Carter gaped. Then a flush of anger crawled from his throat up into his face.
"It won't work, Webster," he snapped. "You can't bluff me. Any cock-and-bull story like that-"
"It's no cock-and-bull story," declared Webster. "Those men have cannon out there. Pieces from in front of Legion halls, from the museums. And they have men who know how to work them. They wouldn't need them, really. It's practically point-blank range. Like shooting the broadside of a barn."
Carter reached for the radio, but Webster stopped him with an upraised hand.
"Better think a minute, Carter, before you go flying off the handle. You're on a spot. Go ahead with your plan and you have a battle on your hands. The houses may burn but the loop is wrecked. The business men will have your scalp for that."
Carter's hand retreated from the radio.
From far away came the sharp crack of a rifle.
"Better call them off," warned Webster.
Carter's face twisted with indecision.
Another rifle shot, another and another.
"Pretty soon," said Webster, "it will have gone too far. So far that you can't stop it."
A thudding blast rattled the windows of the room. Carter leaped from his chair.
Webster felt suddenly cold and weak. But he fought to keep his face straight and his voice calm.
Carter was staring out of the window, like a man of stone.
"I'm afraid," said Webster, "that it's gone too far already."
The radio on the desk chirped insistently, red light flashing.
Carter reached out a trembling hand and snapped it on.
"Carter," a voice was saying. "Carter. Carter."
Webster recognized that voice – the bull-throated tone of Police Chief Jim Maxwell.
"What is it?" asked Carter.
"They had a big gun," said Maxwell. "It exploded when they tried to fire it. Ammunition no good, I guess."
"One gun?" asked Carter. "Only one gun?"
"I don't see any others."
"I heard rifle fire," said Carter.
"Yeah, they did some shooting at us. Wounded a couple of the boys. But they've pulled back now. Deeper into the brush. No shooting now."
"O.K.," said Carter, "go ahead and start the fires."
Webster started forward. "Ask him, ask him-"
But Carter clicked the switch and the radio went dead.
"What was it you wanted to ask?"
"Nothing," said Webster. "Nothing that amounted to anything."
He couldn't tell Carter that Gramp had been the one who knew about firing big guns. Couldn't tell him that when the gun exploded Gramp had been there.
He'd have to get out of here, get over to the gun as quickly as possible.
"It was a good bluff, Webster," Carter was saying. "A good bluff, but it petered out."
The mayor turned to the window that faced towards the houses.
"No more firing," he said. "They gave up quick."
"You'll be lucky," snapped Webster, "if six of your policemen come back alive. Those men with the rifles are out in the brush and they can pick the eye out of a squirrel at a hundred yards."
Feet pounded in the corridor outside, two pairs of feet racing towards the door.
The mayor whirled from his window and Webster pivoted around.
"Gramp!" he yelled.
"Hi, Johnny," puffed Gramp, skidding to a stop. The man behind Gramp was a young man and he was waving something in his hand – a sheaf of papers that rustled as he waved them.
"What do you want?" asked the mayor.
"Plenty," said Gramp.
He stood for a moment, catching back his breath, and said between puffs:
"Meet my friend, Henry Adams."
"Adams?" asked the mayor.
"Sure," said Gramp. "His granddaddy used to live here. Out on Twenty-seventh Street."
"Oh," said the mayor and it was as if someone had smacked him with a brick. "Oh, you mean F. J. Adams."
"Bet your boots," said Gramp. "Him and me, we were in the war together. Used to keep me awake nights telling me about his boy back home."
Carter nodded to Henry Adams. "As mayor of the city," he said, trying to regain some of his dignity, "I welcome you to-"
"It's not a particularly fitting welcome," Adams said. "I understand you are burning my property."
"Your property!" The mayor choked and his eyes stared in disbelief at the sheaf of papers Adams waved at him.
"Yeah, his property," shrilled Gramp. "He just bought it. We just come from the treasurer's office. Paid all the back taxes and penalties and all the other things you legal thieves thought up to slap against them houses."
"But, but-" the mayor was grasping for words, gasping for breath. "Not all of it. Perhaps just the old Adams property."
"Lock, stock and barrel," said Gramp triumphantly. "And now," said Adams to the mayor, "if you would kindly tell your men to stop destroying my property."
Carter bent over the desk and fumbled at the radio, his hands suddenly all thumbs.
"Maxwell," he shouted. "Maxwell, Maxwell."
"What do you want?" Maxwell yelled back.
"Stop setting those fires," yelled Carter. "Start putting them out. Call out the fire department. Do anything. But stop those fires."
"Cripes," said Maxwell, "I wish you'd make up your mind."
"You do what I tell you," screamed the mayor. "You put out those fires."
"All right," said Maxwell. "All right. Keep your shirt on. But the boys won't like it. They won't like getting shot at to do something you changed your mind about."
Carter straightened from the radio.
"Let me assure you, Mr. Adams," he said, "that this is all a big mistake."
"It is," Adams declared solemnly. "A very great mistake, mayor. The biggest one you ever made."
For a moment the two of them stood there, looking across the room at one another.
"Tomorrow," said Adams, "I shall file a petition with the courts asking dissolution of the city charter. As owner of the greatest portion of the land included in the corporate limits, both from the standpoint of area and valuation, I understand I have a perfect legal right to do that."
The mayor gulped, finally brought out some words.
"Upon what grounds?" he asked.
"Upon the grounds," said Adams, "that there is no further need of it. I do not believe I shall have too hard a time to prove my case."
"But... but... that means..."
"Yeah," said Gramp, "you know what it means. It means you are out right on your car."
"A park," said Gramp, waving his arm over the wilderness that once had been the residential section of the city. "A park so that people can remember how their old folks lived."
The three of them stood on Tower Hill, with the rusty old water tower looming above them, its sturdy steel legs planted in a sea of waist-high grass.
"Not a park, exactly," explained Henry Adams. "A memorial, rather. A memorial to an era of communal life that will be forgotten in another hundred years. A preservation of a number of peculiar types of construction that arose to suit certain conditions and each man's particular tastes. No slavery to any architectural concepts, but an effort made to achieve better living. In another hundred years men will walk through those houses down there with the same feeling of respect and awe they have when they go into a museum today. It will be to them something out of what amounts to a primeval age, a stepping-stone on the way to the better, fuller life. Artists will spend their lives transferring those old houses to their canvases. Writers of historical novels will come here for the breath of authenticity."