The cops needed a motive for Jordan to kill Dr. Gina. Mason supposed that Jordan's rage could be tied to her adoption and that she could have somehow blamed her therapist for keeping her from her birth mother. Mason would be happy if that lame theory was the high point of the prosecutor's case. Yet someone had gone to a lot of trouble to connect Abby and Gina Davenport. Abby wouldn't have guessed that Jordan was the next link in the chain until Gina was murdered.
Mason and Abby promised to see each other again- soon, they both added in the same breath. Mason knew it would have to wait until he had a better handle on this case. He had to know whether his client's relationship with Abby-if there was one-would help Jordan or put her on death row.
Mason didn't wait to find out. That's why he was standing outside the Cable Depot at eleven o'clock, flipping the passkey in his hand like a coin.
"Heads I win, tails I win," Mason said, betting against the odds.
The revolving door at the front entrance and the single door to his right were both locked. Mason found the dead bolt at the base of the single door, the bolt giving way with a sharp metallic snap when he tried the passkey, no security guard asking him to state his business.
The lobby was small, made smaller by dim after-hours lighting, a rectangular passage with the building directory on one side, two elevators on the other, a narrow corridor leading behind them to Trent's office. The floor was marble, the high ceiling painted with a snapshot of Kansas City in its frontier days.
Stepping off the elevator on the eighth floor, he could see into KWIN's office through glass double doors. The reception area was dark, but lights were on in the hallway leading back to the studio. KWIN broadcast around the clock, the late-night hours filled with syndicated programs, the station operating on autopilot. The doors were locked. Mason resisted the temptation to use his passkey just to look around.
Pieces of crime-scene tape clung to the frame around the door to Dr. Gina's office. The name plate- Gina Davenport, Ph. D. -was more than understated, leaving out her celebrity life and sensational death.
Mason stepped inside, closed the door, and turned on the small but powerful mag light he kept in his car for poking around after dark. He found the light switch and slipped the flashlight back into his pants pocket, surveying the office, getting a feel for the dead woman- who she was, how she lived, and why she died.
Mason had worked in two law firms before he started his own. The first was a small personal-injury firm and the second was a big corporate firm. In both, his office had reflected more of the firm than of him. Now his office was like a second skin. There was no receptionist, file room, mail room, or library. Everything was in one room, nothing separating him from the business he did. During a trial, he spent more time there than at home. Rugby gear tossed over a chair, jazz CDs piled on top of the refrigerator, shoes stuffed under the sofa were all clues to his life that couldn't be separated from his practice.
Dr. Gina's office struck him the same way. There was no room for a receptionist. No place for someone sitting behind a counter shuffling insurance forms beneath a sign requiring payment at the time service was rendered. The room wasn't large, but it was comfortable. A pair of small sofas framed around a low table with a chair formed a circle where Mason assumed Gina met with her patients. Plants on the floor, abstract posters in soothing colors on the walls, and candles on the table made it an inviting place to sit down and talk.
A small desk sat in a corner, abandoned, papers strewn across it. Mason wondered whether Gina shared his aversion to a clean desk or whether the cops had sorted through everything, leaving the mess behind for someone else to clean up.
Mason glanced through the papers, finding nothing more interesting than a few bills and offers for low-interest-rate credit cards. Dr. Gina's phone sat on the edge of the desk, the phone number printed in bold type on the faceplate of the receiver. The number was 816-555-4684-not even close to the number Abby had given him. He didn't find any other phones in the office. Maybe, he thought, Abby had called Dr. Gina's cell phone.
Mason skimmed through the bills again, not surprised that he didn't find a cell-phone bill. He realized the cops would have taken it to check the list of calls made and received for any leads. He did find a notice from the cell-phone company offering Gina five thousand frequent-flier miles if she renewed her service contract for two years. The letter referenced her cellphone number. It too was different. That left Gina's home phone number. Mason found a phone book in a desk drawer and tossed it back when the only listing he found for Gina was for her office. Directory assistance confirmed that her home number was unlisted.
The rest of her desk drawers were empty, as were the filing cabinets behind the desk marked Patient Records, Billings, Insurance, and Correspondence. He found a separate file cabinet with two drawers-one labeled KWIN and the other marked Emily's Fund — in a closet. They too were empty. The police had emptied the office of anything tied to Dr. Gina's practice.
There were two windows. Plywood had been nailed to the fatal one, preventing Mason from examining any part of it. The other window was on the same wall, raised two feet off the floor and set back a foot. Mason stood against it, his six-foot frame matching the window's height. He pressed his body against the glass, the single sheet pressing back against him, vibrating slightly, warning him not to rely too heavily on its support.
Still, throwing someone through a window raised off the floor and set back from the wall was not a slam dunk. Mason guessed that the crack in the window had to have been just right and the impact of Gina's body even more precise to carry her to her death. All of which meant that the homicide might not have been intentional. It may have been reckless, careless, or accidental-three qualifiers that could mean the difference between jail time and no time.
The one thing Mason didn't expect to find was an elevator in the center of the wall to the left of the door, flanked by bookshelves heavy with psychology texts. He pressed the call button and listened as the elevator ascended from a lower floor, humming louder as it came closer. It stopped with an unsteady clang, the floor still wobbling when the door opened.
Mason stepped inside and the door closed. It was an old elevator with raised buttons for each floor, the lobby, and the basement. The elevator floor was carpeted, the walls and ceiling paneled in dark wood and lit by recessed lights around the perimeter of the ceiling. A video camera was mounted in one corner, the first sign of security Mason had seen anywhere in the Depot. He took comfort in the sign that said the certificate of elevator inspection was on file in the building manager's office until he remembered that Trent Hackett was the building manager.
He pressed the open button and the door, to his relief, opened. He allowed it to close again, this time pressing the button for the seventh floor. The button didn't light up and the elevator didn't move. He tried each button in succession, getting no response until he pushed the button marked B, which he assumed was for the basement.
The elevator gears began their deep hum as the car slowly descended, Mason concluding that the elevator had been programmed to run exclusively between the basement and Dr. Gina's office. He didn't know what was in the basement, but guessed there was underground parking, making the elevator a special perk for KWIN's top star.
Seconds later, the elevator jerked to a stop and the lights went out. Disoriented, Mason swore he felt the car sway in an imaginary breeze. He flicked on his flashlight, running the beam along the control panel until he found the alarm button. He pushed it three times with no result. There was no emergency phone and he'd left his cell phone in the car. He yelled for help, with no response, and banged on the wall for added effect until the car dropped a foot like an airplane hitting an air pocket, taking Mason down on one knee.