authorized."