Banks took a long swig of beer and lit another cigarette, marveling for the umpteenth time in the last hour or so at how calm he felt. He hadn’t felt this calm in ages. Certainly not in his last few months with Sandra. After she had dropped her bombshell earlier in the evening, she had dashed out of the restaurant in tears, leaving Banks alone with his wine and the bill. The whole place had seemed to fall silent as the pressure mounted in his ears, and he felt pins and needles prickle over his entire body. Divorce. Marry Sean. Had she really said that?
She had, he realized after he had paid up and wobbled down the rain-lashed streets of Camden Town into the first pub he saw. And now here he was at the bar, on his second pint, wondering where were the anger, the pain, the rage he was supposed to feel? He was stunned, gob-smacked, knocked for six, as anyone would be after hearing such news. But he didn’t feel as if the bottom had fallen out of his world. Why?
The answer, when it came, was so simple he could have kicked himself. It was because Sandra was right. They weren’t going to get back together. He’d been deluding himself for long enough, and reality had finally broken through. He had simply been going through the motions he thought he was supposed to go through. When it really came down to it, neither of them really wanted to get back together. It was over. And this was one sure way of bringing about closure. Divorce. Marriage to Sean.
Sure, Banks knew, you can’t write off twenty years of marriage completely, and there would always be a residue of affection, even of love and, perhaps, of pain. But – and this was the important thing – it was finally over. There would be no more ambiguity, no more vain hope, no more childish illusions that some external change – a new place to live, a new job – would make everything all right again. Now they could both walk away from the dead thing that was their marriage and get on with their lives.
There would be sadness, yes. They’d have regrets, perhaps a few, as the song went. They would also always be tied together by Brian and Tracy. But he realized as he looked in the pub mirror at his own reflection that if he was to be really honest with himself right now – and this was the moment for it – then he should be celebrating rather than drowning his sorrows. Tomorrow he would phone Sandra and tell her to go ahead with the divorce, to marry Sean, that it was fine. But tonight he would celebrate freedom. What he really felt was relief. The scales had fallen from his eyes. Because there was no hope, there was hope.
And so he raised the rest of his pint in celebration and drew one or two curious looks when he toasted the face in the mirror.
Rain had smudged the neon and car lights all over the road like a finger painting as Banks walked a little unsteadily looking for the next pub. He could hear the sound of distant fireworks and see rockets flash across the sky. He didn’t want to go back to the lonely hotel room just yet, didn’t feel tired enough, despite what felt like a long day.
The next pub he found was less crowded, and he managed to find a seat in the corner, next to a table of pensioners well into their cups. He knew he was a bit drunk, but he also knew he was well within the limits of reason in his thoughts. And so he found himself thinking about what had transpired that day, how uneasy he felt about it all. Especially about his meeting with Emily Riddle at Barry Clough’s villa. The more he thought about that, the more out of kilter everything seemed.
Emily had been high; that much was obvious. Whether she was on coke or heroin, he couldn’t be certain, but the white powder on her upper lip certainly indicated one or the other. Coke, he would guess, given her jerkiness and her mood swings. She had probably been smoking marijuana, too. Craig Newton had also said she was really high when he saw her in the street, the time Clough’s minders beat him up. So was she a junkie or an occasional user? Sometimes the one shaded right into the other.
Then there was Barry Clough himself: the expensive villa, the gold, the furnishings, the Armani suit, the guns. That he was a “businessman” was all anyone would say about him, and that was a term that covered a multitude of sins. What did he really have to do with the music business? What sort of party had he met Emily at? That he was a crook of some kind, Banks had no doubt, but as to what kind of criminal activity or activities were his bent, he didn’t know. How did he make his money? Drugs, perhaps. Porn? Possibly. Either way, he was bad news for Emily, no matter how much of a ball she thought she was having now, and he was even worse news for Jimmy Riddle’s career prospects.
Banks hadn’t felt good about walking away from Clough’s house like that. Just as he hadn’t felt good about not taking on the minder at the gate. Under normal circumstances, he would have gone in there with authority, with teeth, but he was acting as a private citizen, so he had to take whatever they dished out. He was also committed to acting discreetly, and who knew what damaging revelations might come out into the light of day if he upset Clough? Part of him, perhaps due to the overstimulation of alcohol, wanted to go back there and ruffle Clough’s feathers, antagonize him into making some sort of move. But he knew enough not to give in to the desire. Not tonight, at any rate.
Instead, he called upon the gods of common sense, finished his pint and hurried out into the street to find a taxi. A good night’s sleep was what he needed now, and tomorrow would bring what it would.
Tomorrow came too early. It was 3:18 A.M. by the digital clock on Banks’s bedside table when the telephone rang. Groaning and rubbing the sleep from his eyes, he groped for it in the dark and finally grasped the handset.
“Banks,” he grunted.
“I’m sorry to bother you at this hour, sir,” said the desk clerk, “but there’s a young lady in the lobby. She seems very distraught. She says she’s your daughter and she insists on seeing you.”
In Banks’s half-asleep, alcohol-sodden consciousness, the only thought that came clear out of all that was that Tracy was there and she was in trouble. Perhaps she had been talking to Sandra and was upset about the impending divorce. “Send her up,” he said, then he got out of bed, turned on the table lamp and pulled on his clothes. His head ached and his mouth was dry. Figuring it would take Tracy a minute or so to get up to his third-floor room, he nipped into the bathroom and swallowed a few Paracetamols from his traveling medicine kit, along with a couple of glasses of water. When he had done that, he filled and plugged in the little kettle and put a teabag in the pot.
By the time the soft knock came at his door, Banks was beginning to realize there was something wrong with the picture he had envisaged. Tracy knew where he would be, of course; he had given her the name of the hotel before she left for Paris with Damon. But it was still only Saturday night, or Sunday morning, so shouldn’t they both still be in Paris?
When he opened the door, Emily Riddle stood there. “Can I come in?” she said.
Banks stepped aside and locked the door behind her. Emily was wearing a black evening gown, loose-fitting, cut low over her small breasts and slit up one side to her thigh. Her bare arms were covered with goose pimples. Her blond hair was messily piled on her head, the remains of the sophisticated style disarrayed by the wind and rain. She looked like a naughty debutante. A twenty-five-year-old naughty debutante at that. But more remarkable than all that were the tear down the right shoulder of her dress and the question mark of dried blood at the corner of her mouth. There was also a weal on her cheek that looked as if it might turn into a bruise. Her eyes looked heavy, half-closed.
“I’m so tired,” she said, then she tossed her handbag on the bed and flopped into the armchair.