Karentine law lets anyone coin money. Every other kingdom makes minting a state monopoly because seigniorage—the difference between the intrinsic metal value of a coin and its monetary value—is a profit that accrues to the state. The Karentine Crown, though, gets its cuts. It requires private minters to buy their planchets, or blanks, from the Royal Mint, costs payable in fine metal of a weight equal to that of the alloy planchets. There's more state profit in not having to make dies and pay workmen to do the striking.
The system works most of the time and when it doesn't, people get roasted alive, even if they're Princes of the Church or officials of the Mint who are cousins of the King. The foundation of Karentine prosperity is the reliability of Karenta's coinage. Karenta is corrupt to the bone but will permit no tampering with the instrument of corruption.
I gave the gold piece the most attention. I'd never seen private gold. It was too expensive just to puff an organizational ego.
I picked up the top piece of card stock and read the terse note, "See the man," followed by a fish symbol, a bear symbol, and a street name that constituted an address. Few people can read so they figure out where they are by reference to commonly understood symbols.
Crask wanted me to see somebody. This provocative little package was supposed to provide useful hints.
If Crask was dishing out hints, that meant Chodo Contague was serving up suggestions. Crask didn't take a deep breath without Chodo telling him. I decided to check it out. There was no point getting Chodo miffed.
The address would be way up north. Of course. I needed a long hike.
I didn't have anything going until Jill arrived. And I'd been telling myself I needed exercise.
North End, eh?
I went upstairs and rummaged through my tool locker, selected brass knucks, a couple of knives, and my favorite eighteen-inch, lead-weighted head-knocker. I tucked everything out of sight, then went down and told Dean I'd be out for a few hours.
12
Most of us are in worse physical shape than we like to think, let alone admit. I'm used to that being more the other guy's problem than mine. But by the time I covered the six miles to the North End, I felt it in my calves and the fronts of my thighs. This was the body that had carried me through weeks of full-pack marches when I was a Marine?
It wasn't. This body was older and it had been beaten up and banged around more than its share since.
The neighborhood was elfin and elfin-breed, which means it was tidy and orderly in an obsessive fashion. This was a neighborhood where elfish wives whitened stonework with acids and reddened brickwork with dyes once a week. When it rained the gutters ran with color. Here the men tended trees as though they were minor deities and trimmed their tiny patches of lawn with scissors, one blade of grass at a time. You had to wonder if their private lives were as ordered and passionless and sterile.
How had this environment, with its rigid rectitude, produced Snowball and the Vampires?
I turned into Black Cross Lane, a narrow two-blocker in the shadow of Reservoir Hill. I looked for the fish and bear and stray Vampires.
It was quiet. Way too quiet. Elfish women should have been out sweeping the streets or walks or doing something to stave off the entropy devouring the rest of the city. Worse, the silence smelled like an old one, in place because something unimaginably awful had happened and the street remained paralyzed by shock. My advent had not caused it. Even in this neighborhood there would have been folks getting out of the way if I was headed into an ambush.
I have such comforting thoughts.
I found the place, a four-story gray tenement in fine repair. The front door stood open. I went up the stoop. The silence within was deeper than that which haunted the street.
This was the heart of it, the headwater from which the treacle of dread flowed.
What was I supposed to do?
Do what I do, I guessed. Snoop.
I stepped inside figuring I'd work my way to the top floor. I didn't need to. The first apartment door stood open a crack. I knocked. Nobody answered but I heard a thud inside. I gave the door a push. "Yo! Anybody home?"
Frantic thumping sounded from another room. I proceeded with extreme caution. Others had been there before me. The room had been stripped by locusts.
There was a smell in the air, faint yet, but one you never mistake. I knew what I'd find in the next room. It was worse than I thought it could be. There were five of them, expertly tied into wooden chairs. One had tipped himself over. He was doing the thumping, trying to attract attention. The others would attract nothing but flies ever again.
Someone had placed a loop of copper wire, attached to a stick, around each of their necks, then had twisted the loops tight. The killers had taken their time.
I recognized everybody—Snowball, Doc, the other two who had tried to whack me. The live one was the kid who had stood lookout. They were efficient that way, Crask and Sadler.
It was a little gift for Garrett from Chodo Contague, an interest installment on his debt. The wig, against the day I called in the nut.
What do you think at a moment like that, surrounded by people snuffed as casually as you would stomp a roach, without anger, malice, or remorse? It's scary because it's death without fire behind it, as impersonal as accidental drowning. Squish! Game's over.
The wire loop is Sadler's signature.
I could see Slade giving Sadler the message Morley had written. I could see Sadler telling Chodo. I could see Chodo getting so worked up he might adjust the blanket covering his lap. "So take care of it," Chodo might say, like he'd say, "Throw out that fish that's starting to smell." And Sadler would take care of it. And Crask would bring me a few coins and a lock of a dead man's hair.
That was death in the big city.
Did Doc and Snowball and the others have anyone to mourn them?
I was getting nowhere standing around feeling sorry for guys who'd had it coming. Crask wouldn't have made a trip across town if he hadn't thought I'd find something interesting here.
I guessed I'd get it from the one they'd left alive.
I sat him up facing the wall. I hadn't let him see me yet. I walked around and leaned against the wall, looked him in the eye.
He remembered me.
I said, "Been your lucky day so far, hasn't it?" He'd survived Crask and Sadler and those opportunists who had taken everything that wasn't nailed down. I waited until his eyes told me he knew his luck had run out. Then I abandoned him.
I scrounged around until I found a water jug in a second-floor apartment. The locusts hadn't gone that high, fearing they'd get cut off. I checked the street before going back to my man. It was still quiet out there.
I showed the chuko the jug. "Water. Thought you might be dry."
He wasted a little moisture on tears.
I cut his gag off, gave him a sip, then backed off to prop up the wall. "I think you have things to tell me. Tell me right, tell me straight, tell me everything, maybe I'll let you go. They make sure you heard everything during the interviews?" Clever euphemism, Garrett.
He nodded. He was about as terrified as he could get.
"Start at the beginning."
His idea of the beginning antedated mine. He started with Snowball taking over the building by dumping his human mother in the street. She had inherited it from his father, whose family had owned it since the first elfish migrated to TunFaire. The entire neighborhood had been elfish for generations, which was why it was in such good shape.
"I'm more interested in the part of history where the Vampires got interested in me."