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He planned to hobble the horse on the grassy embankment at the side of the house, perhaps with a lean-to against the fence. Oriel gave him money and rolled her eyes, preoccupied with stranger things than him, and when he bought the horse he truly believed he’d backed a bargain.

But Lester, old lighthorseman that he was, should never have assumed that a depressed horse was a slow horse. The delivery business didn’t live a full day.

He harnessed the horse, loaded the cart with the best of Cloudstreet’s fare, and had only dropped his bum on the driver’s seat and taken up the reins when the horse took to the idea of liberal and rapid food distribution and took off for the streets of Subiaco with its head up and its tail down. Lester braced out the long, slithering ride down the embankment, the spinepowdering jolts of the wheels clearing the rails, and when he hit the street on the Subi side his hat was low on his brow and he looked indeed like a Randolph Scott. But at the first turn, when the cart got up on two wheels behind the slavering lunatic of a horse and the harness thwacked and twanged like a man’s braces he looked like any ordinary projectile waiting for gravity to have the last word. He landed in the dickey seat of a Packard parked outside the Masonic Hall. The horse went on without him and he followed its trail the rest of the day. Kids sat on fences eating apples, the occasional letterbox gripped a carrot in its teeth, and there were cauliflower sludge marks here and there, a Hansel and Gretel trail of lettuce leaves, beetroot and orange rind so thick that the city’s birds and half its scavenging children couldn’t obscure it. In the afternoon he found the horse grazing on roses in a yard near Lake Monger. It looked at him placidly with sated, longlashed eyes. He took it to the knackers and got two quid for horse, cart, and ten pounds of pureed tomatoes. When he got home, he found Oriel out the back, pegging a tent beneath the mulberry tree. The pig looked on, mute. A headless turkey hung from a hook on the fence. Water boiled on the kitchen stove.

Quick came up and stood beside him: I think the pig’s got away with it. How’s the horse?

The horse wasn’t so lucky.

Mum’s not happy.

They watched her hammering in pegs and tightening ropes on the tent. A bed stood endup against the trellis of the grapevine.

Can’t see why, Lester said. She likes turkey.

Quick looked up at his old man in wonder. Behind him three heads poked from the second floor window. Pickles heads.

Gday, Quick said.

Gday, Rose Pickles said.

The pig’s for next Christmas, Quick said.

The Pickles kids cracked up laughing.

Oriel Lamb straightened up, axe in hand, and everything went quiet. There was sweat on her upper lip. Somewhere inside, Fish Lamb was singing. He sounded like a colicky baby at midnight.

Fark! said the cockatoo in its cage.

Quick Lamb looked at his toes and pressed them tight together. It was no time to laugh.

The Tent Lady

On New Year’s Day, 1949, people gathered to watch Oriel Lamb move her things out to the white tent beneath the mulberry tree at Cloudstreet. They crowded into the second floor rooms overlooking the yard, and found cracks in the scaly picket fence; they climbed trees in yards all around and perved through pointed gum leaves at the little woman carrying bedclothes and fruitboxes out through the bewildered half circle of her family. No one missed the sight of Quick Lamb helping his mother out with the jarrah bed and the umps and bumps they made getting it in. There wasn’t a noise to be heard otherwise except for Fish Lamb slapping away at the piano in the centre of the house; everyone looked on in wonder, missing nothing. She had a desk, Tilley lamp, chamberpot, books, mysterious boxes. People gathered at the fences. When she had it all in shape, Oriel Lamb tied off the door flap and went back into the house to organize her family’s dinner, and the crowd went away murmuring that surely this was a day to remember.

She’s ad enough kids, said the women of the street.

She’s caught him out, said the blokes.

But the real reason remained a mystery, even to Oriel Lamb. It wasn’t actually one thing that’d moved her. The pig, the sound of middle C ringing in her ears, the sudden claustrophobia of the house, the realization that Fish didn’t even know her, and the feeling she had that the house was saying to her: wait, wait. She didn’t know, but, whatever else she was, Oriel wasn’t the sort to argue with a living breathing house.

V. A Combustible Material

By the time he was sixteen, Quick Lamb was taller than his father. He was a fairskinned, melancholy boy, slim and a little cagey around the ribs but robust in his own way. He loved to walk and to fish, to be out on the water in the shadow of the brewery or anchored out from the Nedlands jetty. It was so much more peaceful than the teeming house where there was always some fit of yelling, some quiet tussle, some jostling spectacle in progress. The sun tended to turn his skin to bark in an hour, so he rigged up a longshafted umbrella he’d found in a bin outside the university and fixed it to an old rod belt strapped to his waist and it gave him the feeling of rowing with a small cloud always overhead. He smeared his face and arms with zinc cream, and the overall effect failed to render him inconspicuous.

The river was broad and silvertopped and he knew its topography well enough to be out at night, though the old girl would have had a seizure at the thought. He never got bored with landmarks, the swirls of tideturned sand, armadas of jellyfish, the smell of barnacles and weed, the way the pelicans baulked and hovered like great baggy clowns. He liked to hear the skip of prawns and the way a confused school of mullet bucked and turned in a mob. From the river you could be in the city but not on or of it. You could be back from it out there on the water and see everything go by you, around you, leaving you untouched. Cars swept round Mounts Bay Road beneath Mount Eliza where Kings Park and its forest of war memorials presided over the town. With an easterly rushing in his ears, he often watched the toffs picnicking by the university. He saw their sporty little cars, their jingling bicycles, and he wondered what they were, those university people. They came into the shop now and then on a Saturday, stopping for some forgotten thing for the picnic hamper, or seeking out the icecream the old man was known for. Quick looked into their faces and wanted to know how they could bear so much school.

School just gave Quick Lamb the pip. He was too slow to get things right the first time and too impatient to force himself to learn. For a while he was an army cadet, a soldier under the command of mathematics teachers who exchanged the steel rule for the brass ended baton and who liked the sound of both on a set of knuckles. In the cadets Quick learnt to shoot and also to crap with the aid of one square of shiny paper. He loved the khaki serge of battledress and the smell of nugget in the webbing, and he loved to shoot because he was good at it. He could see a long way, pick things in the distance that others couldn’t, and the two hundred yard target seemed close to him, only a barrel length away. In the end, even Quick knew the only reason the school kept him on at all was to win rifle trophies for it. Sometimes, after a shoot, he’d see the whole world through a V. There was only ever one teacher Quick Lamb could talk with, but he was the sort of man who winced when you brought up your shoot scores, or rolled his eyes when you spoke warmly of a Bren gun. His name was Krasnostein and he had a limp. He taught history and he liked to have the class in an uproar of debate and discussion. He had the sort of dandruff that found its way into your books and papers and his teeth were like burnt mallee stumps. When he breathed on you, there was no telling how you’d behave.