"Now, once Claire got over being startled, she realized what had happened, and she felt pretty bad about it. But she didn't want to admit to anyone that it had been her mistake—that she'd asked Paul to clean her gutters, and that's what he'd been doing on that ladder. Because then she'd look like a big idiot. So she kept that information to herself, and let everyone think Paul was a Peeping Tom."
I went on to describe how Paul, scared for his life, stayed in that cave. He stayed there all night, and all the next day, and the next night, too. I explained how by then, Paul's parents were really worried. They had called the police to help them look, but that just made things worse, because one time Paul came out of the cave, to see if people were still looking for him, and he saw a sheriff's cruiser go by. That just drove him deeper back into the cave, where when he was thirsty, he drank cave water.
"But there was no food in the cave," I said. "And Paul couldn't come out to buy any, because he might get caught. Eventually, he got so hungry, well, he just lost his mind. He saw a bat, and he grabbed it, ripped its head off, and ate it raw."
This elicited some groans of disgust.
And that, I told the boys, was the beginning of Paul's descent into madness. Very soon, he was living on nothing but cave water and bat meat. He lost all this weight, and started growing this long, matted beard. He couldn't wash his hair because he didn't have any shampoo, so it started getting all filled with twigs and dirt. His clothes became tattered and hung off him like rags. But still, he wouldn't come out of the cave, because he couldn't face the shame of whatever it was he'd done to Claire.
Time went by. Winter came. Soon Paul ran out of bats to eat. He had no choice but to leave the cave at night, and root through people's garbage for old chicken bones and rotten milk, so he wouldn't starve. Sometimes, little children would wake up in the night and see him, and they'd tell their parents the next morning about the strange, long-haired man they'd seen in the backyard, and their parents would say, "Stop telling lies."
But the children knew what they'd seen.
More time went by. One night, Paul Huck was going through someone's garbage when he came across a newspaper. Newspapers didn't interest Paul much, on account of his not being able to read. But this one had a picture on it. He squinted at the picture in the moonlight and realized it was a picture of his old love, Claire Lippman. He didn't need to know how to read in order to figure out why Claire's picture was in the paper. In the photo, she was dressed in a wedding gown and veil. Claire Lippman had gotten married.
Paul, crazy as he was now, couldn't think like a normal person—not that he'd ever been able to before. But after a steady diet of bats and garbage, which was all he'd had to eat for the past few years, he'd gotten much worse. So what seemed to Paul like a really good idea—he ought to give Claire a wedding present, to show there were no hard feelings—well, that just wouldn't have occurred to a normal person.
"What was worse," I said, "Paul's idea of a wedding present was to go through all the yards in the town and pick every rose he could find. He did this, of course, in the middle of the night, and all over town children woke up and looked out the window and said, "There's Paul Huck again,' and they wondered what he was going to do with all the roses.
"What Paul did with all the roses was, he piled them up on Claire Lippman's front porch, so she'd see them first thing when she came out of her house to go to work."
And there, I told the kids, for the first time ever, an adult woke up and heard Paul Huck. It was Claire's new husband, Simon, who was a stranger to the town. He didn't know who Paul Huck was. All Simon knew was, when he came downstairs into the kitchen to get a glass of milk before going back to sleep, he saw this gigantic, shaggy-haired man, covered in dirt and blood—because the roses' thorns had cut Paul everywhere he touched them—standing on his front porch. Simon didn't even think about what he was doing. Since he was in the kitchen, he grabbed the first thing he saw that he could use as a weapon—a carving knife—and went to the front door, threw it open, and said, "Who the hell are you?"
"Paul was so surprised that someone was speaking to him—no one had said a word to him, not in five long years—that he spun around, just as he'd been about to leave the porch. Simon didn't understand that Paul was just startled. He thought this giant, hairy, bloody guy was coming after him. So Simon swung the carving knife, and it caught Paul just beneath the chin, and whoosh … it cut off his head. Paul Huck," I said, "was dead."
Silence followed this.
I went on to describe how Claire's husband, in a panic after seeing what he had done, ran inside the house to call the police. Hearing all the commotion, Claire woke up and came downstairs. She went out onto the porch. The first thing she saw was all the roses. The second thing she saw was this great big bloody body laying on top of them. The last thing she saw was a head, almost buried in the roses.
And even though the head had this long beard, and the eyes were all rolled back, Claire recognized Paul Huck. And she put together the roses and the fact that it was Paul and she knew that her husband had just killed the man that, because of her, had been living like an animal for five long years.
Claire wouldn't let Simon call the police. He had killed, she insisted, an innocent man. Paul had never meant to hurt either of them. If word got out about this, Claire and her new husband—who was this very important surgeon—were going to be socially ruined in town, and she knew it. She explained all this to Simon. They had, she said, to hide the body, and pretend like nothing had happened.
Simon was disgusted, but like Claire, he enjoyed his status high at the top of the town's social ladder. So he made a deal with her: he'd get rid of Paul's body, if Claire got rid of the head.
Claire agreed. So while Simon wrapped Paul's body in sheets—so he wouldn't bleed all over the back of his new car while Simon drove over to the lake, where he intended to dump the body—Claire lifted up the head and threw it in the first place she thought of: down the well in her backyard.
When Simon got back from the lake, the two of them cleaned up all the blood and roses. Then, exhausted, they went back to bed.
Everything seemed to go okay at first. Nobody except the children of the town had ever believed Paul Huck was still alive anyway, so nobody noticed that he was gone. Little by little, Claire and Simon were able to put from their minds what they had done. Their lives went back to normal.
Until the first full moon after Paul's murder. That night, Claire and Simon were awakened from their sleep by a moaning they heard coming from the backyard. At first they thought it was the wind. But it seemed to be moaning words. And those words were, "Where's … my … head?"
They thought they must have been hearing things. But then, sounding even closer than the first moan, they heard the words, "Down … in … the … well."
Claire and Simon put on their bathrobes and hurried downstairs. Looking out into their backyard, they got the shock of their lives. For there, in the moonlight, they saw a horrifying sight: Paul Huck's headless body, all covered with lake weeds and dripping wet, moaning, "Where's … my … head?"
And, from deep inside the well, the echoing reply: "Down … in … the … well!"
Claire and her husband both went instantly insane. They ran from the house that night, and they never went back, not even to move out their stuff. They hired a moving company to do it for them. They put the house up for sale.
"But you know what?" I looked at all the faces gazing at me in the soft glow of my single flashlight. "No one ever bought the house. It was like everyone could sense that there was something wrong with it. No one ever bought it, and little by little, it began to fall apart. Vandals threw rocks through its windows, and rats moved in, and bats, just like the ones Paul used to eat, lived in the attic. It is still empty, to this day. And on nights when the moon is full, if you go into the backyard, you can still hear the wind moaning, just like Paul Huck: 'Where's … my … head?'"