But let us get back to our miracle. “What do you think of it?” I asked our Lebanese companion. He stroked his black beard, he smiled, he shrugged his shoulders in expressive silence. Being himself a professional thaumaturge—trained by the dervishes to lie on beds of nails, to go into catalepsy, to perform feats of telepathy, to send people into hypnotic trance by simply touching a point on the neck or back—he knew how hard a man must work if he would acquire even the most trifling of paranormal powers. His skepticism in regard to amateur wonder-workers and spontaneous miracles was complete and unshakable.
A queue had formed at the foot of the altar steps. We got into line and shuffled slowly forward to get our peep, in due course, into the niche. That I personally saw nothing was the fault, not of the chalice, but of my own poor eyesight. To my companions and everyone else the glow was manifest. It was an Armenian miracle; but even Maronites, even Uniats, even Moslems and Druses had to admit that something had happened.
We made our way toward the door. Perched on the tall man’s shoulders, the boy was still busy at his task of turning handkerchiefs into relics. In the sacristy picture postcards of the chalice and the illuminated niche were already on sale.
In Edward Conze’s admirable account of Buddhism [1] there is a striking passage on the historical, and perhaps psychologically inevitable relationship between spirituality and superstition, between the highest form of religion and the lowest. “Historically,” Conze notes, “the display of supernatural powers and the working of miracles were among the most potent causes of the conversion of tribes and individuals to Buddhism.” Even the most “refined and intellectual” of Buddhists “would be inclined to think that a belief in miracles is indispensable to the survival of any spiritual life. In Europe, from the eighteenth century onwards, the conviction that spiritual forces can act on material events has given way to a belief in the inexorable rule of natural law. The result is that the experience of the spiritual has become more and more inaccessible to modern society. No known religion has become mature without embracing both the spiritual and the magical. If it rejects the spiritual, religion becomes a mere weapon to dominate the world… Such was the case in Nazism and in modern Japan. If, however, religion rejects the magical side of life, it cuts itself off from the living forces of the world to such an extent that it cannot bring even the spiritual side of man to maturity.” Buddhism (like Christianity in its heyday) has combined “lofty metaphysics with adherence to the most commonly accepted superstitions of mankind. The Prajnaparamita text tells us that ‘perfect wisdom can be attained only by the complete and total extinction of self-interest.’ And yet, in the same texts, this supreme spiritual wisdom is ‘recommended as a sort of magical talisman or lucky amulet.’… Among all the paradoxes with which the history of Buddhism presents us this combination of spiritual negation of self-interest with magical subservience to self-interest is perhaps one of the most striking.”
The same paradox is to be found in Christianity. The mystical spirituality of the fourteenth century had as its background and context the system of ideas which called into existence such men as Chaucer’s Pardoner and the preacher who, in the Decameron, tours the country exhibiting a tail feather of the Holy Ghost. Or consider the flowering, three centuries later, of French spirituality in Charles de Condren and Olier, in Lallemant and Surin and Mme. de Chantal. These worshipers in spirit of a God who is Spirit were contemporary with and, in Surin’s case, deeply involved in the most hideous manifestations of devil-centered superstition. White sand is clean, but sterile. If you want a herbaceous border, you must mulch your soil with dead leaves and, if possible, dig in a load of dung. Shall we ever see, in religion, the equivalent of hydroponics—spiritual flowers growing, without benefit of excrement or decay, in a solution of pure love and understanding? I devoutly hope so, but, alas, have my doubts. Like dirtless farming, dirtless spirituality is likely to remain, for a long time, an exception. The rule will be dirt and plenty of it. Occult dirt, bringing forth, as usual, a few mystical flowers and a whole crop of magicians, priests and fanatics. Anti-occult dirt—the dirt of ideological and technological superstition—in which personal frustrations grow like toadstools in the dark thickets of political tyranny. Or else (and this will be the ultimate horror) a mixture of both kinds of dirt, fertile in such monstrosities as mediumistic commissars, clairvoyant engineers, NKVD’s and FBI’s equipped with ESP as well as walky-talkies and concealed microphones.
(From “Miracle in Lebanon,” Tomorrow and Tomorrow and Tomorrow)
Love, Sex, and Physical Beauty
Beauty in 1920
To those who know how to read the signs of the times it will have become apparent, in the course of these last days and weeks, that the Silly Season is close upon us. Already—and this in July with the menace of three or four new wars grumbling on the thunderous horizon—already a monster of the deep has appeared at a popular seaside resort. Already Mr. Louis McQuilland has launched in the Daily Express a fierce onslaught on the younger poets of the Asylum. Already the picture-papers are more than half-filled with photographs of bathing nymphs—photographs that make one understand the ease with which St. Anthony rebuffed his temptations. The newspapermen, ramping up and down like wolves, seek their prey wherever they may find it; and it was with a unanimous howl of delight that the whole Press went pelting after the hare started by Mrs. Asquith in a recent installment of her autobiography. Feebly and belatedly, let me follow the pack.
Mrs. Asquith’s denial of beauty to the daughters of the twentieth century has proved a god-sent giant gooseberry. It has necessitated the calling in of a whole host of skin-food specialists, portrait-painters and photographers to deny this far from soft impeachment. A great deal of space has been agreeably and inexpensively filled. Every one is satisfied, public, editors, skin-food specialists and all. But by far the most interesting contribution to the debate was a pictorial one, which appeared, if I remember rightly, in the Daily News. Side by side, on the same page, we were shown the photographs of three beauties of the eighteen-eighties and three of the nineteen-twenties. The comparison was most instructive. For a great gulf separates the two types of beauty represented by these two sets of photographs.
I remember in If, one of those charming conspiracies of E. V. Lucas and George Morrow, a series of parodied fashion-plates entitled “If Faces get any Flatter. Last year’s standard, this year’s Evening Standard.” The faces of our living specimens of beauty have grown flatter with those of their fashion-plate sisters. Compare the types of 1880 and 1920. The first is steep-faced, almost Roman in profile; in the contemporary beauties the face has broadened and shortened, the profile is less noble, less imposing, more appealingly, more alluringly pretty. Forty years ago it was the aristocratic type that was appreciated; today the popular taste has shifted from the countess to the soubrette. Photography confirms the fact that the ladies of the ‘eighties looked like Du Maurier drawings. But among the present young generation one looks in vain for the type; the Du Maurier damsel is as extinct as the mesozoic reptile; the Fish girl and other kindred flat-faced species have taken her place.
1
See pp. 84 ff. of