So, she decides, she had better get busy and make it all work.
ATTACK OF THE HANGED MAN BANNED IN LIRI-DOMEI
ALDEMAR’S THRILLER CLAIMED “TOO VIOLENT”
Aiah gets only a few hours’ sleep, since she’s up late making lists and plans. Constantine has authorized her to hire a staff of 120 people, of whom a third can be mages, “preferably with specialties in telepresence and police work.” During raids on plasm dens, she is authorized to call on the military.
Forty mages, not to mention soldiers.
She puts aside any doubts concerning whether she can organize and command forty mages, all with more experience than she, and concentrates instead on making lists of what she’ll need.
Aiah looks with a start at the clock, and discovers it’s 03:00. She looks for a window crank and can’t find one, then discovers that the windows polarize against the Shieldlight with the press of a button.
Luxury. Right. She keeps forgetting.
She’s too keyed up to get much rest, and when the alarm chimes at 07:00 she comes awake perfect in the knowledge that she’s going to spend the day thick-witted and dragging herself from one task to the next.
During a search for coffee she comes across a plasm tap in the kitchen, and only a few seconds later thinks to wonder what in the immortals’ name they could have used a kitchen plasm tap for.
Personal plasm allowance. Constantine had wangled her one.
If there’s a tap in the kitchen, there will be taps elsewhere.
Aiah sets the coffee brewing and looks for taps, finding three in the main room alone. A search through drawers discovers a wire, a jack, and a copper transference grip, an “orthopedic” design custom-shaped for a hand somewhat smaller than Aiah’s.
A dose of the goods, she thinks, is better than coffee any day.
She moves an armchair near the tap, puts the t-grip in the seat, and jacks the wire into a tap. With a flick of her thumb she can connect herself to the plasm well, the huge system that creates, moves, and stores plasm within the Metropolis of Caraqui. All the vast apparatus she had seen yesterday—the accumulators and capacitors and control boards, the transmission horns and receivers, the bundles of cable and taps and substations—all of it exists, Aiah realizes, only so that she, and people like her, can do just what she intends to do right now.
Aiah reaches into the collar of her sleepshirt and pulls out the plasm focus she wears on a chain around her neck. She had bought it just a few weeks ago, at the start of her adventure with Constantine, from an elderly man who earned a precarious living selling junk and trinkets from a desk made of a battered door. He had sold it to her as a “lucky charm,” a cheap bit of popular magic alleged, through its connection with genuine magework, to have virtues even without plasm. The token is in the form of the Trigram, and like all plasm foci its scrolling lines are meant to give a pattern to the flow of plasm through Aiah’s mind, a kind of safety device to prevent plasm from taking any unexpected turns.
She sits in the chair, looks at the focus in her palm, tries to relax, let the Trigram center her mind. And then Aiah bends to pick up the t-grip and thumbs the button that switches on the plasm connection. Her nerves come awake with a snarl. Her mind, comes alive with a cold neon glow.
It has been far, far too long since she’s had a chance to touch this reality.
The Trigram burns in her backbrain. Power sings in her ears.
The first thing Aiah does is send the Trigram through her body, flushing out fatigue toxins, filling every cell with energy. Then she simply sits back in her chair and closes her eyes and lets plasm fill her senses, awareness expanding like ripples in a pond……
She can sense the plasm network around her, the Palace delivery system, conduits and branches, that laces the building like a network of veins, arteries, and capillaries. Sense the vast well of plasm beneath, the fiery lake of raw power that floods out into the city…
Hypersensitive, hyperacute, her senses encompass physical reality as well. The texture of the walls impresses itself on her mind, the nubbly surface of a throw pillow, the coolness of the lacy tin frame on the icon of Karlo. The carbon-steel frame of the building, all gentle plasm-generating curves, glows in her perceptions like bones in a fluoroscope. And two people passing in the corridor outside flare in her mind like passing torches. Other, more distant people glimmer at the outside of her awareness.
But there is a curious constraint to her physical sensation. It is as if she is in a box of which her suite is only a component. Focusing her concentration, Aiah expands her senses, gently probes outward… no result. She frowns, draws more energy from the plasm tap, pushes her sensorium outward. The only result is the alarming sensation of power flowing away, bleeding out of her, as if her plasm is spiraling down a drain.
Her heart thrashes in her chest. Frightened, she draws her senses inward and tries to understand what has just happened to her.
And then she remembers the diamond-shaped crosshatch-ing in all the window glass, the shining bronze wire.
Aiah realizes she has run up against the Palace’s collection web, the network of bronze designed to intercept any plasm attack, deprive it of will, break it into bits, and feed it into the Palace’s own plasm system. As long as she was willing to be a passive receiver of outward sensation, the plasm merely amplifying her senses, she was able to enjoy her enhanced sensation; but once she tried to expand her awareness outside the bronze barriers, it absorbed all the plasm she was directing outward.
She hopes she hasn’t wasted too much of her precious plasm allowance. If she wants to use telepresence techniques to carry her outside the Palace, she realizes, she’ll have to schedule time on one of the Palace’s transmission horns.
Aiah allows her passive senses to expand again, swelling to the limit of the artificial constraints imposed by the building’s design. The Palace, she remembers, is compartmentalized, like a deep-sea vessel divided by watertight bulkheads. A breach in one component of the building’s defense will not necessarily endanger the rest. Her own particular compartment seems to encompass her suite, the two suites adjacent, corresponding suites across the hall, and the same units one floor down—twelve suites in all.
Her sensorium—the plasm-generated extension of her senses—is already in place. Aiah concentrates and builds an anima, a telepresent plasm body, a focus for the sensorium that she can move from place to place, and then she floats the anima out into the hallway outside.
A door opens in the suite to the anima-Aiah’s right—just past the bronze barrier—and a man steps out. He is a military officer, middle-aged, uniformed, with a briefcase in one hand. He frowns intently, as if his face had been trained to that expression by long years of practice. Straight-backed, he marches down the corridor, passing right through Aiah’s invisible anima. Aiah feels an illusory tingle in her insubstantial nerves.
The man marches on. Aiah drifts slowly down the corridor, tries to listen to what her sensorium is telling her. Only three of the twelve suites within her compartment of the Palace seem to have anyone in them at present, flares of warmth and life floating in Aiah’s perceptions. She takes a deep breath, exhales, lets the Palace speak to her, whisper in her ectomorphic ear… and then her breath is taken away by a surge of sexual desire that sets her nerves alight.
It originates on the floor below hers. Two people are tangled together in a moment of passion so intense that, once Aiah has opened herself to it, it floods her senses. Her mouth goes dry. For a moment she hesitates, indecisive, uncertain whether she should permit herself to pursue this path, and then she floats downward, passing through floor and wall, and finds the two lovers on their bed.