At this moment the talk was broken, for Charmion herself came down the marble path, followed by an armed slave. She walked calm and carelessly, her hands folded behind her, and her eyes gazing at nothingness, as it were. But it was when Charmion thus looked upon nothing that she saw most. And as she came the officers and men of the guard made way for her bowing, for, as I learned afterwards, this girl, next to Cleopatra's self, wielded more power than anyone about the palace.
"What is this tumult, Brennus?" she said, speaking to the Centurion, and making as if she saw me not; "knowest thou not that the Queen sleeps at this hour, and if she be awakened it is thou who must answer for it, and that dearly?"
"Nay, Lady," said the Centurion, humbly; "but it is thus. We have here"—and he jerked his thumb towards me—"a magician of the most pestilent—um, I crave his pardon—of the very best sort, for he hath but just now, only by placing his eyes close to the nose of the worthy Captain Paulus, dragged him, the said Paulus, through the gates that Paulus swore the magician should not pass. By the same token, lady, the magician says that he has business with you—which grieves me for your sake."
Charmion turned and looked at me carelessly. "Ay, I remember," she said; "and so he has—at least, the Queen would see his tricks; but if he can do none better than cause a sot"—here she cast a glance of scorn at the wondering Paulus—"to follow his nose through the gates he guards, he had better go whence he came. Follow me, Sir Magician; and for thee, Brennus, I say, keep thy riotous crew more quiet. For thee, most honourable Paulus, get thee sober, and next time I am asked for at the gates give him who asks a hearing." And, with a queenly nod of her small head, she turned and led the way, followed at a distance by myself and the armed slave.
We passed up the marble walk which runs through the garden grounds, and is set on either side with marble statues, for the most part of heathen Gods and Goddesses, with which these Lagidæ were not ashamed to defile their royal dwellings. At length we came to a beautiful portico with fluted columns of the Grecian style of art, where we found more guards, who made way for the Lady Charmion. Crossing the portico we reached a marble vestibule where a fountain splashed softly, and thence by a low doorway a second chamber, known as the Alabaster Hall, most beautiful to see. Its roof was upheld by light columns of black marble, but all its walls were panelled with alabaster, on which Grecian legends were engraved. Its floor was of rich and many–hued mosaic that told the tale of the passion of Psyche for the Grecian God of Love, and about it were set chairs of ivory and gold. Charmion bade the armed slave stay at the doorway of this chamber, so that we passed in alone, for the place was empty except for two eunuchs who stood with drawn swords before the curtain at the further end.
"I am vexed, my Lord," she said, speaking very low and shyly, "that thou shouldst have met with such affronts at the gate; but the guard there served a double watch, and I had given my commands to the officer of the company that should have relieved it. Those Roman officers are ever insolent, who, though they seem to serve, know well that Egypt is their plaything. But it is not amiss, for these rough soldiers are superstitious, and will fear thee. Now bide thou here while I go into Cleopatra's chamber, where she sleeps. I have but just sung her to sleep, and if she be awake I will call thee, for she waits thy coming." And without more words she glided from my side.
In a little time she returned, and coming to me spoke:
"Wouldst see the fairest woman in all the world, asleep?" she whispered; "if so, follow me. Nay, fear not; when she awakes she will but laugh, for she bade me be sure to bring thee instantly, whether she slept or woke. See, I have her signet."
So we passed up the beautiful chamber till we came to where the eunuchs stood with drawn swords, and these would have barred my entry. But Charmion frowned, and drawing the signet from her bosom held it before their eyes. Having examined the writing that was on the ring, they bowed, dropping their sword points and we passed through the heavy curtains broidered with gold into the resting–place of Cleopatra. It was beautiful beyond imagining—beautiful with many coloured marbles, with gold and ivory, gems and flowers—all art can furnish and all luxury can dream of were here. Here were pictures so real that birds might have pecked the painted fruits; here were statues of woman's loveliness frozen into stone; here were draperies fine as softest silk, but woven of a web of gold; here were couches and carpets such as I never saw. The air, too, was sweet with perfume, while through the open window places came the far murmur of the sea. And at the further end of the chamber, on a couch of gleaming silk and sheltered by a net of finest gauze, Cleopatra lay asleep. There she lay—the fairest thing that man ever saw—fairer than a dream, and the web of her dark hair flowed all about her. One white, rounded arm made a pillow for her head, and one hung down towards the ground. Her rich lips were parted in a smile, showing the ivory lines of teeth; and her rosy limbs were draped in so thin a robe of the silk of Cos, held about her by a jewelled girdle, that the white gleam of flesh shone through it. I stood astonished, and though my thoughts had little bent that way, the sight of her beauty struck me like a blow, so that for a moment I lost myself as it were in the vision of its power, and was grieved at heart because I must slay so fair a thing.
Turning suddenly from the sight, I found Charmion watching me with her quick eyes—watching as though she would search my heart. And, indeed, something of my thought must have been written on my face in a language that she could read, for she whispered in my ear:
"Ay, it is pity, is it not? Harmachis, being but a man, methinks that thou wilt need all thy ghostly strength to nerve thee to the deed!"
I frowned, but before I could frame an answer she touched me lightly on the arm and pointed to the Queen. A change had come upon her: her hands were clenched, and about her face, all rosy with the hue of sleep, gathered a cloud of fear. Her breath came quick, she raised her arms as though to ward away a blow, then with a stifled moan sat up and opened the windows of her eyes. They were dark, dark as night; but when the light found them they grew blue as the sky grows blue before the blushing of the dawn.
"Cæsarion?" she said; "where is my son Cæsarion?—Was it then a dream? I dreamed that Julius—Julius who is dead—came to me, a bloody toga wrapped about his face, and having thrown his arms about his child led him away. Then I dreamed I died—died in blood and agony; and one I might not see mocked me as I died. Ah! who is that man?"
"Peace, Madam! peace!" said Charmion. "It is but the magician Harmachis, whom thou didst bid me bring to thee at this hour."
"Ah! the magician—that Harmachis who overthrew the giant? I remember now. He is welcome. Tell me, Sir Magician, can thy magic mirror call forth an answer to this dream? Nay, how strange a thing is Sleep, that wrapping the mind in a web of darkness, straightly compels it to its will! Whence, then, come those images of fear rising on the horizon of the soul like some untimely moon upon a midday sky? Who grants them power to stalk so lifelike from Memory's halls, and, pointing to their wounds, thus confront the Present with the Past? Are they, then, messengers? Does the half–death of sleep give them foothold in our brains, and thus upknit the cut thread of human kinship? That was Cæsar's self, I tell thee, who but now stood at my side and murmured through his muffled robe warning words of which the memory is lost to me. Read me this riddle, thou Egyptian Sphinx,[13] and I'll show thee a rosier path to fortune than all thy stars can point. Thou hast brought the omen, solve thou its problem."
13
Alluding to his name. Harmachis was the Grecian title of the divinity of the Sphinx, as Horemkhu was the Egyptian.— Editor.