“Look, I’m sorry about that. I mean… This is so difficult.”
“Just tell me.”
Michelle paused for so long that Banks was beginning to think she would just hang up. She seemed to be good at putting an abrupt end to conversations. But she didn’t. After an eternity, she said, “Today I discovered that Ben Shaw’s notebooks and the Graham Marshall actions allocations are missing.”
“Missing?”
“I looked all over the files. I couldn’t find them. I got the records clerk to help, too, but even she couldn’t find them. There’s a gap in the notebooks from the fifteenth of August to the sixth of October, 1965.”
Banks whistled between his teeth. “And the actions?”
“Just for that case. Gone. I don’t know… I mean, I’ve never… There’s something else, too. Something that happened over the weekend. But I don’t want to talk about it over the phone.” She gave a nervous laugh. “I suppose I’m asking you for advice. I don’t know what to do.”
“You should tell someone.”
“I’m telling you.”
“I mean someone in your station.”
“That’s the problem,” she said. “I just don’t know who I can trust down here. That’s why I thought of you. I know you have a personal interest in the case, and it would be helpful for me to have another professional around. One I know I can trust.”
Banks thought it over for a moment. Michelle was right; he did have an interest in the case. And the way it sounded, she was out on a limb by herself down there. “I’m not sure what I can do to help,” he said, “but I’ll see if I can get away.” As he spoke the words, an image of himself charging down to Peterborough on a white steed, wearing armor and carrying a lance, mocked him. “Any news on the funeral service?”
“Day after tomorrow.”
“I’ll get away as soon as I can,” he said. “Maybe tomorrow. In the meantime, don’t say or do anything. Just carry on as normal. Okay?”
“Okay. And, Alan?”
“Yes?”
“Thanks. I mean it. I’m in a jam.” She paused, then added, “And I’m scared.”
“I’ll be there.”
After Banks hung up, he refilled his glass, put the second Bill Evans set on and settled down to think over the repercussions of what he had realized earlier that evening, reading his diary, and of what he had just heard from Michelle.
Chapter 13
Lauren Anderson lived in a small semi not too far from where Banks used to live with Sandra before their separation. He hadn’t passed the end of his old street in a long time, and it brought back memories he would rather forget. He felt cheated, somehow. The memories should have been good – he and Sandra had had good times together, had been in love for many years – but everything seemed tainted by her betrayal, and now by her forthcoming marriage to Sean. And the baby, of course. The baby hurt a lot.
He spoke nothing of his thoughts to Annie, who sat beside him. She didn’t even know he used to live there, as he had only met her after he moved to the Gratly cottage. Besides, she had made it clear that she wasn’t interested in his old life with Sandra and the kids; that was one of the main things that had come between them and broken up their brief and edgy romance.
It was as fine a summer’s day as they had seen in a while. They were in Banks’s car this time, the way he preferred it, with the windows open listening to Marianne Faithfull singing “Summer Nights” on a greatest hits CD. That was back when her voice was rich and smooth, before the booze, drugs and cigarettes had taken their toll the same way it happened with Billie Holiday. It was also a hit around the time Graham disappeared and captured the mood of that sex-preoccupied adolescent summer.
“I can’t believe you still listen to this stuff,” said Annie.
“Why not?”
“I don’t know. It’s just so… old.”
“So is Beethoven.”
“Clever clogs. You know what I mean.”
“I used to fancy her like crazy.”
Annie shot him a sidelong glance. “Marianne Faithfull?”
“Yes. Why not? She used to come on Ready, Steady, Go! and Top of the Pops every time she had a new record out, and she’d sit on a high stool with her guitar looking just like a schoolgirl. But she’d be wearing a low-cut dress, legs crossed, and that sweet voice would come out, and you’d just want to…”
“Go on.”
Banks stopped at a traffic light and smiled at Annie. “I’m sure you get the picture,” he said. “She just looked so innocent, so virginal.”
“But if the stories are true, she put herself about quite a bit, didn’t she? Far from virginal, I’d say.”
“Maybe that was part of it, too,” Banks agreed. “You just knew she… did it. There were stories. Gene Pitney. Mick Jagger. The parties and all that.”
“Saint and sinner all in one package,” said Annie. “How perfect for you.”
“Christ, Annie, I was only a kid.”
“Quite a randy one, too, it seems.”
“Well, what did you think about at fourteen?”
“I don’t know. Boys, maybe, but not in a sexual way. Having fun. Romance. Clothes. Makeup.”
“Maybe that’s why I always fancied older women,” said Banks.
Annie nudged him hard in the ribs.
“Ouch! What did you do that for?”
“You know. Park here. Men,” she said, as Banks parked and they got out of the car. “When you’re young you want older women, and when you’re old you want younger women.”
“These days,” said Banks, “I take whatever I can get.”
“Charming.” Annie pressed the doorbell and a few seconds later saw the shape coming toward them through the frosted glass.
Lauren Anderson was dressed in jeans and a thin V-neck sweater, and she wore no makeup. Younger than Banks had expected, she was willowy, with full lips, a pale oval face and heavy-lidded pale-blue eyes, all framed by long auburn hair spilling down over her shoulders. As she stood in the doorway, she wrapped her arms around herself as if she were cold.
“Police,” Banks said, holding out his warrant card. “May we come in?”
“Of course.” Lauren stood aside.
“In here?” Banks asked, pointing toward what looked like the living room.
“If you like. I’ll make some tea, shall I?”
“Lovely,” said Annie, following her into the kitchen.
Banks could hear them talking as he had a quick look around the living room. He was impressed by the two walls of bookshelves groaning under the weight of classics he had meant to read but never got around to. All the Victorians, along with the major Russians and French. A few recent novels: Ian McEwan, Graham Swift, A.S. Byatt. Quite a lot of poetry, too, from Heaney’s Beowulf translation to the latest issue of Poetry Review lying on the low coffee table. There were plays, too: Tennessee Williams, Edward Albee, Tom Stoppard, the Elizabethans and Jacobeans. There was also a section devoted to art and one to classical mythology. Not to mention the rows of literary criticism, from Aristotle’s Poetics to David Lodge on the vagaries of post-structuralism. Most of the music in the CD rack was classical, favoring Bach, Mozart and Handel.
Banks found a comfortable chair and sat down. In a short while, Annie and Lauren came in with the tea. Noting an ashtray on the table and getting a distinct whiff of stale smoke in the air, Banks asked if he might light up. Lauren said sure and accepted one of his Silk Cut. Annie turned up her nose the way only an ex-smoker can do.
“It’s a nice place,” Banks said.
“Thank you.”
“Do you live here alone?”
“I do now. I used to share it with one of the other teachers, but she got her own flat a few months ago. I’m not sure, but I think I like it better by myself.”
“I don’t blame you,” said Banks. “Look, the reason we’re here is that we heard you used to give Luke Armitage extra tutoring in English, and we wondered if you could tell us anything about him.”