"That's pretty good dialogue you give her," Yossarian challenged Hacker, with belligerence.
"I like that too. I got it from Mr. Gaffney here. It sounds pretty real."
"It should sound real." Yossarian glowered at Gaffney. "She and I already had that conversation."
"I know," said Gaffney.: "I thought so, you fuck," Yossarian said without anger. "Excuse me, Olivia. We say things like that. Gaffney, you still keep monitoring me. Why?"
"I can't help doing it, Yossarian. It's my business, you know. I don't make information. I just collect it. It's not really my fault that I seem to know everything."
"What's going to happen to Patrick Beach? He isn't getting better."
"Oh, dear," said Olivia, shuddering.
I'd say," answered Gaffney, "he's going to die."
"Before my wedding?"
"After, Mrs. Maxon. But, Yo-Yo, I would say that about you also. I would say that about everyone."
"About yourself too?"
"Sure. Why not?"
"You aren't God?"
"I'm in real estate. Isn't God dead? Do I look dead? By the way, Yossarian, I've been thinking of writing a book too."
"About real estate?"
"No, a novel. Maybe you can help. It begins on the sixth day of creation. I'll tell you about it later."
"I'm busy later."
"You'll have time. You're not meeting your fiancee until two."
"Are you getting married again?" Olivia looked pleased.
"No," said Yossarian. "And I have no fiancee."
"Yes, he is," answered Gaffney.
"Don't listen to him."
"He doesn't know yet what he's doing. But I do. On with this wedding, Warren."
"He still hasn't come," reported Hacker, puzzled, "and no ond knows why."
Thus far there had been no hitch, except for the absence of the President.
McBride, dutifully, tirelessly, had seen to parking space for the automobiles and coordinated their comings with the arrivals and departures of the commercial buses, routing many in both groups to the ramps and gates on the third and fourth floors. The one thousand and eighty parking places in the garages overhead provided room for most of the nearly seventeen hundred and seventy-five limousines expected. Most were black and the rest were pearl gray. Other cars were diverted to the parking lot across the avenue, where the sidewalk was lined with shish kebob and peanut vendors and clusters of shoeshine stands with convivial old black and brown men who sometimes spent the balmy nights sleeping at their stands beneath beach, umbrellas. They made use of the basins and toilets of the terminal, ignoring the enduring artwork of Michael Yossarian explicitly banning "Smoking, Loitering, Shaving, Bathing, Laundering, Begging, Soliciting," oral sex, and copulation. The shabby street scenes were amusing to many crossing the avenue to enter beneath the block-long metal-and-smoked-glass canopy, who assumed they had been staged expressly for them.
Photographers covered every access on all streets of the landmark, as though the structure were under siege, and journalists had come from foreign countries. A total of seventy-two hundred and three press passes had been issued to accredited newsmen. This was a record for an American wedding. Forty-six owners of foreign publications had come as guests.
Invitations to the gala occasion had been delivered in envelopes that were stiff and square, for they were on platinum, and only Sammy Singer on the primary list of thirty-five hundred invited declined to come, courteously pleading prior commitment to a trip to Australia. Yossarian thought better of Sam Singer than ever before. The secret agents Raul and carrot-topped Bob and their wives were on hand as guards as well as guests. Yossarian had exiled them deliberately to distant tables far apart from each other; now he saw with indignant surprise at the wedding ahead taking place just then that both were nevertheless seated right there with him at his own table in the inner sanctum of the North Wing, close enough to keep watch while taking in the epic spectacle of which they themselves were a part, and that Jerry Gaffney, who'd not been invited, was there with his wife at his table too!
Someone somewhere had countermanded orders without letting him know.
As expected, the limousine crush began to form earlier than expected. By 6:00 P.M. many arrived who did not wish to waste an opportunity to be photographed before the thicker crush of people more important began. And many of those coming soonest, the First Lady among them, were eager to be there to ogle everything.; It was a feast for fashion editors.; Women were aided beforehand by a proclamation from Olivia Maxon that "no dress would be too dressy." They were grateful as well for a tip sheet from leading fashion stylists of trends in their forthcoming collections. The result was a glorious extravaganza of up-to-the-minute dress designing recaptured on camera with exceptional brilliance, in which the ladies took part confidently as both spectators and spectacles. While numerous tastes in fashion were displayed by the nearly two thousand women there, none of the women were out of style.
They wore everything from cocktail dresses to ball gowns, arriving in a blissful and iridescent shimmering of unlined linen with gold pinstripes and with fringes of Indian beadwork, in palettes that were pale, ranging in the main from ivory to peach and sea green. Leopard spots were a favorite pattern in chiffon skirts, or in organdy dresses with fringed hems, and on silk jackets. There were women in long evening dresses who were thrilled to see many other women there in long evening dresses, especially in dresses with fragile embroidery on crisp, pale silks. Short skirts were of prismatic chiffon too. Jackets were in pink, orange, and chartreuse satin decorated with rhinestones instead of nailheads, while sweeping black point d'esprit overskirts showed the knees in front and dripped to the floor in back, and those bold enough to have guessed right were especially proud of their sexy matte jersey evening clothes.
After champagne, caviar, and cocktails, and well before the bride and M2 had appeared, the lights in all wings of the bus terminal were lowered sacramentally and everyone took a seat; around one of the five stages closest at hand to listen to a gifted violinist the age of a young Midori and four clones play Paganini caprices in each of the places. It was not possible to tell the original from the clones, and no prizes were awarded for correct guesses, Christopher and Olivia Maxon could be seen in the flesh and also larger than life on the closed-circuit television screens as huge as those in a cinema house. They were in the front row on the far right on the main floor of the North Wing, and all guests there and elsewhere suddenly noticed that a single spotlight seemed to have been positioned to shine directly down upon Olivia, who sat with her hands clasped together and a look of poised rapture on her illustrious face. As those in the Communications Control Center could see on the screens flashing to newsstands, she was already being described in a current future issue of U.S. News amp; World Report as "the queen of nouvelle society." And Time, The Weekly Newsmagazine would write, as they saw displayed at the newsstands inside the terminal kept open just for them, that "Olivia Maxon is a princess in the new social order, and the bus terminal is her palace."
The fantasy quintessence of the wedding joining two billionaire families was accentuated by a candlelight ceremony in stylish white-on-white, with all the dresses of the dozens of women and little girls in the bridal party designed by Arnold Scaasi. The bride herself wore an off-white taffeta dress, delicately embroidered in gold, with a twenty-seven-foot train. Her tulle veil was held in place by a diamond-and-pearl tiara. Her maid of honor was a former Miss Universe she had not met before. She had twenty auburn-haired and forty flaxen-haired attendants taller and more stunning than herself in her entourage of bridesmaids, and all were dressed in off-white moire shot with gold. One hundred and twenty children under twelve recruited from friends and members of both families were done up as flower girls and ring bearers. The bridegroom's mother, Regina Minderbinder, was nervous in designer beige, while Olivia Maxon, in peach satin with overlapping ruffles beaded with tens of thousands of seed pearls, looked simply stunning with her huge, dark eyes and retrousse nose, and in the glistening cabochon emeralds that adorned her white throat.