Man was bewildered. But not for long. Man tried. But not for long.
For the five thousand could not carry on the work of the millions who had gone to Jupiter to enter upon a better life in alien bodies. The five thousand did not have the skill, nor the dreams, nor the incentive.
And there were the psychological factors. The psychological factor of tradition which bore like a weight upon the minds of the men who had been left behind. The psychological factor of Juwainism which forced men to be honest with themselves and others, which forced men to perceive at last the hopelessness of the things they sought to do. Juwainism left no room for false courage. And false, foolhardy courage that didn't know what it was going up against was the one thing the five thousand needed most.
What they did suffered by comparison with what had been done before and at last they came to know that the human dream of millions was too vast a thing for five thousand to attempt.
Life was good. Why worry? There was food and clothes and shelter, human companionship and luxury and entertainment – there was everything that one could ever wish.
Man gave up trying. Man enjoyed himself. Human achievement became a zero factor and human life a senseless paradise.
Webster took off the cap again, reached out and clicked off the writer.
If someone would only read it once I get it done, he thought. If someone would read and understand. If someone could realize where human life is going.
I could tell them, of course. I could go out and buttonhole them one by one and hold them fast until I told them what I thought. And they would understand, for Juwainism would make them understand. But they wouldn't pay attention. They'd tuck it all away in the backs of their brains somewhere for future reference and they'd never have the time or take the trouble to drag it out again.
They'd go on doing the foolish things they're doing, following the footless hobbies they have taken up in lieu of work. Randall with his crew of zany robots going around begging to be allowed to re-design his neighbours' homes. Ballentree spending hours on end figuring out new alcoholic mixtures. Yes, and Jon Webster wasting twenty years digging into the history of a single city.
A door creaked faintly and Webster swung around. The robot cat-footed into the room.
"Yes, what is it, Oscar?"
The robot halted, a dim figure in the half-light of the dusk-filled room.
"It's time for dinner, sir. I came to see-"
"Whatever you can think up," said Webster. "And, Oscar, you can lay the fire."
"The fire is laid, sir."
Oscar stalked across the room, bent above the fireplace. Flame flickered in his hand and the kindling caught.
Webster, slouched in his chair staring at the flames crawling up the wood, heard the first, faint hiss and crackle of the wood, the suction mumble at the fireplace throat.
"It's pretty, sir," said Oscar.
"You like it, too?"
"Indeed I do."
"Ancestral memories," said Webster soberly. "Remembrance of the forge that made you."
"You think so, sir?" asked Oscar.
"No, Oscar, I was joking. Anachronisms, that's what you and I are. Not many people have fires these days. No need for them. But there's something about them, something that is clean and comforting."
He stared at the canvas above the mantelpiece, lighted now by the flare of burning wood. Oscar saw his stare.
"Too bad about Miss Sara, sir."
Webster shook his head. "No, Oscar, it was something that she wanted. Like turning off one life and starting on another. She will lie up there in the Temple, asleep for years, and she will live another life. And this one, Oscar, will be a happy life. For she would have it planned that way."
His mind went back to other days in this very room.
"She painted that picture, Oscar," he said. "Spent a long time at it, being very careful to catch the thing she wanted to express. She used to laugh at me and tell me I was in the painting, too."
"I don't see you, sir," said Oscar.
"No. I'm not. And yet, perhaps, I am. Or part of me. Part of what and where I came from. That house in the painting, Oscar, is the Webster House in North America. And I am a Webster. But a long ways from the house – a long ways from the men who built that house."
"North America's not so far, sir."
"No," Webster told him. "Not so far in distance. But far in other ways."
He felt the warmth of the fire steal across the room and touch him.
Far. Too far – and in the wrong direction.
The robot moved softly, feet padding on the rug, leaving the room.
She worked a long time, being very careful to catch the thing she wanted to express.
And what was that thing? He had never asked her and she had never told him. He had always thought, he remembered, that it probably had been the way the smoke streamed, wind whipped across the sky, the way the house crouched against the ground, blending in with the trees and grass, huddled against the storm that walked above the land.
But it may have been something else. Some symbolism. Something that made the house synonymous with the kind of men who built it.
He got up and walked closer, stood before the fire with head tilted back. The brush strokes were there and the painting looked less a painting than when viewed from the proper distance. A thing of technique, now. The basic strokes and shadings the brushes had achieved to create illusion.
Security. Security by the way the house stood foursquare and solid. Tenacity by the way it was a part of the land itself. Sternness, stubbornness and a certain bleakness of the spirit.
She had sat for days on end with the visor beamed on the house, sketching carefully, painting slowly, often sitting and watching and doing nothing at all. There had been dogs, she said, and robots, but she had not put them in, because all she wanted was the house. One of the few houses left standing in the open country. Through centuries of neglect, the others had fallen in, had given the land back to the wilderness.
But there were dogs and robots in this one. One big robot, she had said, and a lot of little ones.
Webster bad paid no attention – he had been too busy.
He swung around, went back to the desk again.
Queer thing, once you came to think of it. Robots and dogs living together. A Webster once had messed around with dogs, trying to put them on the road to a culture of their own, trying to develop a dual civilization of man and dog.
Bits of remembrance came to him – tiny fragments, half recalled, of the legends that had come down the years about the Webster House. There had been a robot named Jenkins who had served the family from the very first. There had been an old man sitting in a wheel chair on the front lawn, staring at the stars and waiting for a son who never came. And a curse had hung above the house, the curse of having lost to the world the philosophy of Juwain.