Paterna handed the photographs back. "I don't know any of these people."
"Do you remember anything about the two younger Grumbach girls?"
Paterna drew a cigarette case out, took a short cigarette from it, didn't offer Paine one. "They were nice girls. I was over there a lot for a while. The youngest had emotional problems, but she was a nice girl." He lit the cigarette. "I was sorry to hear she killed herself."
Paine asked, "Did you call Gloria Fulman just before you let me in here?"
Paterna's eyes stared at him.
"I hope she spoke well of me," Paine said.
Paterna replied, "Is there anything else you wanted to know?"
"How's business?" Paine asked, getting up.
Paterna smiled, showing shark's teeth. "Better than yours."
Paine saw the handgun in the window of the car across the street a half second before he heard the shot. Something automatic took over his body and he dropped to the sidewalk. He heard a second shot strike overhead behind him. He crawled forward and heard another one hit the cement in front of him. A pebble of concrete flicked against his cheek.
As he reached a parked car he heard a gunned engine. He stood cautiously. The blue tail of a sedan was disappearing around a corner and then the world was quiet again.
He got into his car and drove four blocks, waited in a shopping center parking lot and then drove slowly back. He parked fifty yards from Bravura Enterprises. A half hour went by and then a blue Chrysler nosed onto the Street and passed him, pulling into an empty spot a few cars ahead. There was a driver, and a man in back on the driver's side. They got out and walked up the block to the Bravura Building and went in.
The afternoon wore on. Paine turned on the car radio, low, and waited. His stomach began to growl but he ignored it. A bank of clouds came over and it looked for a time as though it would rain. The clouds broke up, letting in blue patches of sky again, and then the sky began to get dark.
At five o'clock there was a flurry of activity in front of the building. Fifteen or twenty people came out, got into various cars and drove away. Paine turned off the radio. Another ten minutes went by and then Les Paterna came out with Mary Wagner. They stopped in the doorway, and Paterna took her by the arm. He tried to kiss her but she pushed him away. Paine heard Paterna laugh, and she said something and walked away. Paterna got into the Mercedes in front of the building and drove off.
A few minutes later the two men from the blue Chrysler came out of the building. One of them got into a red Toyota, and the other walked toward the Chrysler, got in and pulled out.
Paine started his engine and followed the Chrysler, keeping well back. He got on the Saw Mill Parkway, then got onto the Taconic Parkway. He stayed on this till he got off in Croton and drove to a small house. Paine parked across the street and watched him collect his mail and go in. The mailbox said "Hartman." He saw the light go on in the front room, then saw his shadow pass by it.
It began to rain. That bank of clouds had found its way back and decided to do its business.
Paine got out of the car and went up the walk. He knocked on the door, hiding his face in his coat collar as if the rain was bothering him. The door opened.
"Mr. Hartman?" he said. "I'm here about your paperboy."
Hartman stood with his unbuttoned shirt pulled out of his pants and a beer in his hand. He had the screen door half open before he tried to pull it closed again. Paine pulled the door open and threw his weight inside, hitting Hartman in the midsection and sending him back against a stairway leading to the second floor. Hartman dropped his beer and put his hands up, but he was slow and not very good. Paine hit him once in the face and once in the stomach. He groaned and leaned back against the stairs but then he found strength and tried a weak punch at Paine's head. It missed, and Paine punched him not too hard in the groin and that was it for his resistance.
Paine pulled him by his shirt into the living room. There was only one light on; the rest of the house looked dark except for the kitchen. Paine pushed him into a square overstuffed chair and pulled up a matching chair. There was a sofa made in the same cheap square style, and a coffee table that looked like it came with the package deal. Hartman was bent over, trying to breathe.
"I didn't hit you that hard," Paine said, pushing him back up into a sitting position. Hartman looked at him as though he had hit him plenty hard.
"Where's your jacket?" Paine asked. Hartman pointed weakly to the kitchen. Paine found the jacket thrown over a straight-backed chair. He went through the pockets but found nothing. When he came back into the living room Hartman was sitting up on his own but still looked hurt. "The other joker has the gun?" Paine asked. When Hartman said nothing Paine went over to him and balled his fist under his eyes.
"You don't tell me, I hit you in the hangers again," he said. "I used to be a cop but I'm not anymore, so I can do whatever I want to fuckheads like you and not much will happen to me."
Hartman looked surly but said, when Paine cocked his fist back playfully, "He's got the gun."
"What's his name?"
Hartman took a few breaths and then said, "Childs."
"Does he have a record?"
"Couple of years."
"What about you?"
Hartman stared at the floor. "Same."
"How long have you worked for Paterna?"
"A while."
"I don't give a shit about you," Paine said, "or about your friend, but I don't like being shot at. Not even if it's for fun. Answer the next question carefully. Do you know anything about Morris Grumbach?"
Staring at the floor, Hartman shook his head. "No."
"You never heard Les Paterna mention him?"
"I just work for Paterna. He tells me and Childs what to do. Most of the time I don't do anything. Today was the first time he ever really asked me to do something."
Paine felt like hitting him again. "Is that why you enjoyed it so much?"
Hartman was silent.
"I don't want to see your fucking face again," Paine said. "And I don't want to see your friend's face. Tell him that if I see either of you around me I'll break both your backs. You can tell Paterna that, if you want to. If you're aching to be bad boys again forget it, because you're the kind of scumbags that'll never get it right."
He went to the front hallway and looked at the spreading stain on the rug and the can lying edgewise, empty.
"Sorry about the beer," he said.
NINE
When his key was halfway in the lock he heard voices inside his apartment. He put the key all the way in and slowly turned it, then pushed the door open an inch at a time. The voices were not in the front room but somewhere in the back. Lights were on all over the place. He left the door open behind him.
He heard Ginny's voice. It went high and she was laughing. He walked into the front room and saw that the bedroom door was closed. Two coats, a man's and a woman's, were on the floor where they had missed the arm of a chair. Next to the chair was a paper bag filled with folded paper bags.
Ginny laughed, and then a man laughed. His voice was low-pitched. He laughed some more and then he said something that Paine couldn't hear. Ginny laughed again. Then there were other sounds and Ginny stopped laughing.
Paine heard her moan. The man's voice became more insistent behind the door and then Ginny was breathing loud and hard.
Paine stood frozen. He heard his own bed move, heard the creaks he heard every night when he went to sleep in it. Ginny gasped, the man grunted and then Ginny began to make little "ah" sounds in her throat. They came one after another. Paine felt numb, but despite this he began to count in his head. He counted past twenty. When he got to twenty-five Ginny's panting broke suddenly. She gave a low, strangled, painful sound in her throat. The man stopped grunting. Paine heard him say distinctly, "Are you all right?" He was still breathing heavily. Paine heard his wife begin to whimper; he could almost see her eyes now, the hunted look that was in them, seeking a way out, any way out-