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One million, one hundred and twenty-two thousand champagne tulips had been procured as door prizes and souvenirs. A massive variety of fabulous hanging chandeliers from different epochs was installed throughout all five banquet sections, and these were wrapped in curly willow branches. Wisps of raffia were added to the willow branches, and there were tiny twinkling lights in all of the leaves and in the boughs of all eighty Christmas trees. Ravishing tapestries for tablecloths, masses of staggered candles, antique cages full of live birds, and rare books and silver plate from different periods were in abundance everywhere. Thickets of summer asters in the twenty-two hundred Malaysian pots flanking all of the entrances into the principal terminal halls helped turn half the South Wing of the main floor of PABT into a miniature Versailles, with thousands of flickering lights in the terra-cotta pots simulating millions of candles. In one hundred and four vitrines along the sides of all banquet areas were living actors in poses and activities re-creating the hustlers, whores, drug dealers, child runaways, panhandlers, drug addicts, and other derelicts who regularly inhabited the terminal. Shops still surviving profitably in the terminal were paid to remain open all night, enhancing the novelty of the surroundings and setting, and many of the guests enjoyed spending time in the intervals buying things. Sixty-one sets of attractive female identical twins, all that could be found in the world for that work, posed as mermaids in the fifty or so artificial pools and fountains created, and thirty-eight pairs of male identical twins performed as heralds and banner wavers and offered humorous responses to questions.

Port Authority Patron Aides in red jackets were on duty everywhere to assist with instructions and directions. The AirTransCenter of the terminal was held open to transport to the city's three major airports those guests rushing directly from the lavish Minderbinder-Maxon affair to lavish parties in Morocco and Venice, music festivals in Salzburg or Bayreuth, and the Chelsea Flower Show or Wimbledon tennis matches in England.

Sophisticated managerial headhunters had ensured through intensive interview procedures that only well-bred models and thespians from good families, with degrees from good colleges, were hired for the parts of the male and female whores and other penurious, degenerate inhabitants of the premises who normally made their residences and livelihoods there, and they threw themselves into these roles with a wholesome waggery and an endearing enthusiasm for good, clean sport that won the hearts of all in the several audiences. Toward party's end, as those observing on the video screens could see, these mingled with the guests in their costumes and feigned vocations, and this was another innovation contributing much to the general hilarity.

Other actors and actresses and male and female models outfitted to resemble figures in famous paintings and motion pictures strolled through the several galleries, striking the characteristic poses of the characters they were aping. There were a number of Marilyn Monroes, a couple of Marlon Brandos playing Stanley Kowalski, a Humphrey Bogart here and there, a pair of dying Dantons, and at least two Mona Lisas, whom everyone recognized. Waiters wore flowing white blouses and embroidered tunics of different periods. The Off-Track Betting parlor and Arby's restaurant on the second floor and the Lindy's Restaurant and Bar below were reconstructed to resemble seventeenth-century Flemish eating-drinking houses, with bric-a-brac and artifacts of that time filling the taverns appropriately. In one of these tableaux, smoking a cigarette rather than a pipe and scrutinizing everything shrewdly, was a lean man with milky skin, pink eyes, and copper hair. He wore Bavarian lederhosen and had a hiking staff and green rucksack, and Yossarian, who was vaguely sure he had seen him somewhere else, could not tell whether he was there at work or as an outfitted element in the decor. There were several Rembrandt self-portrait look-alikes and one Jane Avril. There were no Jesus Christs.

After dinner, the guests would find themselves free to dance or drift past Greek and Roman antiques to buy Zaro's bread at Zato's Bread Basket, Fanny Farmer candy, or New York State Lottery tickets, or peer into a Drago shoe repair shop or one of the Tropica Juice Bars, where the pyramids of oranges were decorated in French Directoire, with swags, rosettes, and tassels. Many had never laid eyes on pyramids of oranges before. The centerpieces of their dining tables were of gilded magnolia leaves and spring branches, and the upright columns supporting the Communications Control Center were majestic in silver floodlights, with fountains tumbling whitely around them, and with the multitude of hoisted sail-like corporate banners and pennants luffing and snapping in the artificial breezes. One hall leading to gates outside to long-distance buses heading west to Kenosha, Wisconsin, and north to the Pole was decorated in the Greek Renaissance style and furnished with Italian tapestries, Japanese lanterns, medieval armors, and carved-walnut wainscoting from a French chateau. Opposite this was another passageway for departures; this one featured Regency furniture, overstuffed chintz cushions, and mahogany woodwork, all just inside the wrought-iron gates of a medieval court. The Charles Engelhard Court, also on loan from the Metropolitan Museum of Art, was ablaze with pink and gold light and featured fifty thousand French roses, with almost as many gold-dipped magnolia leaves, and a dance floor hand-painted for just that evening in harlequin blocks of green, yellow, red, and black.

Forty-seven chiefs of protocol from the Foreign Service had assisted with the sensitive matter of seating arrangements, making sure the thirty-five hundred guests were properly, though not always contentedly, placed. The basic seating attack ultimately agreed to left many of the thirty-five hundred unfulfilled and displeased, but propitiated to an extent by the disappointment evident in others.

There was no head table anywhere other than the privileged small one facing outward from the Temple of Dendur in the North Wing for the principals and, of course, the President and his First Lady, with Noodles Cook sitting in already for the chief executive until he made his entrance.

The First Lady had arrived early to collect autographs from celebrities.

"I wonder where the President is," said Olivia Maxon, watching with impatient expectation. "I wish he'd come."

He would journey, some knew, by speedy special train to PABT directly from the secret MASSPOB underground terminal in Washington. And he would, of course, be among the last to appear, materializing only in time to wave with a broad smile and shake but few hands before giving the bride away while simultaneously taking his stand beside the groom as M2's best man. This was another first in matrimonial procedure and promised to set a standard for wedding ceremonies, perhaps even for royal families with traditions centuries old.

All of the other tables were round, in order that no one person be in a dominant place, and the chairs, ostensibly, were democratically equal. And each of the remaining three hundred and forty-four round tables outside the North Wing featured an important public figure and a multimillionaire, or a woman married to one. The multimillionaires were not entirely happy, for all would have preferred the President himself, or failing that, one of the eight billionaires invited, who well understood their metaphorical dimensions as deities, trophies, inspirations, and ornaments. A few of the billionaires had bought hotels in Manhattan that same week merely to possess facilities for private parties for friends.