Another essential argument in favor of Bogle's plan: Lady Tichborne's repeated and irrational advertisements showed that she was certain that Roger Charles had not died, and that she would will herself to recognize him when he came.
THE MEETING
Tom Castro, ever accommodating, wrote to Lady Tichborne. In order to prove his identity, he invoked the irrefutable proof of the two moles near his left nipple and that painful and therefore unforgettable episode from his childhood when a swarm of bees had attacked him. The letter was brief and, in the image of Bogle and Tom Castro, free of any scruples as to the way words ought to be spelled. In her majestic solitude in her hôtel particulier in Paris, Lady Tichborne read and reread the letter through happy tears, and in a few days she had recaptured the recollections her son had invoked.
On January 16, 1867, Roger Charles Tichborne called upon his mother. His respectful servant, Ebenezer Bogle, preceded him. It was a winter day of bright sunshine; Lady Tichborne's tired eyes were veiled with tears. The black man threw the windows open. The light served as a mask; the mother recognized the prodigal and opened her arms to him. Now that she had him in the flesh, she might do without his diary and the letters he had written her from Brazil—the treasured reflections of the son which had fed her loneliness through those fourteen melancholy years. She returned them to him proudly; not one was missing.
Bogle smiled discreetly; now he could research the gentle ghost of Roger Charles.
AD MAJOREM DEI GLORIAM
That joyous recognition, which seems to obey the tradition of classical tragedy, should be the crown of this story, leaving happiness assured (or at least more than possible) for the three persons of the tale—the true mother, the apocryphal and obliging son, and the conspirator repaid for the providential apotheosis of his industry. But Fate (for such is the name that we give the infinite and unceasing operation of thousands of intertwined causes) would not have it. Lady Tichborne died in 1870, and the family brought charges against Arthur Orton for impersonation and usurpation of their dead kinsman's estate. As they themselves were afflicted with neither tears nor loneliness (though the same cannot be said of greed), they had never believed in the obese and almost illiterate lost son who had so inopportunely reappeared from Australia.
Orton's claim was supported by the innumerable creditors who had decided that he was Tichborne; they wanted their bills paid. He also drew upon the friendship of the old family solicitor, Edward Hopkins, and that of an antiquary named Francis J. Baigent. But this, though much, was not enough. Bogle believed that if they were to win this round, a groundswell of public support was wanted. He called for his top hat and his black umbrella and he went out for a walk through the decorous streets of London, in search of inspiration. It was just evening; Bogle wandered about until a honey-colored moon was mirrored in the rectangular waters of the public fountains. And then he was visited by his god. Bogle whistled for a cab and had himself driven to the flat of the antiquary Baigent. Baigent sent a long letter to the Times, denouncing this "Tichborne claimant" as a brazen hoax. The letter was signed by Father Goudron, of the Society of Jesus. Other, equally papist, denunciations followed. The effect was immediate: the right sort of person could not fail to see that Sir Roger Charles Tichborne was the target of a despicable Jesuit plot.
THE COACH
The trial lasted one hundred ninety days. Some hundred witnesses swore that the accused was Roger Charles Tichborne—among them, four comrades-at-arms from the 6th Dragoons. Orton's supporters steadfastly maintained that he was no impostor—had he been, they pointed out, he would surely have attempted to copy the juvenile portraits of his model. And besides, Lady Tichborne had recognized and accepted him; clearly, in such matters, a mother does not err. All was going well, then—more or less—until an old sweetheart of Orton's was called to testify. Not a muscle of Bogle's face twitched at that perfidious maneuver by the "family"; he called for his black umbrella and his top hat and he went out into the decorous streets of London to seek a third inspiration. We shall never know whether he found it. Shortly before he came to Primrose Hill, he was struck by that terrible vehicle that had been pursuing him through all these years. Bogle saw it coming and managed to cry out, but he could not manage to save himself. He was thrown violently against the paving stones. The hack's dizzying hooves cracked his skull open.
THE SPECTER
Tom Castro was Tichborne's ghost, but a poor sort of ghost, inhabited by the demon Bogle. When he was told that Bogle had been killed, he simply collapsed. He continued to tell his lies, but with very little enthusiasm and a great deal of self-contradiction. It was easy to foresee the end.
On the 27th of February, 1874, Arthur Orton (alias Tom Castro) was sentenced to fourteen years' penal servitude. In gaol he made himself beloved by all; it was his lifework. His exemplary behavior won him a reduction of four years off his sentence. When that final hospitality—the prison's—ran out on him, he wandered the towns and villages of the United Kingdom, giving lectures in which he would alternately declare his innocence and confess his guilt. His modesty and his desire to please remained with him always; many nights he would begin by defending himself and wind up admitting all, depending upon the inclinations of his audience.
On the 2nd of April, 1898, he died.
[¹] I have chosen this metaphor in order to remind the reader that these vile biographies appeared in the Saturday supplement of an evening newspaper
The Widow Ching—Pirate
The author who uses the phrase "female corsairs" runs the risk of calling up an awkward image—that of the now-faded Spanish operetta with its theories of obvious servant girls playing the part of choreographed pirates on noticeably cardboard seas. And yet there have been cases of female pirates—women skilled in the art of sailing, the governance of barbarous crews, the pursuit and looting of majestic ships on the high seas. One such woman was Mary Read, who was quoted once as saying that the profession of piracy wasn't for just anybody, and if you were going to practice it with dignity, you had to be a man of courage, like herself. In the crude beginnings of her career, when she was not yet the captain of her own ship, a young man she fancied was insulted by the ship's bully. Mary herself picked a quarrel with the bully and fought him hand to hand, in the old way of the isles of the Caribbean: the long, narrow, and undependable breechloader in her left hand, the trusty saber in her right. The pistol failed her, but the saber acquitted itself admirably.... In 1720 the bold career of Mary Read was interrupted by a Spanish gallows, in Santiago de la Vega, on the island of Jamaica.